Switch on to Jazz est un recueil de 16 solos instrumentaux qui forment un excellent matériel de concert. Ces compositions originales recouvrent une vaste palette stylistique : rock, swing, klezmer, ballade, calypso, pop, etc. La version papier des accompagnements de piano est jointe au recueil. / Saxophone Alto Et Piano / 36 pages / niveau : Elémentaire / Partition + Cd

Fred Bock has again done a brilliant job arranging some of the most powerful contemporary Christian songs of today for piano/organ duets. Titles include: I've Just Seen Jesus * Great Is the Lord * How Majestic Is Your Name * InThis Very Room * Majesty * and others. Two copies are needed for performance.

The Legendary Series: Clarinet is a beautifully presented, limited edition book containing 100 great pieces, specially arranged for Clarinet. Expertly bringing together Clarinet music ranging from Mozart and Berlioz through the 1940s big bands to Klezmer, traditional jazz and popular music, The Legendary Series: Clarinet is a lavish and permanent addition to the bookshelf of any clarinet lover. Alongside the luxuriously presented repertoire is a selection of illustrations and commentaries on the lives of many celebrated clarinettists and composers. It should be noted that the chord symbols above the stave are written for an accompanying concert pitch instrument, i.e. Piano or Guitar. This is to allow the accompanist to read from the same score as the soloist. / Clarinette

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Switch on to Jazz est un recueil de 16 solos instrumentaux qui forment un excellent matériel de concert. Ces compositions originales recouvrent une vaste palette stylistique : rock, swing, klezmer, ballade, calypso, pop, etc. La version papier des accompagnements de piano est jointe au recueil. / Clarinette Et Piano / 36 pages / niveau : Elémentaire / Partition Cd

York Höllers Beitrag zur klassischen und auch für Neue Musik bedeutsamen Gattung des Trios für Klarinette, Bratsche und Klavier kam 2014 beim ?Fokus Perspektive Schumann' in der Alten Oper Frankfurt zur Uraufführung mit Mitgliedern des Ensemble Modern. Höller spürt in der schwungvoll mit Fanfarenmotiven und Halbtontrillern anhebenden Komposition einem spezifischen Gestus Robert Schumanns nach. Mit seinen Märchenerzählungen op. 132 hat der rheinische Meister ja selbst einen Markstein für dieselbe Besetzung geschaffen, und auf Schumanns ?Aufschwung' aus den Fantasiestücken op. 12 weist Höller nicht nur im Titel seines Stücks, sondern auch mit einem Zitat an zentraler Stelle hin. Leidenschaftliche, den Hörer unmittelbar ansprechende und für alle drei Spieler dankbare 11 Minuten Kammermusik. / Clarinette, Alto Et Piano

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

This collection of West End Love Songs compiles into one volume thirty-four of the best and most romantic songs from the successful London stage musicals. All songs are arranged for Piano, Vocal and Guitar with full lyrics and chord symbols. The musicals of the West End have told innumerable romantic stories and regaled us with tales of countless lovers, either happy or heartbreaking. The memorable songs that speak to us emotionally in a way that few other songs do are all collected here so that you can learn them exactly the way you heard them in your favourite West End shows. From Les Misérables to Miss Saigon, The Phantom of the Opera to Mamma Mia!, the best in West End Love Songs are included here for you to learn.Arranged from the original cast recordings for Piano, Voice and Guitar, complete with lyrics and chord symbols, immortal love songs like Can't Help Lovin' Dat Man, I Don't Know How To Love Him, Honeysuckle Rose and Some Enchanted Evening are included. If you enjoy musical theatre, and especially those romance-infused showstoppers that bring the audience to floods of tears, then this sheet music song book is for you. As an added bonus, this series has been specially bound so that the pages lie flat when you are playing making it easier to read and play from, so when you get caught up in the moment you won't be dealing with the book closing itself!For a timeless collection of the best love songs from the cream of West End shows throughout the years, you can do no better than this excellent sheet music song book. You'll soon be belting out the ballads and tinkling away over the tear-jerking tunes, playing these sometimes heartbreaking but always heartfelt compositions from the best collection of West End Love Songs available. / Piano/Vocal/Guitare (PVG)

Six mélodies intemporelles, y compris: lorsque vous Wish Upon a Star, The Entertainer, Someday My Prince Will Come et plus. / Saxophone Alto / 12 pages / niveau : Elementaire / Partition Cd