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| Aebersold 26 Scale
Syllabus 2 Cd's
Tous Les Instruments [Partition + CD]
Jamey Aebersold Jazz
Jazz Play-Along Vol.26. Tous les niveaux pour tous les niveaux, instrumentistes ...(+)
Jazz Play-Along Vol.26. Tous les niveaux pour tous les niveaux, instrumentistes et chanteurs. Entendre David Liebman en solo sur chaque échelle figurant dans le programme de l'échelle. David solos sur les deux versions de chaque écaille. Tout d'abord est lente/simple et le second est plus complexe et rapide. Séparation stéréo vous permet de ttice et improvisent, trop ! Piano et guitare, trop. David est sur un canal et Jamey est d'autre part. Les joueurs de guitare et de piano peuvent accompagner ou en solo. Non seulement peuvent vous entendez les différentes échelles, vous pouvez pratique ou en solo avec eux en désactivant le chenal d'oo sax. Il y a une excellente liste de voicings piano suggérés dans le supplément. C'est une excellente façon d'apprendre les accords et les nouvelles échelles. Profitez vous serait tout enregistrement de jazz et laissez vos oreilles à s'habituer à excitantes nouvelles échelles. Avec David Liebmanano sax et Jamey Aebersold, piano. Major DOM - mineur - 7 / Niveau : Débutant à Intermédiaire / Méthode en anglais / Etude / Tout Instrument
Délais: En Stock | | |
| Rhapsody (BALAZS ARPAD)
Orchestre d'harmonie, Percussion [Conducteur et Parties séparées]
Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of Rhapsody...(+)
Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to be played have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music. / Date parution : 2023-06-01/ Répertoire / Concert Band et Marimba
Délais: 2-5 jours - En Stock Fournisseur | | |
| Rhapsody (BALAZS ARPAD)
Concert Band et Marimba [Conducteur]
EMB (Edition Musica Budapest)
Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of Rhapsody...(+)
Par BALAZS ARPAD. Árpád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to be played have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music. / Date parution : 2023-06-01/ Répertoire / Concert Band et Marimba
Délais: 2-5 jours - En Stock Fournisseur | | |
| Aebersold 116 Miles Of
Modes 2 Cd's
Tous Les Instruments [Partition + CD] - Débutant
Jamey Aebersold Jazz
Jazz Play-Along Vol.116. 2 CDs and book. What do you play when you have one chor...(+)
Jazz Play-Along Vol.116. 2 CDs and book. What do you play when you have one chord for 8 or 16 bars? The Modal Jazz era presented new challenges for improvisers, spawning a fruitful period rich in new ideas, concepts, and harmonic exploration. This play-a-long includes several 'Standard' forms and important practice tracks; many of which are 'period accurate' and others which are stylistically more contemporary. These practice tracks are designed to foster understanding, facility and familiarity. Many of the first tracks are slow, making them perfect for beginners. Intermediate and advanced players will enjoy the opportunity to doubletime and experiment with an endless array of chord/scalesubstitutions over the otherwise simple tracks. / Niveau : Débutant / Méthode en anglais / Méthode / Tout Instrument
Délais: En Stock | | |
| The Oxford Book of Organ
Music by Women Composers
Orgue
Oxford University Press
The Oxford Book of Organ Music by Women Composers presents a comprehensive surve...(+)
The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument.
? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire
? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde
? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture
? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided
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