| Buskers Fake Book All Time Hit Piano seul Music Sales
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| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wedding and Love Fake Book - 6th Edition Instruments en Do Hal Leonard
Over 500 Songs For All C Instruments. By Various. Fake Book. Love, Wedding. S...(+)
Over 500 Songs For All C
Instruments. By Various.
Fake Book. Love, Wedding.
Softcover. 456 pages.
Published by Hal Leonard
$35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| RandB Fake Book - C Instruments - 2nd Edition
Fake Book [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Randb and classic
soul. Series: Hal Leonard
Fake Books. 437 pages.
9x12 inches. Published by
Hal Leonard.
(9)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real R&B Book
Instruments en Do [Fake Book] Hal Leonard
C Instruments). Composed by Various. For C Instruments. Fake Book. Softcover...(+)
C Instruments). Composed
by
Various. For C
Instruments.
Fake Book. Softcover. 536
pages. Published by Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real RandB Book [Fake Book] Hal Leonard
B-Flat Instruments. Composed by Various. Fake Book. RandB, Jazz. Softcover. 53...(+)
B-Flat Instruments.
Composed
by Various. Fake Book.
RandB,
Jazz. Softcover. 536
pages.
Published by Hal Leonard
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| Complete Method for Modern Guitar Guitare [Partition] Mel Bay
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| iWorship Chord Chart Edition CD-ROM [Key & Note References|CD-ROM] Hal Leonard
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| 101 Hits For Buskers - Book 1 Music Sales
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| Songs of the 2000s Piano, Voix et Guitare [Partition + Accès audio] Hal Leonard
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover Au...(+)
By Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook.
Softcover Audio Online.
432
pages. Published by Hal
Leonard
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| Songs of the 2000s Piano Facile Hal Leonard
Easy Piano Piano/Keyboard SKU: HL.282482 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282482
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Pop, Rock.
Softcover. 400 pages.
Published by Hal Leonard
(HL.282482). ISBN
9781540034397. UPC:
888680789268.
9.0x12.0x0.923
inches. 70 songs
from the new millenium
arranged for easy piano,
including: Beautiful *
Before He Cheats * Bye
Bye Bye * Chasing
Pavements * Don't Know
Why * Drive * Fallin' *
Hey There Delilah * I
Gotta Feeling * I'm Yours
* Just Dance * Love Story
* Mercy * Only Time * The
Reason * Rehab * This
Love * A Thousand Miles *
Umbrella * Viva La Vida *
Waiting on the World to
Change * With Arms Wide
Open * You Raise Me Up *
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| Hymns For Unaccompanied Trumpet Trompette [Partition] - Intermédiaire Mel Bay
Composed by William Bay. For trumpet. Intermediate. Book. 58 pages. Publishe...(+)
Composed by William Bay.
For
trumpet. Intermediate.
Book.
58 pages. Published by
Mel
Bay Publications, Inc
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
(2)$150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
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| Pearl Jam - The Complete Scores Partitions De Groupes Hal Leonard
Deluxe Box Set. By Pearl Jam. Transcribed Score. Hardcover. With guitar tabla...(+)
Deluxe Box Set. By Pearl
Jam. Transcribed Score.
Hardcover. With guitar
tablature. 816 pages.
Published by Hal Leonard
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| Songs of the 2000s - The New Decade Series Piano, Voix [Partition] - Facile Hal Leonard
E-Z Play�® Today Volume 370. Composed by Various. E-Z Play Today. So...(+)
E-Z Play�® Today
Volume 370. Composed
by Various. E-Z Play
Today. Softcover. 352
pages. Published by Hal
Leonard (HL.159576).
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| What Can We Play on Sunday? May and June Services, Book 3 1 Piano, 4 mains [Partition] - Facile Alfred Publishing
(6 Easily Prepared Piano Duet Arrangements). Arranged by Robert D. Vandall. For ...(+)
(6 Easily Prepared Piano
Duet Arrangements).
Arranged by Robert D.
Vandall. For Piano. Book;
Duet or Duo; Piano Duet
(1 Piano, 4 Hands).
Sacred Performer Duet
Collections. Ascension;
Father's Day; Hymn;
Mother's Day; Pentecost;
Sacred; Spring. Late
Intermediate. 44 pages.
Published by Alfred Music
Publishing
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Smooth Jazz Piano Piano seul [Partition + Accès audio] - Intermédiaire Hal Leonard
Keyboard Style Series. Performed by Various. Keyboard instruction. Book and CD P...(+)
Keyboard Style Series.
