Compositeur(S): Chrystijo. Par CHRYSTIJO. Auteur: Paul OUHIOUN/ Feuillet / Chant et Piano

Christus, der uns selig macht. Par BACH JOHANN SEBASTIAN / WERNER FRITZ. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Fastenzeit und Passion -/ Répertoire / Choeur Mixte

A fabulous example of Giovanni Gabrieli’s multi-choir music in which he extends the notion of rhythm and expands tonal colours to create the pulse of the music. In Hodie Christus Natus Est he establishes a remarkable rhythmic counterpoint akin to the swallowing up of rhythms as they mingle and are lost. Note that this is a rather complex piece that will require skilled and disciplined performers to follow their own independent line. This is an ideal choice of material to be used for general festivals or as a rejoiceful Christmas song. This fantastic piece is set for a Double Chorus of Mixed Voices with an Organ accompaniment.

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist [tenor] and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist [tenor] and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière

Chant, surtout chantant en petits groupes, est une activité musicale précieuse et les plus naturelle - qu'est ce que croit fermement Paul Hindemith (1895-1963): ' tout le monde a une voix... Une chorale est la moins exigeant et en même temps meilleur outil éducatif. ' Et c'est pourquoi chant avait toujours fait partie de ses activités d'enseignement, que ce soit lors de la tentative et pratiquant des tâches de comédie musicale-théoriques, que ce soit lors de la répétition vieux et paramètres chorals modernes. Pas étonnant que le compositeur avait traité avec la musique chorale toute sa vie, adressage lui-même à toutes sortes d'ensembles vocaux : choeurs mixtes, mâle-voix et chorales d'enfants, chorales professionnels et chanteurs formés. Il a développé son style a cappella au cours de sa formation avec Arnold Mendelssohn et Bernhard Sekles au Conservatoire Hoch à Francfort. En conséquence, les carnets de croquis de ses journées étudiantes contiennent aussi des trois volets de paramètres vocales sur cantus firmi. Les oeuvres chorales sacrées présentées ici (1. Christus, der ist mein Le... / Choeur Mixte (SABar)

This is a beautiful arrangement of Sweelinck's Hodie Christus Natus Est from the vocal collection Cantiones Sacrae of 1619 and an energetic addition to your Christmas program.

Summerly Jeremy (Editor). Par SUMMERLY JEREMY. Une fascinante collection explorer les richesses musicales d'une période plus colorée, du moyen âge. Reflétant l'atmosphère d'une époque où la maladie et la mort subite ont été contrebalancés par la foi et ' joie de vivre ', ce volume contraste sacrés paramètres tels que le toujours populaire ' natus est Gaudete Christus ' et inédites précédemment ' Jesu dulcis memoria ' avec des classiques laïques médiévales comme ' Sumer est icumen dans ', ' Agincourt Carol ' et le Passetime célébration avec bonne compagnie. / Date parution : 2000-07-20/ Recueil / SATB

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist [tenor] and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published under the title 'Christus'. The second fragment, 'The Suffering of Jesus', comes from the middle of the Passion story: the scene 'Jesus before Pilot' is presented with rapid, dramatic alternation between the recitatives of the evangelist [tenor] and choruses of the people. A contemplative choral movement closes the fragment. / Oratorio / Répertoire / Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière

Violin 1-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.