Le Ceresio (ou lac de Lugano) se situe dans la région sub-alpine entre le lac de Côme et le lac Majeur. Sa superficie est partagée entre la Suisse (deux tiers) et l?Italie (un tiers). Le lac se caractérise par une forme particulière sinueuse et irrégulière. Ses rives sont bordées de nombreux sites touristiques dont la magnifique ville de Lugano.Franco Cesarini a composé cette marche pour la Police de Lugano à l?occasion du centenaire de sa création. Ceresio est une œuvre aux saveurs méridionales pleinement mises en valeur dans le trio. Cette marche se caractérise également par l?exposition d?un thème unique qui sert de fil conducteur à l?œuvre.

Par CACERES OSCAR. / Niveau : Elémentaire / classique / Répertoire / Guitare

Par CACERES OSCAR. / Niveau : Elémentaire / classique / Répertoire / Guitare

Almirena's aria from the opera Rinaldo. Almirena has been abducted by the sorceress Armida and imprisoned. In a beautiful garden in Armida’s enchanted palace Almirena laments her captivity. This edition was prepared specially for Dame Kiri Te Kanawa and the Academy of Ancient Music for their film The Sorceress as seen on BBC2 Christmas 1993. Each copy comprises a score and a copy of each instrumental part.

Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre

Par CESARINI FRANCO. La marche Lugano a été composée à l’occasion de la nomination de Franco Cesarini au poste de chef du Civica Filarmonica di Lugano et elle constitue un hommage à cet orchestre. Lugano se caractérise par son tempérament purement latin en complète harmonie avec l’atmosphère de gaieté qui règne sur cette ville du sud de la Suisse, que l’on nomme également „la Perle de Ceresio“ en raison de sa position géographique privilégiée… / Niveau : 3 / Marche de concert / Répertoire / Concert Band ou Harmonie

für 2 Violinen Viola und Violoncello-I would like to take this opportunity to express my sincerest gratitude to Eamonn Quinn Artistic Director of Louth Contemporary Music Society in Ireland for his deep empathy appreciation and great interest in my music and performance activity. I was repeatedly asked by Eamonn Quinn if I would consider writing a new string quartet for the 'Kronos Quartet' as he knew Kronos had asked me on a previous occasion about a commission. I would like to point out that I consider it a great honour for a contemporary composer to receive a commission from such renowned quartet as 'Kronos'. However at that time I was involved in writing some other works and also as a matter of principal Irarely accept commissions. But it so happened that when I visited Ireland and was introduced to Eamonn Quinn a remarkable musician and a great and heartful person ? his request to write this work for Kronos acted as an additional impulse and motivation to bring the new piece to life. I believe there is some Irish accent and naive melodies to permeate the whole work that may sound as symbols of this wonderful country in which destiny and historical legacy I perceive a close spiritual affinity to Ukraine my homeland. Valentin Silvestrov

For this opera in two acts, composer and librettist Mark Adamo revisits Louisa May Alcott's classic chronicle of growing up female in post-Civil War New England, focusing on the theme that even sincerest love and strongest will cannot stave off change and loss. / Opéra

Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume. / Voix medium Et Piano

Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume. / Voix Haute Et Piano

Partition pour guitare Nombre de pages : 64 Choisies, revues et doigtées par Oscar Cacérès. Contenu : Sor F.: Etudes Op.31 n°1 - Op.35 n°3, 4 et 6 - Op.44 n°1 - Op.60 n°5, 7, 8, 14 et 19 - 2 Etudes - Aguado D.: Méthode, 1ère partie (études 11 et 18) - Méthode, 2ème partie (études n°1 à 4, 6, 7,11, 12, 15, 19 et 20) - Cano A.: 5 Etudes - Carulli F.: 10 Etudes - Giuliani M.: 2 Etudes Op.50 - 3 Etudes - Etudes Op.43 n°1 - Op.100 n°2 - Op.139 n°4 - Carcassi M.: 3 Etudes Op. 59 - Etude - 5 Etudes Op.21 - Coste N.: 7 Etudes