Performed by Various.
Keyboard instruction.
Book and CD Package. Size
9x12 inches. 80 pages.
Published by Hal Leonard.
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 36 Celebrated Studies for the Cornet Carl Fischer
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet
SKU: CF.O88X
Composed by Narcisse
Bousquet. Edited by Joey
Tartell Edwin Franko
Goldman. SWS. Softcover.
With Standard notation.
44 pages. Carl Fischer
Music #O88X. Published by
Carl Fischer Music
(CF.O88X). ISBN
9781491153406. UPC:
680160910908. 9 X 12
inches. These
studies are a staple of
the advanced trumpet
method repertoire. Each
etude is an exploration
of a wide variety of
registers, articulations
and tonalities. While
going through these 36
etudes the trumpeter will
develop an even sound in
all registers while
tackling the musical and
melodic challenges that
lie
within. IntroductionTi
ps on Musical
PracticeStarting a new
study can be
overwhelming. Using Etude
No. 1, here’s an
example of how to
approach working on these
etudes with both
musicality and technique
in mind.Bousquet’s
first study can be broken
down into three large
musical sections:Section
1: from the beginning to
the downbeat of m.
26.Section 2: from the
upbeat of 2 in m. 26 to
the downbeat of m.
51.Section 3: from the
downbeat of m. 51 to the
end.Each one of those
sections can be broken
down into two smaller
sections:Section 1a: from
the beginning to the
downbeat of m. 16.Section
1b: from the downbeat of
m. 16 to the downbeat of
m. 26.Section 2a: from
the upbeat of 2 in m. 26
to the end of m.
35.Section 2b: from m. 36
to the downbeat of m.
51.Section 3a: from the
downbeat of m. 51 to the
downbeat of m. 59.Section
3b: from the downbeat of
m. 59 to the end.To get
started playing, choose a
slow tempo that allows
you to play Section 1 all
the way through without
stopping. If that is
problematic, just play
through 1a.Remember to
focus on the music.
Section 1a is light,
moving in four-measure
phrases to the ninth
measure, where it
cadences in G. From
there, retain the
lightness through the
arpeggiation that
concludes with the trill
that brings an arrival
point at Section 1b. Here
the style changes
completely, alternating
two measures of fluid,
connected sixteenth notes
with two measures of
scalar staccato
sixteenths before finally
cadencing on the downbeat
of m. 26.Section 2 begins
with a melodic line of
eighth notes, punctuated
by sixteenths in the
third full measure before
returning to the original
line for only a measure
before driving forward
with a flourish to finish
Section 2a. Section 2b
starts back in C with
four-measure phrases in
which the line moves up
for two measures, then
down for two measures,
ending in G. The last
seven measures of Section
2 stay light as they work
their way back to
C.Section 3 is very
exciting, starting with a
fiery cornet solo-like
passage in 3a. 3b brings
the piece to a dramatic
conclusion outlining C
major for the first four
measures before
arpeggiating C major and
G dominant for two
measures, finally
finishing with the
C-major scale.The next
step is to isolate any of
the parts that proved
troublesome. Examples
could include missed
notes or figuring out
where to breathe. Once
you have practiced the
troublesome sections in
isolation, play the
section all the way
through without stopping
again. Even if there are
still problems, you are
now practicing in a way
that is preparing you to
perform musically.The
next day, play through
Section 1 again, at a
tempo that allows you to
do this without stopping.
Now go on to Section 2,
and follow the same three
steps:Play all the way
through, at a tempo that
allows you to do so
without stopping,Isolate
and practice the
troublesome passages,
thenPlay all the way
through, at a tempo that
allows you to do so
without stopping.Now play
from the beginning to the
end of Section 2.The next
day, play Section 1. Now
play Section 2. Then play
Section 3 and apply the
same three steps outlined
above.Now play the whole
study. At this point you
have spent time on each
section, making musical
decisions and correcting
mistakes. Increase the
tempo as you gain
confidence and control of
the material. As you work
towards performing the
entire study as a piece
of music, record yourself
playing the entire study
as a performance each
day. Review the
recordings to reveal what
still needs work. Be
honest with yourself!
When you are happy with
the recording of your
performance, it’s
time to move on to the
next study.About the
Goldman PrefaceThese
studies will be an
excellent practice,
especially for the lower
register of the Cornet,
which is somewhat
neglected in other
instruction books. It is
recommended that the
pupil should practice one
of this series of Studies
now and then to repose
his lips, and acquire
facility in difficult
fingering.— Edwin
Franko GoldmanIn his
original preface, Edwin
Franko Goldman is
absolutely correct that
these studies are
excellent practice and
will help with the
dexterity demanded of
today’s player.
