I wrote Christmas Light for a choir and glockenspiel to celebrate poet Betty McKellarâ??s 90th birthday. I love the colour and imagery in Bettyâ??s work and the honesty and clarity of her writing.I first discovered her work in the 1990s and set her poem Cramasie Threid for soprano and cello.I then took the poem Sangsters as the starting point for a concerto for orchestra which was premiered by the Swedish Chamber Orchestra in 2002. I have always enjoyed collaborating with non-professional and community groups which I find stimulating and inspiring. These are musicians for whom music is an absolute pleasure â?? who give time without payment in the midst of busy lives often withdemanding jobs and family commitments. They do this because they love music and the companionship and buzz of working together. The enthusiasm always communicates to the audience and some of the most memorable performances of my music have been in churches schools and community halls. This short piece is a tribute to Bettyâ??s creativity warmth and optimism.

Par BARLOW BETTY. Betty M. Barlow. Jigs, reels and hornpipes for the beginner to build real violin technique. With piano accompaniment and separate violin part. / Méthode en anglais / Méthode / Violon

This work presents royal portraits of five of England’s queens: Mary Tudor Elizabeth I Anne Victoria and Elizabeth II. Majestic and regal these are thoughtful pieces for two-part upper voices and Piano accompaniment by Marian Lines and Betty Roe. A practical work that will bring enjoyment to all groups it was written for Merton Schools Music Association and first performed by them in 1977 the jubilee year of Queen Elizabeth II.

Vocal line score for A.D. One composed by Betty Roe with lyrics by James Reeves.This nativity musical for SATB choir tells the tale of Jesus' birth through 11 pieces featuring all of the familiar characters from the Christmas story - Mary Joseph the landlord the shepherds angels and three kings. There is also a role for a narrator and in the final piece audience participation is encouraged.

Ce recueil de chansons correspondant comprend 16 chansons de Bob Seger album live second, publié en 1981. Caractéristiques coups de toute sa carrière arrangées pour Piano, Voix et Guitare, y compris: Against the Wind - Betty Lou's Gettin' Out Tonight - Feel like a Number - The Fire Down Below - Fire Lake - Her Strut - Hollywood Nights - Mainstreet - Night Moves - Old Time Rock and Roll - Rock and Roll Never Forgets - We've Got Tonight - You'll Accomp'ny Me / Piano/Vocal/Guitare (PVG)

A fabulous musical for schools by Betty Roe based on text by Alison Taylor. This score contains all the music for each of the songs from the production wonderfully arranged for Voice and Piano with chord symbols and additional Recorder Percussion and Guitar backing on some of the tracks. We meet and interact with a host of colourful characters and their antics from Lee street and this warm quirky and humorous classroom musical is a spectacular show that is sure to delight your performers as much as the audience!

A Thomas Hardy suite for Pipes or Recorders by Betty Roe. This set of pieces takes its inspiration from Hardy's Novel Under The Greenwood Tree and incorporates three dance-tunes current and popular in Hardy's time

Per Orchestra (1999). Par OLIVERO BETTY. Langue: English(UK)/Deutsch/Français/Nederlands / Niveau : Avancé - Très Difficile / Répertoire / Orchestre

This is the full script to Pardon Our Rubbish a musical play with music by Betty Roe and words by Marian Lines.

A collection of Seven original character songs with Music by the ever popular Betty Roe and lyrics by John Turner. These pieces are for Piano and Vocal and are all entertaining evocative but most importantly enjoyable to perform.

Contemporary English composer singer and Vocal coach Betty Roe is best known for her church and Choral music revue songs music for schools and solo songs like these. This group of three songs sets poems of Langston Hughes concerning the feisty Alberta K Johnson who successfully sees off the census man the minister and Death himself when they come calling.Roe has set the three texts in bluesy jazzy style with delightful sliding and sinister tones to suggest the threat of death. While the score calls for Soprano the highest note is F sharp and the lowest an F below middle C with quite a lot fo time spent in the lower register. A mezzo-Soprano would find this trio ofworks well within range.

A fabulous suite of six pieces written specially for the Galliard Brass Ensemble by Betty Roe. Set for a Brass Quintet these are interesting and rousing pieces encompassing sentimental slow waltz styles and brisk lively pieces. Each piece has been personally dedicated to an individual instrumentalist while the last is a bouncy and quirky number for the whole group!