For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Performed by Various. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 400 pages. Published by Hal Leonard.

(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

200 Songs for All Occasions. Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 514 pages. Published by Hal Leonard.

Concert Band - Grade 5

SKU: ML.013780090

Composed by Valdemar Gomes. Full set. Molenaar Edition #013780090. Published by Molenaar Edition (ML.013780090).

The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.

What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the salero of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the grand finale, in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.

Het Spaans oorlogsgaljoen met 64 kanonnen, gebouwd in Cuba tussen 1770 en 1771 voor een Engelse reder in dienst van de koning van Spanje vertrok in 1784 vanuit Peru naar Cádiz met een enorme lading koper, goud, zilver en andere kostbaarheden aan boord. Er waren ook meer dan 400 mensen aan boord, waaronder passagiers, bemanning en Inca gevangenen na een opstand. De oversteek van de Atlantische Oceaan verliep vlot, waarbij Portugal werd gepasseerd om te profiteren van gunstige winden. De schipbreuk bij Peniche was het resultaat van een menselijke fout, blijkbaar te wijten aan Franse kaarten met dramatische fouten in de positie van de eilanden Berlengas en naburige eilandjes. Op 2 februari 1786 was de zee kalm en de nacht helder, maar ze raakten de rotsformatie Papoa en de romp brak onmiddellijk in tweeën. De bodem zonk snel, terwijl het dek nog enige tijd bleef drijven. 128 mensen verloren het leven, waaronder veel indianen die vastzaten in de kelder. Dit scheepswrak wordt beschouwd als een van de belangrijkste in de maritieme geschiedenis.

Wat de componist wil overbrengen, en wat men kan voelen als men luistert, is allereerst het geluid van macht, van hoop, van de glorie van verovering, van de pracht van rijkdom. Dit wordt gevolgd door de perceptie van de maritieme omgeving, de harmonie met de zachtheid van de oceaan, het glijden van de romp in het schuim van de zee op zonnige, blauwe dagen. Maar samen met deze rust hoor je al snel een ritmische ketting die je een voorstelling geeft van de drukte, van de drukke bemanning, van het harde werk van een zeeman, van de wanhoop van een exotisch volk dat gevangen zit in een donkere, vochtige kelder. Een duidelijk ritme dat ons doet denken aan de salero van Andalusië, met zijn Arabische invloeden en zijn mensen, het sussen van de berusting van anderen die gedwongen worden zich te onderwerpen. Dan horen we duidelijk een crescendo dat ons de lijdensweg doet voorstellen van de aanvaring die voorafgaat aan de schipbreuk. Het breken van de romp, het water dat alles overspoelt, de wanhoop, het botsen van lichamen op de rotsen, de tragedie die komen gaat. Vóór de grote finale, waarin de terugkeer van de muzikale zachtheid ons eraan herinnert dat het verhaal voorbij is. De overmacht van de natuur over de hebzucht van de mens. De golven, hoewel zacht, vegen het wrak, de levens en de schatten van de Nieuwe Wereld naar de bodem van de zee.

Le galion de guerre espagnol de 64 canons, construit à Cuba entre 1770 et 1771 pour un armateur anglais au service du roi d'Espagne, a quitté le Pérou pour Cadix en 1784 avec à son bord une énorme cargaison de cuivre, d'or, d'argent et d'autres objets de valeur. Il y avait également plus de 400 personnes à bord, dont des passagers, des membres d'équipage et des prisonniers incas à la suite d'une révolte. La traversée de l'Atlantique s'est déroulée sans encombre, en passant par le Portugal pour profiter des vents favorables. Le naufrage au large de Peniche est le résultat d'une erreur humaine, apparemment due à des cartes françaises comportant des erreurs dramatiques dans la position des îles de Berlengas et des îlots voisins. Le 2 février 1786, alors que la mer est calme et la nuit claire, le navire heurte la formation rocheuse de Papoa et la coque se brise immédiatement en deux. Le fond coule rapidement, tandis que le pont reste à flot pendant un certain temps. 128 personnes ont perdu la vie, dont de nombreux Indiens qui étaient coincés dans les sous-sols. Ce naufrage est considéré comme l'un des plus importants de l'histoire maritime.

