| Concerto Cello/Piano In
Em Op. 85 Violoncelle, Piano [Partition] - Intermédiaire/avancé Novello & Co Ltd.
Reconnu comme l'une des oeuvres les plus importantes du répertoire pour violonc...(+)
Reconnu comme l'une des oeuvres les plus importantes du répertoire pour violoncelle, le concerto Op.85 d'Elgar a été achevé en 1919 et se présente comme sa dernière oeuvre achevée majeur. Cette nouvelle édition, édité par John Pickard de la Société Elgar, utilise pour la première fois des esquisses originales du compositeur de reconstituer un arrangement autoritaire et définitif pour violoncelle et piano.
Une édition nouvelle et merveilleuse de l'une des oeuvres les plus jouées pour le violoncelle. / Violoncelle Et Piano / niveau : Intermédiaire / Avancé / Partition
33.10 EUR - vendu par LMI-partitions Délais: En Stock |
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| Hilary And Jackie Cello
Album Violoncelle, Piano Novello & Co Ltd.
A collection of music from the film for cello and piano. / Violoncelle Et Piano
23.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Cello Concerto in C
minor: Cello Duet:
Instrumental Work CelloLid.com
If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live...(+)
If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello. It may also serve as a way for cellists to get close to Bach through works other than the six solo suites and the three gamba sonatas.Cello Concerto in C minor for two cellos and piano. C minor becomes a powerful key in Bach's hands. It sets the tone of the composition weight is added and one can even sense how it directs Bach's thought-process. The present concerto exists as BWV 1060 for two harpsichords but if Bach was a cellist his prefered version would have been for two cellos.
15.00 GBP - vendu par Musicroom GB |
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| Sheku Kanneh-Mason: The
Sheku Kanneh-Mason Cello
Collection: Cello and
Accomp.: Violoncelle, Piano Faber Music Limited
The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection...(+)
The Sheku Kanneh-Mason Cello Collection. The Sheku Kanneh-Mason Cello Collection combines the artist?s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists.
15.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Julian Lloyd Webber:
Cello Moods: Cello:
Instrumental Album Violoncelle - Intermédiaire/avancé Kevin Mayhew
Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Juli...(+)
Thirteen exquisite pieces- Thirteen exquisite pieces selected and edited by Julian Lloyd Webber: Franck 'Panis Angelicus' Elgar 'Chanson De Matin' Elgar 'Salut D'Amour' Debussy 'Reverie' Bach 'Air On A G String' Massanet'Meditation From Thais' Japanese Traditional 'Sakura-Sakura' Caccini 'Ave Maria' Glazunov 'Melodie Op20 no1' Chopin 'Nocturne Op9 No2' Boccherini Adagio' Rheinberger 'Cantilena' Bruch 'Kol Nidei'. This title is included in the Trinity College London Cello Grade 7 Syllabus 2016-2019.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| The Sheku Kanneh-Mason
Cello Collection Violoncelle, Piano [Partition] Faber Music Limited
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned perform...(+)
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists./ Recueil / Violoncelle et Piano
23.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Cello School Cello Part
Vol.6 Rev. Edition
(SUZUKI SHINICHI) Violoncelle [Partition] Alfred Publishing
Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teac...(+)
Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this material. This book contains four classical pieces for cello / Méthode en anglais / Méthode / Violoncelle
25.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Peter Maxwell Davies:
Strathclyde Concerto No.
2: Cello: Instrumental
Work Violoncelle, Piano [Partition] Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...(+)
This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
17.99 GBP - vendu par Musicroom GB |
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| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
27.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
31.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Cello Concerto (WALTON
WILLIAM) Violoncelle, Piano [Partition] - Avancé Oxford University Press
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concert...(+)
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire
Derived from the new Walton Edition volume and fully consistent with that and the new hire material
Cello and piano reduction of Walton's Cello Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire. / Niveau : Avancé / Répertoire / Violoncelle et Piano
59.00 EUR - vendu par LMI-partitions Délais: En Stock |
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| Antonio Vivaldi: Concerto
G Minor RV 531: String
Ensemble: Miniature Score Orchestre à Cordes Eulenburg
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to ...(+)
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678–1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably.More than two dozen of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of thesources.
