Jay Bocook has created a montage that includes the title songs along with the unmistakable James Bond theme. Includes: James Bond Theme Goldeneye and Tomorrow Never Dies.Instrumentation/Number of PartsTROMBONE 1: 3 TROMBONE 2: 3BARITONE B.C.: 2 BARITONE T.C.: 2TUBA: 4STRING BASS: 1 PERCUSSION 1: 2PERCUSSION 2: 2TIMPANI: 1MALLET PERCUSSION: 2 FULL SCORE: 1PICCOLO: 1FLUTE: 8OBOE: 2BASSOON: 2 BB CLARINET: 1 4 BB CLARINET: 2 4BB CLARINET: 3 4EB ALTO CLARINET: 1 BB BASS CLARINET: 2EB ALTO SAXOPHONE: 4BB TENOR SAXOPHONE: 2EB BARITONE SAXOPHONE: 1BB TRUMPET 1: 3BB TRUMPET 2: 3BB TRUMPET 3: 3F HORN: 4

Instrumentation For Orchestra-Includes: Full Score Flute Oboe 1-3 B-Flat Clarinet E-Flat Alto Clarinet B-Flat Bass Clarinet Bassoon 1-2 E-Flat Alto Sax B-Flat Tenor Sax E-Flat Baritone Sax 1-3 B-Flat Cornet/Trumpet 1-2 F Horns 1-3 Trombones Baritone T.C. Baritone B.C. Basses String Bass Mallets (Bells) Timpani Drums 1-2 Violin Viola Cello and String Bass.

Baritone T.C.-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Masterwork Studies focuses on six landmark compositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of theworld's finest ensembles 2. Practice ?loops? on the more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome3. Scale arpeggio and articulation studies in all keysAlso available in the Essential Musicianship curriculum: ? Ensemble Concepts (HL00960059 ? 00960077). Designed to helpensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmental order then combined for more advancedpractice.? Ensemble Concepts - Fundamental Level (HL00960110 ? 00960127)? Ensemble Concepts ? Intermediate Level (HL00960129 ? 00960146)

From Pirates of the Caribbean: The Curse of the Black Pearl-Klaus Badelt's Pirates Of The Caribbean from the 2003 Disney film 'Pirates Of The Caribbean: The Curse Of The Black Pearl' arranged for Flexible Ensemble by Michael Sweeney.Instrumentation: Flute/Oboe 2 x Bb Clarinet/Bb Trumpet 3 x Violin Eb Alto Saxophone Eb Alto Saxophone/Alto Clarinet 2 x F. Horn Viola Bb Tenor Sax/Baritone T. C. Trombone/Bar B/ C./Bassoon Cello Bb Bass Clarinet Trombone/Bar B. C./Bassoon Baritone T. C. Cello Eb Baritone Saxophone Tuba String/Electric Bass Percussion 1 Percussion 2 and Timpani.

Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)

Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)

A Choral Collection-Created by Geron Davis this collection will serve many needs in your local church with its songs of praise and worship of adoration and humility of the Lamb's suffering and death for our sins and of thanksgiving for God'sgoodness and mercy. Songs include:Jesus You Are Welcome We Serve A Mighty God/Mighty God We Serve We've Come to Worship We Sing Worthy King of Kings Lord of Lords All of the Glory Let the Words of My Mouth PerfectPeace Nothing Less Than Holiness When Anyone Looks at Me Holy is the Lamb Lamb of God I Worship You It Took a Lamb Thank you Lord. Orchestration includes score and parts for Flute 1-2 Oboe English Horn (Clarinet sub) Trumpet 1-4 Horn 1-4 (Alto Sax sub) Alto Sax Tenor Sax Trombone 1-2 (Tenor Sax sub/Baritone T.C. sub) Violin 1-2 Viola (Clarinet sub) Cello Bass (Bass Clarinet sub) Percussion String Synthesizer Rhythm. Instrumentationvaries. SATB Cassette Accompaniment Trax (Split and Stereo) CD Accompaniment Trax (Split and Stereo) Orchestration Preview Pack (CD) CD 10-Pack are also available.

Baritone T.C.-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmentalorder then combined for more advanced practice.Also available in the Essential Musicianship curriculum: • Masterwork Studies (HL00960078 – 00960095) focuses on six landmarkcompositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of the world's finest ensembles 2. Practice “loops” onthe more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys• Ensemble Concepts – Fundamental Level (HL00960110 – 00960127)• Ensemble Concepts – Intermediate Level (HL00960129 – 00960146)

Trumpet 1-12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled Loosen Up. This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Trombone 1-12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes. J'accorde beaucoup d'importance à l'articulation du texte en bouche, et à la place des lèvres dans l'acoustique du son. En effet, le chanteur transporte son propre théâtre à l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idées d'écritures apparaissent comme celles des agrégats ou arpèges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflés, le bruit des lèvres, la langue sortie roulée sur la lèvre supérieure, les claquements de langue, le vibrato glottique. La présence du chanteur sera indispensable pour donner du sens aux textes empruntés au répertoire des opéras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Méphistophélès, Mab, Pédrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu à peu dans des traitements - stylistiques et vocaux - déformés par tout ce que j'ai cité plus haut : à savoir que la virtuosité prend le pas sur la texture du texte et de la voix : des phonèmes en lien avec la compréhension du texte, ou non, agrémenteront la réactivité du chanteur, vers une attitude ludique, inventive et drôle, bien que précise et technique. La sûreté des attaques sera appréciée, comme l'apprentissage des différents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse à des chanteurs expérimentés et sûrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et répertoire, peu évident à mettre en place chez de jeunes artistes, appelés à mûrir, à expérimenter, donc à évoluer dans leur répertoire, et leur confort d'émission. La beauté de l'instrument est indispensable pour défendre le cadre scénique de chaque vocalise : j'invite les jeunes chanteurs à croiser la voix, sa technique avec le jeu, l'amusement et sa virtuosité. La soif et le bonheur de chanter se mesureront à la discipline de l'apprentissage. Jeunes artistes doués et patients, devenez ces êtres-bouches à la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous réclame ! De la même façon que pour toutes les autres tessitures, j'ai écrit 10 vocalises pour ces différentes catégories de Barytons et de Basses. Si le sens de l'humour permet de distancier la difficulté de l'écriture empruntée aux compositeurs contemporains, j'ai voulu donner à ces voix d'hommes - souvent trop cadrées dans la sériosité du propos - une évasion stylistique et légère, parfois émotionnelle non contenue, afin d'ouvrir une fenêtre vers la liberté et le ressenti non pudique des mots ou des textes choisis. J'ose imaginer que certains chanteurs se retrouveront en souriant sur certaines vocalises, les mettant en scène, par la lorgnette des coulisses souvent riches d'enseignement. 7 catégories ont été privilégiées : a) baryton léger (2 textes : Le charmant, MAB) b) baryton Martin (1 texte : L'illuminé) c) baryton Verdi (2 textes : Maudite Marguerite, La loge de scène) d) basse bouffe (2 textes : Una cosa stravagante, Vulcain) e) basse noble (1 texte : O toi, ma Mie, je t'attendrai ce soir) f) basse profonde (1 texte : Sarastromin) g) baryton-basse chantante (1 texte : Le malheureux Philippe) Amusez-vous, Messieurs et donnez-nous du plaisir à vous écouter encore et toujours ! Contenu I. Le charmant - II. MAB - III. L'illuminé - IV. Maudite Marguerite - V. La loge de scène - VI. Una cosa stravagante - VII. Vulcain - VIII. O toi, ma Mie, je t'attendrai ce soir - IX. Le malheureux Philippe - X. Sarastromin