for 5 soloists (SSATB), speaker, 3 mixed choirs and orchestra. Par PENDERECKI KRZYSZTOF. Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work./ Répertoire / 5 Solistes [SSATB], Narrateur, 3 Chœurs Mixtes et

Evoking the visions of John the Revelator this African American spiritual depicts the twelve gates of the city that represents eternal freedom. This arrangement features the traditional as well as original melodic material with triadic harmonies and a percussive and rhythmic accompaniment building in intensity to the final Hallelu!

Evoking the visions of John the Revelator this African American spiritual depicts the twelve gates of the city that represents eternal freedom. This arrangement features the traditional as well as original melodic material with triadic harmonies and a percussive and rhythmic accompaniment building in intensity to the final Hallelu!

The World'S Loudest Songbook Featuring 45 Headbanging Songs. Shred your axe and thrash your big hair through the air with this jam-packed collection of 45 metal faves in note-for-note guitar trancriptions with tab. Songs include: Ace of Spades - Bark at the Moon - Breaking the Law - Crazy Train - Dying in Your Arms - Enter Sandman - Hail to the King - Iron Man - Master of Puppets - No More Tears - Painkiller - Redneck - Symphony of Destruction - Toxicity - War Pigs (Interpolating Luke's Wall) - Your Betrayal - and more. 430 pages of awesomeness!/ Tablatures / Guitare Tablatures

for Wind Orchestra, Studyscore. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 ?Urban Landscapes? Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 ?Urban Landscapes? Op. 55: a sumptuous musical portrait of the ?Windy City?./ Répertoire / Concert Band/Harmonie

for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 “Urban Landscapes” Op. 55: a sumptuous musical portrait of the “Windy City”./ Répertoire / Concert Band/Harmonie

The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking

A classic collection of 120 traditional Christmas carols arranged at the easy level for all guitarists to enjoy. / Guitare