Ce que le compositeur veut transmettre, et ce que l'on ressent à l'écoute, c'est d'abord le son de la puissance, de l'espoir, de la gloire de la conquête, de la splendeur de la richesse. C'est ensuite la perception de l'environnement maritime, l'harmonie avec la douceur de l'océan, le glissement de la coque dans l'écume de la mer par des journées bleues et ensoleillées. Mais à côté de cette tranquillité, on entend bientôt une chaîne rythmique qui nous fait ressentir une représentation de l'agitation, de l'équipage affairé, du dur labeur d'un marin, du désespoir d'un peuple exotique emprisonné dans une cave sombre et humide. Un rythme distinct qui nous rappelle le salero d'Andalousie, avec ses influences arabes et son peuple, l'apaisement de la résignation des autres qui sont obligés de se soumettre. Puis on entend clairement un crescendo qui nous fait imaginer l'agonie de la collision qui précède le naufrage. La rupture de la coque, l'eau qui envahit tout, le désespoir, le choc des corps sur les rochers, la tragédie à venir. Avant le grand final, où le retour de la douceur musicale nous rappelle que l'histoire est terminée. La suprématie de la nature sur la cupidité humaine. Les vagues, bien que douces, emportent les épaves, les vies et les trésors du Nouveau Monde au fond de la mer.

Die spanische Kriegsgaleone mit 64 Kanonen, die zwischen 1770 und 1771 auf Kuba für einen englischen Reeder im Dienste des spanischen Königs gebaut wurde, verließ Peru 1784 in Richtung Cádiz mit einer riesigen Ladung Kupfer, Gold, Silber und anderen Wertgegenständen an Bord. An Bord befanden sich auch mehr als 400 Menschen, darunter Passagiere, Besatzungsmitglieder und Inka-Gefangene nach einem Aufstand. Die Atlantiküberquerung verlief reibungslos, wobei Portugal passiert wurde, um die günstigen Winde zu nutzen. Der Schiffbruch vor Peniche war das Ergebnis menschlichen Versagens, das offenbar auf französische Karten zurückzuführen war, die in Bezug auf die Position der Inseln Berlengas und der benachbarten Eilande dramatische Fehler enthielten. Am 2. Februar 1786 stießen sie bei ruhiger See und klarer Nacht auf die Felsformation Papoa und der Rumpf brach sofort entzwei. Der Boden sank schnell, während das Deck noch einige Zeit über Wasser blieb. 128 Menschen kamen ums Leben, darunter viele Indianer, die im Keller eingeschlossen waren. Dieses Schiffswrack gilt als eines der bedeutendsten

Was der Komponist vermitteln will und was man beim Zuhören spürt, ist zunächst der Klang der Macht, der Hoffnung, des Ruhms der Eroberung, des Glanzes des Reichtums. Es folgt die Wahrnehmung der maritimen Umgebung, die Harmonie mit der Sanftheit des Meeres, das Gleiten des Schiffsrumpfes im Schaum des Meeres an sonnigen, blauen Tagen. Doch neben dieser Ruhe hört man bald eine rhythmische Kette, die die Hektik, die geschäftige Mannschaft, die harte Arbeit eines Seemanns, die Verzweiflung eines exotischen Volkes, das in einem dunklen, feuchten Keller gefangen ist, wiedergibt. Ein ausgeprägter Rhythmus, der an den Salero Andalusiens erinnert, mit seinen arabischen Einflüssen und seinen Menschen, der die Resignation der anderen besänftigt, die gezwungen sind, sich zu fügen. Dann hören wir deutlich ein Crescendo, das uns die Qualen des Zusammenstoßes, der dem Schiffbruch vorausgeht, erahnen lässt. Das Zerbrechen des Rumpfes, das Wasser, das alles überflutet, die Verzweiflung, das Aufeinanderprallen der Körper auf den Felsen, die bevorstehende Tragödie. Vor dem großen Finale, in dem die Rückkehr der musikalischen Sanftheit uns daran erinnert, dass die Geschichte zu Ende ist. Die Vorherrschaft der Natur über die menschliche Gier. Die Wellen, so sanft sie auch sein mögen, spülen die Trümmer, das Leben und die Schätze der Neuen Welt auf den Grund des Meeres.

