Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. This piece lasts around 3 and a half minutes. 'Judith Weir has composed a setting of ChristinaRossetti's poem Holy Innocents in which a continuous and flowing Organ part underpins two Soprano lines heard either in dialogue or unison. Composed for the 20th anniversary of the St. Albans Abbey Girls Choir it would besuitable for any type of children's choir.' - Geoffrey Webber Choir & Organ Magazine 

This popular setting by Kirby Shaw combines powerful vocal pyramids contemporary piano accompaniment and compelling harmonies to make this an extremely strong choice for young ensembles. Available: SSA TTB 2-Part 3-Part Mixed. Performance Time: Approx. 2:30.

You will love the sound of close harmony in this nostalgic rendition of a 19th Century American classic. Ideal for beginning male choruses this setting will become everyone's favorite!Available separately: TTB only. Performance Time: Approx. 2:30.

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Buoyant uplifting declamatory powerful - all of these words describe this festival work for men by Keith Christopher. For TTBB choir. Performance Time: Approx. 2:30.

Little Voices ABBA! brings together five hit songs from the supergroup specially selected and arranged in two parts for young groups and choirs. The included online audio contains complete vocal and piano versions plus piano-only accompaniments to each song available to stream and download. Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups.

This anthem was specially written for a Sunday-School act of worship which took place in St Alban's Abbey Refectory on Good Friday 1989. It can be accompanied with an organ or a piano.

Step into the future and celebrate the best of times in this supercharged production number from High School Musical 3! A great concert finale for choirs of all ages!

Le livre de mélodie pour le tuteur flûte contient les pièces de piano pour les pièces pour flûte et piano dans le livre de tuteur, ainsi que d'autres mélodies populaires et intéressants dont la gamme mélodique et niveau de difficulté correspondent à ceux couverts par le livre de tuteur. / Flûte Traversière Et Piano Ou 2 Flûtes Traversières

Written by Libby Roderick in 1988 this incredibly simple yet powerful song has become a worldwide force for good. Now available in an expressive choral setting this song has a powerful message: How could anyone ever tellyou you were anything less than beautiful? How could anyone ever tell you you were less than whole? For 2-Part 3-Part Mixed and SSA. VoiceTrax CD also available. Performance time approx. 2:40. Level 2.