Oboe

SKU: OT.23127

Composed by Daniel Akiva. 4 miniatures for oboe solo. Classical, Jewish. Score. OR-TAV Music Publications #23127. Published by OR-TAV Music Publications (OT.23127).

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (relig ious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

SATB Choir

SKU: HL.14002524

Composed by John Beckwith. Music Sales America. Classical. Choral Score. Music Sales #NOV281028. Published by Music Sales (HL.14002524).

The Lord Is Very Great And Terrible is a work by John Beckwith for SATB chorus.

Guitar (Guitar)

SKU: HL.48189486

Composed by Fré, dé, and rique Bousquet. Leduc. Softcover. Alphonse Leduc #NT14041Z. Published by Alphonse Leduc (HL.48189486).

Bousquet Petit Jazz 2 Guitars Book.

Klarinette und Bassetthörner (2)

SKU: VD.ED28840

Composed by Wolfgang Amadeus Mozart. Arranged by Bernhard Kösling. Wind music by koesling. Classical. Score, parts. 14 S. Part. + 12 S. Stimmen pages. Verlag Dohr #ED28840. Published by Verlag Dohr (VD.ED28840).

ISBN 9790202018408. 12 x 9 inches.

SKU: HL.50495378

Composed by Sylvano Bussotti. MGB. Ricordi #NR135194. Published by Ricordi (HL.50495378).

Klarinette und Bassetthörner (2)

SKU: VD.ED28838

Composed by Wolfgang Amadeus Mozart. Arranged by Bernhard Kösling. Wind music by koesling. Classical. Score, parts. 13 S. Part. + 12 S. Stimmen pages. Verlag Dohr #ED28838. Published by Verlag Dohr (VD.ED28838).

ISBN 9790202018385. 12 x 9 inches.

(Trumpet and Piano). Composed by Johann Stamitz (1717-1757). Edited by Alan Boustead. For Trumpet, Piano Accompaniment. Music Sales America. Classical. Novello and Co Ltd. #NOV950520. Published by Novello and Co Ltd.

Various

SKU: HL.50494762

Composed by Sylvano Bussotti. MGB. Other. Composed 1976. Ricordi #NR132450. Published by Ricordi (HL.50494762).

SKU: CA.4034090

War Gott nicht mit uns diese Zeit (God was not with us this time). Kantatenauffuhrung Zur Bachzeit. Postkarte. Post card. 100 pages. Carus Verlag #CV 40.340/90. Published by Carus Verlag (CA.4034090).

ISBN 9790007105037. Language: all languages.

Title plate from the Musikalischen Lexikon.

Chamber Music for Mixed Ensembles

SKU: UT.ACC-1

Composed by Giuseppe Verdi. Edited by Teresa Chirico. Saddle stitching. Classical. Score and Parts. Ut Orpheus #ACC 1. Published by Ut Orpheus (UT.ACC-1).

ISBN 9790215300255. 8.26 x 11.69 inches. Transcribed by Pietro Amici Boccetti.

By Elmar Bozzetti. Eucharist, Praise and thanks; Use during chuch year: Pentecost. Score. 8 pages

Mixed choir (SATB/SATB) a cappella

SKU: HL.49019925

Motet. Composed by Carl Friedrich Zelter. Edited by Hermann Max. This edition: Saddle stitching. Sheet music. Choral. Softcover. 24 pages. Schott Music #ED21771. Published by Schott Music (HL.49019925).

ISBN 9790001196185. German.

Eine wertvolle Bereicherung fur das Repertoire geistlicher A-cappella-Chormusik stellt Carl Friedrich Zelters Motette Der Mensch lebt und bestehet nur eine kleine Zeit dar. Die in der Reihe 'Schatze der Chormusik' erschienene Motette fur achtstimmigen Doppelchor (SATB/SATB) wurde schon zu Lebzeiten hoch gelobt: 'Das Ganze zerfallt in drei Teile. Der erste stellt dar: die Hinfalligkeit des Menschen und die Verganglichkeit aller Welt.' Es folgt ein 'wahres Meisterstuck von musikalischer Architektonik, eine achtstimmige Fuge, wie sie nach Johann Sebastian Bach und Fasch selten in solcher Reinheit und Kunst hervorgegangen sein durfte. Hierauf folgt ein herrlicher Triumphgesang, der gewaltig mit sich fortreisst, so dass die Horer selbst mit einstimmen mochten.' - Ein in jeder Beziehung lohnendes Werk also, das fur ambitionierte Laienchore problemlos einzustudieren sein durfte.