Voice and guitar

SKU: HL.49015258

Das Liederbuch der jungen Szene. Edited by Bertold Marohl. This edition: Plastic cover. Paperback. Edition Schott. Classical. Melody Line (with Chords). 274 pages. Schott Music #ED 7120. Published by Schott Music (HL.49015258).

ISBN 9783795720629. 4.75x7.25x0.59 inches. German.

Der neue Zupfgeigenhansl erscheint als Folgeband des seit der Jugendbewegung allgemein bekannten Zupfgeigenhansl und enthalt 121 Lieder, die auf die Anliegen der jungen Generation des ausgehenden 20. Jahrhunderts eingehen: Fahrt uber Lander und Meere - internationale Folklore und Spirituals - kritische alte und neue Lieder zu unseren Zeitproblemen - das Thema Liebe - Balladeskes und Heiteres. Das Buch bietet Melodien, vollstandige Texte, Akkorde fur Gitarrebegleitung, Bilder und Infos zu den Textern, Komponisten und Interpreten.

Arranged by Carrie Lane Gruselle. Beginning String Orchestra. FJH Beginning Strings. Score for this title: ST6108S. Extra part for this title: ST6108P. String Orchestra. Level: 1. Score and Set of Parts. Published by The FJH Music Company Inc.

By Amy Appleby. For Piano. Classical. Sheet Music. 240 pages. Published by Music Sales.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1064079-140

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Score Only. Composed 2006. 56 pages. De Haske Publications #DHP 1064079-140. Published by De Haske Publications (BT.DHP-1064079-140).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1064079-010

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064079-010. Published by De Haske Publications (BT.DHP-1064079-010).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Concert Band/Harmonie - Grade 4

SKU: HL.44001680

Composed by George Frideric Handel. Arranged by Frans E. Hendrikx. De Haske Concert Band. Opening Pieces. Score Only. Composed 1991. De Haske Publications #910268. Published by De Haske Publications (HL.44001680).

UPC: 073999361414. 6.75x10.5 inches.

Im April 2009 jahrt sich der Todestag von Georg Friedrich Handel zum 250. Mal. Ein guter Grund, seinen Werken in diesem Jahr besondere Aufmerksamkeit zu schenken. Zum Beispiel mit einem thematischen Konzertprogramm, das mit dieser Bearbeitung der Ouverture in d-Moll beginnen konnte.

De 1717 a 1720, Haendel est au service du duc de Chandos a Cannons. De cette epoque datent les magnifiques Chandos Anthems (grands motets pour choeur, voix de solistes, orgue et orchestre) qui refletent merveilleusement la capacite du compositeur a creer des sonorites magnifiques avec une formation musicale modeste. L'Ouverture en Re mineur est extraite du Chandos Anthem ndeg 2 (HWV 247) In the Lord put I my trust qui constitue une des plus belles pages de musique religieuse du compositeur.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0910268-010

Composed by George Frideric Handel. Arranged by Frans E. Hendrikx. The Great Classics. Opening Pieces. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910268-010. Published by De Haske Publications (BT.DHP-0910268-010).

Im April 2009 jährt sich der Todestag von Georg Friedrich Händel zum 250. Mal. Ein guter Grund, seinen Werken in diesem Jahr besondere Aufmerksamkeit zu schenken. Zum Beispiel mit einem thematischen Konzertprogramm, das mit dieser Bearbeitung der Ouvertüre in d-Moll beginnen könnte.

De 1717 1720, Haendel est au service du duc de Chandos Cannons. De cette époque datent les magnifiques Chandos Anthems (grands motets pour choeur, voix de solistes, orgue et orchestre) qui reflètent merveilleusement la capacité du compositeur créer des sonorités magnifiques avec une formation musicale modeste. L’Ouverture en Ré mineur est extraite du Chandos Anthem n° 2 (HWV 247) In the Lord put I my trust qui constitue une des plus belles pages de musique religieuse du compositeur.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0910268-140

Composed by George Frideric Handel. Arranged by Frans E. Hendrikx. The Great Classics. Opening Pieces. Score Only. Composed 1991. De Haske Publications #DHP 0910268-140. Published by De Haske Publications (BT.DHP-0910268-140).