Although the low register
is certainly explored
throughout the book, it
does not appear to be the
focus of these studies.
There are many books
available now that
concentrate on the low
register. The suggested
fingerings have been
removed. Using alternate
fingerings was more
common to cornet players
to aid in the fluidity of
a passage. This practice
is not nearly as common
today, especially with
trumpet players, as the
difference in timbre
caused by the alternate
fingerings is disruptive
to the musical line.
Published for cornet, as
it was the solo
instrument of choice in
the 1920s, these etudes
are just as useful to
today’s trumpet
player. When playing
these studies on trumpet,
the performer should
strive for a fluid line
while maintaining a full
and clear sound. Because
of the musicianship and
technique demanded, this
book remains as useful
today as it has ever
been.— Joey
TartellAbout Narcisse
Bousquet and the 36
EtudesNarcisse Bousquet
(c. 1800–1869) was
French by birth, active
as a composer, editor and
arranger in both France
and England in the early
nineteenth century.
Bousquet was respected as
an accomplished performer
of the French flageolet,
a high-pitched woodwind
instrument much like a
recorder, although later
outfitted with the Boehm
key system like the
modern flute. Although
obsolete in modern times,
the instrument once
enjoyed great popularity
with a variety of
composers and performers,
both amateur and
professional. Purcell and
Handel composed for the
instrument, and Berlioz
was purportedly an
accomplished amateur
performer of the
flageolet. The Scottish
author Robert Louis
Stevenson, likewise, was
a proficient performer of
the instrument and
composed a number of
pieces for it.Little is
known today of
Bousquet’s life.
He composed a large
variety of music,
including works
specifically for the
flageolet, which were
widely appreciated in
their day. The 36 Etudes
for flageolet are
undoubtedly the most well
known of his works.
Published in 1851, the
Etudes explore a variety
of techniques, such as
scales, arpeggios,
ornamentation, breath
control and expressive
playing, and their
technically demanding
writing confirms
Bousquet’s prowess
as a flageolet performer.
However, the date of the
arrangement of the etudes
for cornet and their
arranger remain
speculative. Edwin Franko
Goldman is credited as
the arranger of the 1890
publication by Carl
Fischer, although Goldman
would have been only
twelve years old at the
time; his work on these
pieces surely came at a
later time. Bousquet
himself may have arranged
these pieces for cornet
at the request of an
accomplished cornet
player at some point
after their
publication. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blest Are We GIA Publications
SKU: GI.G-CD-585 Full CD-set. Sacred. CD. GIA Publications #585. P...(+)
SKU: GI.G-CD-585
Full CD-set.
Sacred. CD. GIA
Publications #585.
Published by GIA
Publications
(GI.G-CD-585).
This
ground-breaking new
collection for young
people, grades
K–8, features all
the music found in the
Silver Burdett Ginn
school catechetical
series, Blest Are We. All
music (grades 1–6)
found here will be
included in the new
hymnal, Gather
Comprehensive, Second
Edition. Using Blest Are
We music in classrooms
and religious education
settings is a great
unprecedented way to
connect youth activities
to the larger Sunday
Eucharist. This eight-CD
set is available for this
collection and includes
both fully performed
tracks as well as
instrumental backing
tracks for each song.
There are also bonus
meditation and
catechetical
tracks—perfect for
classroom learning!
CONTENTS: Blest Are
We - We Praise You
DAMEANS - Come All You
People ARR. BELL - He
Came Down ARR. BELL - If
You Believe and I Believe
ARR. BELL - Laudate
Dominum BERTHIER - You
Have Put on Christ HUGHES
- Psalm 51: Be Merciful,
O Lord HAUGEN - Go and
Listen to the Word of God
BATASTINI - Eat This
Bread BERTHIER - Celtic
Alleluia O'CARROLL /
WALKER - We Are One ARR.