Grade 3

SKU: CL.032-3797-01

Composed by Johann Melchior Molter. Jazz Ensemble. Audio recording available separately (item CL.991-2009-02). Extra full score. Composed 2009. Duration 3 minutes, 40 seconds. C.L. Barnhouse #032-3797-01. Published by C.L. Barnhouse (CL.032-3797-01).

Get down and in the groove with this hard swingin’ in the pocket Bb blues! The eight bar interludes add a nice variation to the standard twelve bar form, and you can feature your star trumpet and tenor player on improvised solos that eventually trade twos. A perfect choice for any concert or jazz festival! Can’t be beat!

SKU: HL.392324

For Electric Guitars. Gator Cases. Fretted Instrument Accessories. Duration 210 seconds. Gator Cases #GBE-ELECT. Published by Gator Cases (HL.392324).

UPC: 716408504483. 17.25x44.25x0.667 inches.

The Gator GBE-ELECT economy electric guitar gig bag is made to fit your instrument, lifestyle, and budget. The worst thing you can do is leave your guitar exposed to dangerous elements such as humidity and dust or leaving it available to curious hands. With a rugged exterior and padding, this gig bag protects your instrument from the hazards of backseat transport and environmental damage when you aren't playing – using the GBE-ELECT means you'll be getting to the gig with your guitar in one piece. So whether you're storing your guitar at home or heading out to your weekly gig, you need the affordability, convenience, and uncompromising protection of the Gator GBE-ELECT electric guitar economy gig bag!

SKU: CL.991-2009-02

Compact Disc. CL Barhnouse Jazz Ensemble Recordings Series. Compact Disc. Composed 2009. C.L. Barnhouse #991-2009-02. Published by C.L. Barnhouse (CL.991-2009-02).

Abaco ( Stanton), Backseat Driver ( Molter), A Band's Gotta Do What A Band's Gotta Do! ( P. Clark), A Bari Cool Chart! ( A. Clark), Can You Feel The Beat? ( R. W. Smith), Derk's Works ( Washut), Dreamin' Out Loud ( Washut), Eye On The Prize ( Stanton), Groovin' Down Cool Street ( R. W. Smith), High Fives ( Rowe), In The Groove ( Stanton), Just a Little Off the Top ( Chattaway), Keep the Change! ( Gingery), Killer on the Keys ( Neeck), Reminiscin' ( J. Taylor), Road Trip ( Rowe), Sometimes You Have To Fly Away ( Aldrich), Sugar Blues ( arr. A. Clark), Swing March from The Nutcracker ( arr. P. Clark).

Arranged by Pamela Conn Beall And Susan Hagen Nipp. For Children's Voices. This edition: Paperback. General Music and Classroom Publications. Wee Sing. 42 sing-along songs, 27 backseat games, 18 silly tongue twisters. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.

Chamber Music Cornet

SKU: CF.O88X

Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X).

ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches.

These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within.
IntroductionTi ps on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication.

Bass Guitar

SKU: BT.MI0405

Composed by Simone Zitellii. Tuition. Book and DVD. Composed 2019. Play Music Italy #MI0405. Published by Play Music Italy (BT.MI0405).

Italian.

Come lo indica chiaramente il titolo, questo metodo, che si rivolge sia ai principianti che ai bassisti esperti, è interamente dedicato all’uso del plettro per suonare il basso. Questa tecnica, a lungo riservata ai chitarristi, ha visto la sua pratica svilupparsi notevolmente negli ultimi decenni presso bassisti di tutti i generi. A tal punto che oggi è considerata tanto importante quanto il colpo appoggiato. Molti bassisti utilizzano in effetti il plettro per via del suono specifico che genera. Inoltre permette una precisione maggiore, in particolare quando si suona ad alta velocit . Comincerete perciò con l’imparare a tenere il plettro nel miglior modo possibile, nonché aposizionare la mano al meglio sul basso. Potrete poi affrontare i vostri primi esercizi tecnici sulle corde a vuoto prima di groovare musicalmente sugli arpeggi e sulle scale. Studierete ovviamente le diverse tecniche relative alla mano destra (pennata alternata, divisione ritmica) prima di combinarle con quelle della mano sinistra (ghost notes, hammer-on, pull-off). Il tutto tramite numerose linee di basso e tanti grooves, a suddivisione sia binaria che ternaria, in diversi stili musicali. Un bel programma! Sul disco dati allegato al metodo, troverete più di 200 file audio e video. I video (mp4) presentano tramite l’immagine tutti gli esempi, esercizi e grooves per aiutarvi a superare le relative difficolt tecniche. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti alle numerose linee di basso. Potrete in questo modo suonare in vere condizioni musicali e verificare il vostro timing.