Im April 2009 jährt sich der Todestag von Georg Friedrich Händel zum 250. Mal. Ein guter Grund, seinen Werken in diesem Jahr besondere Aufmerksamkeit zu schenken. Zum Beispiel mit einem thematischen Konzertprogramm, das mit dieser Bearbeitung der Ouvertüre in d-Moll beginnen könnte.

De 1717 1720, Haendel est au service du duc de Chandos Cannons. De cette époque datent les magnifiques Chandos Anthems (grands motets pour choeur, voix de solistes, orgue et orchestre) qui reflètent merveilleusement la capacité du compositeur créer des sonorités magnifiques avec une formation musicale modeste. L’Ouverture en Ré mineur est extraite du Chandos Anthem n° 2 (HWV 247) In the Lord put I my trust qui constitue une des plus belles pages de musique religieuse du compositeur.

Concert Band - Grade 4

SKU: BT.DHP-0910268-040

Composed by George Frideric Handel. Arranged by Frans E. Hendrikx. The Great Classics. Opening Pieces. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910268-040. Published by De Haske Publications (BT.DHP-0910268-040).

Im April 2009 jährt sich der Todestag von Georg Friedrich Händel zum 250. Mal. Ein guter Grund, seinen Werken in diesem Jahr besondere Aufmerksamkeit zu schenken. Zum Beispiel mit einem thematischen Konzertprogramm, das mit dieser Bearbeitung der Ouvertüre in d-Moll beginnen könnte.

De 1717 1720, Haendel est au service du duc de Chandos Cannons. De cette époque datent les magnifiques Chandos Anthems (grands motets pour choeur, voix de solistes, orgue et orchestre) qui reflètent merveilleusement la capacité du compositeur créer des sonorités magnifiques avec une formation musicale modeste. L’Ouverture en Ré mineur est extraite du Chandos Anthem n° 2 (HWV 247) In the Lord put I my trust qui constitue une des plus belles pages de musique religieuse du compositeur.

By Brian Balmages. Arranged by Brian Balmages. For beginning concert band. FJH Beginning Band. Full set (score and parts). Score only also available: B1120S. Grade 1. Score and set of parts. Composed 2002. Published by The FJH Music Company Inc

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217602

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A217602. Published by LudwigMasters Publications (AP.36-A217602).

UPC: 659359654565. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217642

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Banda. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A217642. Published by LudwigMasters Publications (AP.36-A217642).

ISBN 9798892700634. UPC: 659359532276. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)]

SKU: AP.36-A217601

Arranged by Peter Ilyich Tchaikovsky and ed./arr. by Martin Schmeling. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A217601. Published by LudwigMasters Publications (AP.36-A217601).

ISBN 9798892700627. UPC: 659359965340. English.

Among the most frequently performed and well-known of P. I. Tchaikovsky's (1840-1893) works, The Year 1812, Solemn Overture, Op. 49 (more commonly known as the 1812 Overture) was written in 1880 to commemorate the 1812 defeat of Napoleon's invading French army by the Russians. Despite the composer's lack of enthusiasm about the project at its inception, claiming that he wrote it without any warm and loving feelings, Tchaikovsky acknowledged later that he did well in its composition, saying I absolutely do not know whether my overture (The Year 1812) is good or bad, but I rather think it is the former (pardon my immodesty). It premiered on August 20, 1882, in Moscow at the Art & Industry Exhibition, Ippolit Altani conducting. Famous for its use of cannons in the Finale, the Finale also calls for the inclusion of a military brass band, which is labelled as open instrumentation in the original. This edition by Martin Schmeling spells out specific instrumentation options for the banda. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(5-6): Str (9-8-7-6-5 in set): Banda ad lib [0.0.0.0: 4.2.2.2: Perc(3-4)].

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

42 best-loved classical pieces for solo piano. Composed by Various. Edited by Heather Ramage. Music Sales America. Classical. Softcover with CD. 136 pages. Music Sales #AM990847. Published by Music Sales

Fanfare Band - Grade 3

SKU: BT.DHP-1064079-020

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064079-020. Published by De Haske Publications (BT.DHP-1064079-020).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Fanfare Band - Grade 3

SKU: BT.DHP-1064079-120

Composed by Kees Schoonenbeek. Inspiration Series. Concert Piece. Score Only. Composed 2006. 56 pages. De Haske Publications #DHP 1064079-120. Published by De Haske Publications (BT.DHP-1064079-120).