9.99 GBP - vendu par Musicroom GB |
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| Fanfares Violoncelle, Orchestre Barenreiter
This study score is based on the score and complete performance material of Dvor...(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
27.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Cello Concerto (BRYARS
GAVIN) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
38.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto Cello/Piano And
Solo For Viola Violoncelle Et Piano Et Alto Solo Novello & Co Ltd.
Elgar's last major work was the cello concerto, and it is unique in its poignanc...(+)
Elgar's last major work was the cello concerto, and it is unique in its poignancy and intensity. Through Jacqueline Du Pre's overwhelming interpretation, this work has now received the recognition it deserved and it will undoubtedly remain one of the best-loved concertos of all time. The Cello solo part has been arranged for viola and piano by Lionel Tertis. / Violoncelle Et Piano Et Alto Solo
41.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Poul Ruders: Anima -
Cello Concerto No.2:
Cello: Score Violoncelle, Orchestre [Partition] - Intermédiaire/avancé Wilhelm Hansen
In Latin Anima means soul but it is also a Jungian expression for the female ele...(+)
In Latin Anima means soul but it is also a Jungian expression for the female element of the male. Anima forms the first part of a nameless trilogy of solo concertos which emphasizes reflective moods. In this cello concerto it is mainly the melodic aspect that is in the foreground a bitter-sweet but always gentle song for cello.
68.99 GBP - vendu par Musicroom GB |
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| Johann Sebastian Bach:
Cello Concerto in A major
BWV 1055: Cello:
Instrumental CelloLid.com
Finally a cello concerto by BACH! A reconstruction of his fourth piano concerto...(+)
Finally a cello concerto by BACH! A reconstruction of his fourth piano concerto a work of stunning beauty. Funky and very romantic.
12.00 GBP - vendu par Musicroom GB |
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| Cello Concerto (WALTON
WILLIAM) Violoncelle, Orchestre [Partition] - Avancé Oxford University Press
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Conce...(+)
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Concerto combines the scholarship of the Wiliam Walton Edition with the practical benefits of a study score, including an introduction by the editor. Written 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. / Niveau : Très Avancé / Répertoire / Violoncelle et Orchestre
39.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto In A Minor Rv35
(VIVALDI ANTONIO) Violoncelle, Piano [Partition] Peters
Par VIVALDI ANTONIO. This is an Edition Peter's German language edition of Vival...(+)
Par VIVALDI ANTONIO. This is an Edition Peter's German language edition of Vivaldi's Concerto In A Minor. Whilst not one of Vivaldi's more popular Cello concertos, this is still a wonderful piece, full of grace and energy./ Répertoire / Violoncelle et Piano
20.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Tristan Keuris: Double
Cello Concerto (Solo
Cello Parts): Cello:
Instrumental 2 Violoncelles (duo) [Partition] Novello & Co Ltd.
The Double Concerto was commissioned by the BBC for the BBC Philharmonic Orchest...(+)
The Double Concerto was commissioned by the BBC for the BBC Philharmonic Orchestra to perform at the International Cello Festival in Manchester on 30 April 1992 with soloists Ralph Kirshbaum and Gregor Horsch and conductor Raymond Leppard.
21.99 GBP - vendu par Musicroom GB |
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| Concerto For Pianoforte
And Orchestra #4 Op. 58 Piano Quintette: piano, 2 violons,
alto, violoncelle Barenreiter
This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highl...(+)
This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano
49.80 EUR - vendu par LMI-partitions Délais: En Stock |
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| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock |
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| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Orchestre [Partition] Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
...(+)
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
68.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Concerto For Pianoforte
And Orchestra #5 E-Flat
Major Op. 78 Violoncelle Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violoncelle
7.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Edward Elgar: Cello
Concerto Miniature Score:
Cello: Score
Violoncelle [Partition] Novello & Co Ltd.
Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a co...(+)
Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.
34.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Philip Glass: Concerto
For Cello And Orchestra:
Cello: Score Violoncelle, Orchestre [Partition] - Intermédiaire/avancé Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...(+)
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
69.99 GBP - vendu par Musicroom GB |
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