Concert Band Clarinet & Wind Ensemble

SKU: AP.1-ADV60005

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Samuel Adler. 5 or More; Masterworks; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Advance Music. Masterwork Arrangement. Score. Advance Music #01-ADV60005. Published by Advance Music (AP.1-ADV60005).

English.

Diese Ausgabe ist eine überarbeitete Fassung mit einigen Änderungen in der Orchestrierung: statt verschiedener Instrumente der ursprünglichen russischen Militärkapelle wie das B-Bassetto und das Corno basso nun eine Bassklarinette und ein Euphonium. Dieses Stück eignet sich hervorragend, um ein Ensemblemitglied oder einen Gastsolisten herauszustellen.

This edition is a revised version with some changes in the orchestration: instead of different instruments of the original Russian military band like the B-bassetto and corno, it is now written for a bass clarinet and a euphonium. This piece is perfect to highlight an ensemble member or guest soloists. (German Edition).

Choral (ChoirTrax CD)

SKU: HL.288621

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. CD. Duration 205 seconds. Published by Daybreak Music (HL.288621).

UPC: 888680912567. 5.0x5.0x0.196 inches. Isaiah 1:18, Job 9:29-31, Psalm 51:6-7.

This treasured Christian song is lovingly arranged for choir with an impressionistic approach to showcase the beautiful imagery of its poetry. The text teaches that grace is like a sacred snowfall that covers the wounds of the soul with beauty and mercy. Piano and choir dance in a gentle duet, creating a winterscape of whirling snowflakes on the wind. This stunning arrangement brings back the original song with artful sincerity, delivering a needed message for the modern church. Score and Parts (perc 1-2, vn 1-2, va, vc, db) available as a digital download.

Horn (Horn)

SKU: HL.48184481

Composed by Francis Bousquet. Leduc. Classical. Softcover. Alphonse Leduc #AL27513. Published by Alphonse Leduc (HL.48184481).

Francis Bousquet: Agrotera (Horn & Piano).

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

Concert Band Clarinet & Wind Ensemble

SKU: AP.1-ADV60004

Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Samuel Adler. 5 or More; Masterworks; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Advance Music. Masterwork Arrangement. Score and Part(s). Advance Music #01-ADV60004. Published by Advance Music (AP.1-ADV60004).

UPC: 805095600049. English.

Diese Ausgabe ist eine überarbeitete Fassung mit einigen Änderungen in der Orchestrierung: statt verschiedener Instrumente der ursprünglichen russischen Militärkapelle wie das B-Bassetto und das Corno basso nun eine Bassklarinette und ein Euphonium. Dieses Stück eignet sich hervorragend, um ein Ensemblemitglied oder einen Gastsolisten herauszustellen.

This edition is a revised version with some changes in the orchestration: instead of different instruments of the original Russian military band like the B-bassetto and corno, it is now written for a bass clarinet and a euphonium. This piece is perfect to highlight an ensemble member or guest soloists. (German Edition).

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

By Stephanie Boosahda. By David J. Stearman III and Stephanie Boosahda. Arranged by John Leavitt. Daybreak Choral Series. Christmas, Communion, General Worship, Sacred. Octavo. 12 pages. Published by Daybreak Music

Bass Guitar

SKU: BT.MUSMI0391

Composed by Enzo Abatucci. Tuition. Book with CD. Composed 2018. Play Music Italy #MUSMI0391. Published by Play Music Italy (BT.MUSMI0391).

Italian.

Saper leggere e suonare un ritmo fa parte delle basi che ogni bassista deve assolutamente padroneggiare. In realt molti incontrano difficolt nell’interpretazio ne ritmica di uno spartito o di un qualsiasi esercizio scritto, e sono quindi incapaci di superare questo scoglio senza l’aiuto di un esempio audio o video attinente. Questo metodo, che si rivolge a tutti i bassisti, dal principiante al più avanzato, colmer tutte le vostre lacune e vi dar solide basi per finalmente acquisire o migliorare il senso del ritmo. Estremamente progressiva, quest’opera didattica vi far lavorare su tutte le figure di ritmo essenziali per suonare il basso. Ma la sua vera ricchezza risiedenel suo approccio tanto pratico quanto pienamente musicale. Non si limita alla teoria. In effetti per affrontare le figure ed i ritmi avrete a che fare con veri grooves. Il che significa che lo studio viene svolto in vere condizioni musicali cioè con vere linee di basso da suonare su diverse basi musicali, per progredire al livello ritmico e divertirsi al livello musicale! Sul disco dati allegato al metodo, troverete numerosi file audio e video. I video (mp4) presentano tramite l’immagine i numerosi esempi e grooves così come devono essere suonati. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti alle diverse linee studiate.