9x12 inches. English-German-French-Dut ch.

The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ¡Adiós españoles!(Farewel l, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Münster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years’ War. III Rembrandt’s Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other’s territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.

The Golden Age is een programmatische compositie in vier delen. Overtureverklankt de Gouden Eeuw, voor Nederland een periode van grote bloei. Dan volgt ¡Adiós españoles! over het einde van de Tachtigjarige Oorlog.Rembrandtâ€⠄¢s Night Watch beschrijft de ontwikkeling op cultureel gebied: in de Gouden Eeuw schilderde Rembrandt van Rijn zijn beroemde Nachtwacht. Deel vier, The Admiral, begint met Rule Britannia,waarna de Nederlandse admiraal Michiel de Ruyter de Engelsen een toontje lager laat zingen, er is zelfs kanongebulder te horen. Dan klinkt een fragment van het Nederlandse liedje dat aan Michiel de Ruyter is gewijd, waarna een passendslot volgt.

The Golden Age ist eine programmatische Komposition in vier Sätzen über das so genannte “Goldene Zeitalter“ in der Geschichte der Niederlande. In dieser Periode erlebte das Land eine Blütezeit des (Übersee-)Handels, der Kultur und Politik, es befreite sich von der spanischen Herrschaft, brachte Kunstwerke wie Rembrandt’s Nachtwache hervor und entwickelte sich zu einer Kolonialmacht. Die Aufmerksamkeit der Zuhörer ist bei Kees Schoonenbeeks spannender musikalischer Geschichtsstunde garantiert!

Aprà¨s une guerre qui dura 80 ans, l'Espagne reconnut finalement l'indépendance des Provinces-Unies néerlandaises, qui devinrent alors l’une des plus importantes puissances maritimes et économiques du XVIIe siècle. Cette période est connue sous le nom de Siècle d’or (The Golden Age) et correspond une phase de développement exceptionnel des Pays-Bas tant sur le plan colonial et militaire que sur le plan culturel, intellectuel et artistique.

Dopo una guerra che durò 80 anni, la Spagna riconobbe l’indipendenza delle Province-Unite olandesi che divennero potenze marittime ed economiche del XVII secolo. Questo periodo è conosciuto con il nome di Secolo d’Oro (The Golden Age) e corrisponde ad una fase di sviluppo eccezionale dei Paesi Bassi sia sul piano coloniale e militare, sia sul piano culturale, intellettuale e artistico.

Choral (2-Part)

SKU: HL.35032425

Composed by Ruth Morris Gray. Shawnee Press. Christmas, Concert. Octavo. Duration 165 seconds. Published by Shawnee Press (HL.35032425).

ISBN 9781540036803. UPC: 888680836146. 6.75x10.5x0.019 inches.

Longfellow' s text is set with additional words and music by Ruth Morris Gray and the piano accompaniment is based on Pachelbel's Canon in D. Together, it creates a sweet choral singing ding dong gently above the verses with use of an optional descant as well. A mature and meaningful selection for developing choirs.

(from the Opera Il Barbiere di Siviglia). By Giaocchino Rossini. Arranged by Marco Tamanini. For Bass and Concert Band. Grade 4. Full score and set of parts. Duration 4:30

Warmups, Ostinatos, Rounds and Kids Songs. By Cristi Cary Miller. (classroom kit). Expressive Art (Choral). 112 pages. Published by Hal Leonard.

By Peter Ilyich Tchaikovsky. Arranged by Mark Williams. Music by Peter Ilych Tchaikovsky / arr. Mark Williams. For Concert Band. Concert Band. Growing Band Series. Level: Level 3 (grade 3). Conductor Score and Parts. 3 pages. Published by Alfred Publishing.

(Ouverture Solennelle). Composed by Pyotr Ilyich Tschaikowsky. Arranged by Christiaan Janssen. For Concert Band (Choir ad lib.). Grade 6. Full score. Duration 15:30. Published by Baton Music

By Irving Berlin. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 40 pages. Published by Hal Leonard.