SKU: BT.ALHE31120

English.

First of the series of _x001A_Quatre Visages_x001A_ by Darius Milhaud, I. La californienne is a short piece for Viola and Piano. With some difficulties, it requires some intermediate technique of the instrument and some theory knowledge toread in different keys. The book includes the score for Viola and Piano and the part for Viola only. The music has moderate tempo and is quite expressive. It is supposed to represent an American girl from California. She is partof the four faces with: II. The Wisconsonian, III. La Bruxelloise and IV. La Parisienne. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He was also part of Les Six and was strongly influenced by Jazz.His opus list ended at 443.

SKU: HL.14017451

UPC: 884088811969. 11.75x8.25x0.057 inches.

Caliban's Dream was written as a 50th birthday tribute to Brian Ferneyhough in 1993. Arranged for baritone voice, clarinet, mandolin, guitar, harp and double bass. Score edition only. Separate parts are also available for sale.

SKU: HL.14017450

UPC: 884088811938. 14.0x10.5x0.151 inches.

Caliban's Dream was written as a 50th birthday tribute to Brian Ferneyhough in 1993. Arranged for baritone voice, clarinet, mandolin, guitar, harp and double bass. This edition includes the parts only. A separate score including the vocal score is also available on sale.

SKU: BT.DHP-1064027-040

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

SKU: BT.DHP-1064027-140

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

SKU: BT.DHP-1064027-010

9x12 inches. English-German-French-Dut ch.

François-Adr ien Boieldieu (1775-1834) is considered as the one of themost important representatives of the French opéra-comique. His styleis characterised by natural, unembellished melody lines, straightforwardharmonies with refined orchestration. In 1800, Boieldieu achieved a major triumph with Le Calife de Bagdad. The opening is a true classic of this genre.

François-Adrie n Boieldieu, een van de belangrijkste componisten van het genre 'opéra comique', maakte in zijn geboorteplaats Rouen al op achtienjarige leeftijd furore met zijn eerste opera. Spoedig daarna vertrok hij naar Parijs omzijn geluk te beproeven. Ook daar oogste hij sucses met een aantal werken - onder andere Le Calife de Bagdad in 1800. De ouverture van deze opera is nog altijd een geliefd repertoirestuk.

Di e Oper Le Calife de Bagdad stammt aus dem Jahr 1880 aus der Feder des französischen Komponisten François-Adrien Boieldieu. Boieldieus Stil ist geprägt von natürlichen, ungekünstelten Melodielinien, unkomplizierten Harmonien und einer raffinierten Orchesterierung. In diesem Sinne bearbeitete Wil van der Beek die Ouvertüre von Le Calife de Bagdad, die noch immer ein beliebtes Repertoirestück ist.

François-Adrie n Boieldieu (1775-1834) est considéré comme l’un des plus brillants représentants de l’opéra-comique français. Ses œuvres privilégient les mélodies sans ornements superflus. L’instrumentation est légère mais soignée ; les dialogues sont spirituels. En 1800, Boieldieu remporta un véritable triomphe avec Le Calife de Bagdad. L’Ouverture est un classique du genre.

SKU: GI.G-012607

Spanish.

¡Cat equesis musicalizada! Todo este álbum es una extraordinaria caja de herramientas para las familias y catequistas hispanohablantes que facilitan educar a los niños en la fe católica. Contiene siete cantos originales (una para cada Sacramento), además hay tres canciones para esos ritos. Cada canto presenta una explicación divertida, cautivadora y teológicamente fundada de los sacramentos, además son niños quienes los cantan. Musicalized catechesis! This entire album is a wonderful toolkit for Spanish-speaking catechists and families to educate children about the Catholic faith. Features are seven original songs (one for each of the sacraments), plus three general songs about these rites. Each song presents a fun, engaging, and theologically-grounded explanation of the sacraments while being performed in children's voices.

SKU: AP.1-ADV14108

ISBN 9783954810048. UPC: 805095141085. English.

