The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

The Gig Book: Bob Dylan is a tough and hard-wearing collection of tunes by one of the greatest songwriters the world has ever seen. These handy books feature lyrics, chord boxes and melody line, as well as a few black and white photos, all condensed into a compendium that may look compact but is actually packed full of genius songs.Bob Dylan is one of those rare songwriters who has managed to keep up an incredibly prolific output since he first burst onto the New York folk scene in the early 1960s. Undergoing constant reinventions of his songwriting style, singing style and even a Christmas album, Dylan has written some of the most famous songs ever, and retained serious critical acclaim throughout the decades he has been writing and singing. This Bob Dylan songbook features highlights from Dylan's entire career, spanning his early folk songs, through his country phase, over his electric rock and pop period through to his more recent return rock balladry. Early protest songs like Blowin' In The Wind, A Hard Rain's A'Gonna Fall and The Times They Are A'Changin' feature, alongside some all-time classics spanning his entire career like All Along The Watchtower, Like A Rolling Stone, Knockin' On Heaven's Door and Make You Feel My Love. Take it from us, if you need some inspiration in songwriting, melody construction, inventive use of chords, or just want to play some incredible songs, The Gig Book: Bob Dylan is the perfect song book for you. This Bob Dylan sheet music is great for guitarists, key for keyboardists and momentous for all other musicians. The durable construction and convenient size of the Gig Book series makes it incredibly easy to carry around, just leave it in your gig bag and we can guarantee it'll stand up to the years of use you'll definitely be getting out of it. So whether you're a die-hard Dylan fanatic, or you've heard cover versions of the most covered artist of all time, we've definitely got you covered with The Gig Book: Bob Dylan, the massive collection of 100 of the best songs by (possibly) the best songwriter. / Ligne De Mélodie, Paroles Et Accords

Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques

Par BLUNT JAMES. Partition de l'album 'All The Lost Souls' pour guitare (notations standards et tablatures). / Date parution : 2008-02-05/ Tablatures / Guitare Tablatures

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Georges Dandelot (1895-1975), who was a pupil of Widor, Roussel and Dukas, achieved posterity only through his educational manuals, which seem to enjoy permanent success. Some may regret the fact that his compositions have fallen into oblivion, but nobody can deny his tremend­ous talent for musical instruction. When it was published in 1935, the five-volume Etude Du Rythme filled a glaring gap: for the first time, a progressive method - graduated with minute care - set out to inculcate pupils with this 'vital element? of all music. Dedicated to the simplest rhythms that are 'the basis of all to follow?, the first volume now comes with a valuable addition: an audio version, attached to the score in the form of a download card, enabling budding musicians to monitor for themselves whether they have correctly reproduced the rhythms of the exercises. Of course, this recording can also be used to carry out rhythm dictations - modern-day technology at the service of a timeless method. / Percussions

Par BEAUTIFUL SOUTH THE. The songs from the album, arranged for piano and voice, compete with lyrics and guitar chord boxes./ Recueil / Piano, Chant et Guitare

Par BLUNT JAMES. The latest in the popular You're the Voice series, featuring ten classic songs by James Blunt , arranged for Voice, Piano and Guitar. The accompanying CD contains authentic soundalike backing tracks for all of the songs, professionally arranged to recreate the sounds of the original recordings. / Niveau : Assez Facile / Date parution : 2010-02-25/ Recueil / Piano, Chant et Guitare