FOSTER - Jesus, Heal
Us - Gather Round This
Table HAUGEN - Jubilate
Servite BERTHIER - Bring
Forth the Kingdom HAUGEN
- All You Works of God
HAUGEN - Blest Are
They - O Breathe on
Me, O Breath of God
GAELIC HYMN - Hands of
Healing HAUGEN - Song of
the Body of Christ -
The Lord's Prayer CHANT -
Sing Out, Earth and Skies
HAUGEN - Who Calls You by
Name - I Am the Bread
of Life / Yo Soy el Pan
de Vida TOOLAN - The Hand
of God - The Summons
BELL - I Say Yes / Digo
SÃ, Señor PEÑA
- Wade in the Water
SPIRITUAL - Let Us Go
Rejoicing JONCAS - We Are
Climbing Jacob's Ladder
SPIRITUAL - Creator of
the Stars of Night CHANT
- With You by My
Side - Come, Emmanuel
ALONSO - We Are the Hope
TATE - In Remembrance of
You TATE - Hold Us in
Your Mercy: Penitential
Litany COONEY/DAIGLE -
Send Us Your Spirit -
Hope at the Crossroads
MAHLER - We Are Called -
Give Us Your Peace MAHLER
- I Have Been Anointed
ROSE WARNER - Shelter
Your Name ROSE - Send
Down the Fire HAUGEN - We
Have Been Told -
Gloria CHANT - Glory to
God (from Mass of
Creation) HAUGEN - Come
to the Table ALONSO - God
Is ROSE - Set Your Heart
on the Higher Gifts
WARNER. $120.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| William Bay Trumpet Anthology Trompette [Partition + Accès audio] - Intermédiaire Mel Bay
Saddle-stitched, Solos. Trumpet. Book and online audio. Mel Bay Publications, ...(+)
Saddle-stitched, Solos.
Trumpet. Book and online
audio. Mel Bay
Publications,
Inc #WBM78M. Published by
Mel
Bay Publications, Inc
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar Worship Songbook, Book 1 (Guitar) Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
Strum and Sing Your Favorite Praise and Worship Songs. Composed by Various. Guit...(+)
Strum and Sing Your
Favorite Praise and
Worship Songs. Composed
by Various. Guitar
Collection. Play Along.
Softcover Audio Online.
32 pages. Published by
Hal Leonard
(2)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pink Floyd - Guitar Anthology Guitare notes et tablatures Hal Leonard
By Pink Floyd. Guitar Recorded Version. Rock, Heavy Metal. Softcover. With gui...(+)
By Pink Floyd. Guitar
Recorded Version. Rock,
Heavy
Metal. Softcover. With
guitar
tablature. Published by
Hal
Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Taylor Swift – Guitar Chord Songbook – 3rd Edition Guitare Hal Leonard
Lyrics/Chord Symbols/Guitar Chord Diagrams Guitar SKU: HL.363741 By Taylo...(+)
Lyrics/Chord
Symbols/Guitar Chord
Diagrams Guitar SKU:
HL.363741 By Taylor
Swift. Guitar Chord
Songbook. Country, Pop.
Softcover. 152 pages.
Published by Hal Leonard
(HL.363741). ISBN
9781705132388. UPC:
840126956351.
6.0x9.0x0.389
inches. Get just
what you need to play
Taylor's greatest hits on
guitar! This third
edition features 44 tunes
with complete lyrics,
chord symbols, and guitar
chord diagrams from
Taylor's country as well
as pop career. Includes:
Back to December •
Blank Space •
Cardigan • Exile
• Fifteen • I
Knew You Were Trouble
• Love Story
• ME! • Mean
• No Body, No Crime
• Picture to Burn
• Red • Shake
It Off • Teardrops
on My Guitar • We
Are Never Ever Getting
Back Together •
Wildest Dreams •
You Belong with Me
• and more. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| All Praise to Thee, Voume 1 Cloches - Facile Choristers Guild
Arranged by Jason W. Krug. For handbell choir - 12 bells (F5 to C7). Grade 2/2 ....(+)
Arranged by Jason W.
Krug. For handbell choir
- 12 bells (F5 to C7).
Grade 2/2 . Reproducible
collection. Published by
Chorister's Guild
$49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS251F Composed
by Patrick Glenn Harper.
Full score. 25 pages.
Carl Fischer Music
#CPS251F. Published by
Carl Fischer Music
(CF.CPS251F). ISBN
9781491159880. UPC:
680160918478. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pink Floyd : Dark Side of the Moon Guitare [Livre + DVD] Hal Leonard
By Pink Floyd. Guitar Play-Along DVD. DVD . Duration 1 hour, 55 minutes. Publish...(+)
By Pink Floyd. Guitar
Play-Along DVD. DVD .
Duration 1 hour, 55
minutes. Published by Hal
Leonard.
(1)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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