Internatio nally acclaimed jazz vocalist, pianist, and educator Nancy Marano offers a unique voice and piano system designed to develop the ear and basic skills of any singer who wishes to become a complete musician. Learn to coordinate your voice, ear, hands and brain, using these breathing, rhythm, and ear-training exercises. Specific weekly lessons are assigned for vocalists to play and sing each exercise. Previous piano skills are not required. Beginning at a remedial level, and increasing in difficulty, studies include scales, intervals, pitch, rhythms, chords, and blues. Musicianship for the Jazz Vocalist is an indispensable companion for both beginners and advanced singers. Titles: Beginning Your Study Program * Weekly Assignments * Remedial Studies * Level One * Everything Voice * Level Two.

SKU: CL.RWS-2218-01

Scaling a mountain requires courage, strength and fortitude. Scaling our musical mountains as our young bands develop their skills requires the same commitment to strength, perseverance and excellence. This masterful composition reinforces fundamental technique through musical scales in an exciting statement for the beginning concert band. Powerful percussion interacting with soaring melodic lines create an engaging and pedagogically rich opportunity for all. The band also has the opportunity to experience and perform mixed meters as they journey to the musical summit. A powerful choice for educationally rich programming!

SKU: UT.LB-21

ISBN 9788881094899. 5.90 x 8.26 inches.

Le tecniche vocali attuali sono, in senso letterale, l'espressione di un sentire 'alienato' e 'decentrato'. Sono lo stare in punta di piedi scambiato per lo stare in piedi, sono il seme sparato contro un bersaglio, invece che seminato e lasciato crescere, sono l'affondare scambiato per fondare... Esse distruggono l'intuizione naturale del suono come spazio sferico con un centro (analoga a quella del nostro corpo come collocato al centro di uno spazio potenzialmente infinito) e la sostituiscono con una concezione distorta e, appunto, decentrata, qual e quella del suono 'avanti' o 'fuori' o in 'maschera' , che implica che uno non sia gia, naturalmente e tranquillamente, nello spazio del canto, ma che debba arrivarci, cio che induce ipso facto a essere in 'tensione', nel senso letterale del 'tendere' a un presunto luogo ideale di risonanza, che per continuare a sussistere artificiosamente, dovra essere continuamente 'raggiunto', per alcuni in alto, per altri in basso. In altre parole, non piu il naturale 'qui e ora' della mente pacificata, la tranquilla posa della voce dei belcantisti, la classica nobile semplicita e calma grandezza, ma lo spasmodico 'la e allora' della mente nevrotica e schizofrenica...
E a questo punto che le moderne tecniche vocali sono pronte a gettare le fondamenta ('scientifiche') della 'nuova geometria' del canto, brevettando 'figure' del suono sempre piu rivoluzionarie e stupefacenti: la sfera senza centro, il centro senza sfera, la sfera piccola come il centro, il centro grande come la sfera, il centro come bersaglio, la sfera a forma di tubo...

SKU: AP.98-RWS221800

Scaling a mountain requires courage, strength and fortitude. Scaling our musical mountains as our young bands develop their skills requires the same commitment to strength, perseverance and excellence. This masterful composition reinforces fundamental technique through musical scales in an exciting statement for the beginning concert band. Powerful percussion interacting with soaring melodic lines create an engaging and pedagogically rich opportunity for all. The band also has the opportunity to experience and perform mixed meters as they journey to the musical summit. A powerful choice for educationally rich programming!

SKU: LM.PB1264

ISBN 3137990012649.

Le Petit Bonhomme en mousse - Tourner les serviettes - Viva Bodega - Le Kankan - Pourvu que ca dure - Les Pitchounets - Chez Mozart - Les Cosaques (Caline moi) - Levons nos verres - Le Popotin - Craque pas.

Two short and delightful movements in a lighter style, composed for Double Bass with Piano Accompaniment by Bryan Kelly. Based upon characters from Shakespeare's The Tempest, this piece is ideal for concerts, offeringa wonderful enrichment to the advancing Double Bassist's repertoire.

The solo Double Bass part is also included on a separate insert

SKU: HL.50491500

9.0x12.0x0.13 inches.

VOLUME 1: 8 VOCALIZZI PER VOCE ACUTA.

SKU: VD.ED13885

ISBN 9790202028858. 12 x 9 inches.