Sweet Content by William Busch for Medium Voice with Piano accompaniment. Words by W.H. Davies

Chamber Music Piano, soprano voice

SKU: PR.411411690

Composed by Nkeiru Okoye. 32 pages. Duration 25 minutes. Theodore Presser Company #411-41169. Published by Theodore Presser Company (PR.411411690).

UPC: 680160686032.

The four name arias in HARRIET TUBMAN: When I crossed that Line To Freedom, portray stages in the title character's transformation from slave to freedom-fighter. First, as a child, she introduces herself as Araminta, who is often called, Minty. Her naive prattlings establish a dramatic contrast between childhood's contentment and the harsh realities of slave existence. My name is Harriet, now. Don't call me Minty any more, declares the teenaged heroine. Having survived a series of abusive masters and a debilitating injury, she asserts her rites of womanhood through the shedding of her childhood moniker. The grown Harriet Tubman reintroduces herself as a free woman, recounting the harrowing tale of escape from slavery. Confronted by bittersweet poignancy at having crossed the line to freedom without family to welcome her, she is inspired towards a new goal: returning home to rescue loved ones. In the final aria, Tubman, a seasoned conductor on the Underground Railroad, embraces the folkloric title given to her by escapees and aspiring runaways. I am 'Moses, the Liberator,' she proclaims. Her transformation is complete.
The four “name” arias in HARRIET TUBMAN: When I crossed thatLine To Freedom, portray stages in the title character's transformationfrom slave to freedom-fighter.First, as a child, she introduces herself as “Araminta,” who is oftencalled, “Minty.” Her naïve prattlings establish a dramatic contrastbetween childhood's contentment and the harsh realities of slaveexistence.“My name is Harriet, now. Don't call me Minty any more,” declares theteenaged heroine. Having survived a series of abusive masters and adebilitating injury, she asserts her rites of womanhood through theshedding of her childhood moniker.The grown Harriet Tubman reintroduces herself as a free woman,recounting the harrowing tale of escape from slavery. Confronted bybittersweet poignancy at having crossed the line to freedom withoutfamily to welcome her, she is inspired towards a new goal: returninghome to rescue loved ones.In the final aria, Tubman, a seasoned conductor on the UndergroundRailroad, embraces the folkloric title given to her by escapees andaspiring runaways. “I am 'Moses, the Liberator,'” she proclaims. Hertransformation is complete.

Jazz Ensemble - Grade 1

SKU: AP.45064S

Composed by Vince Gassi. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz. Score. 16 pages. Alfred Music #00-45064S. Published by Alfred Music (AP.45064S).

UPC: 038081510446. English.

Here's a funky rock chart by Vince Gassi called Contents Under Pressure for young band. It's played at 120 BPM and features a written solo for tenor sax, accessible brass ranges, a catchy melody, clear articulation, and optional parts to include flute, clarinet, and vibraphone. (3:00) This title is available in MakeMusic Cloud.

Organ

SKU: HL.14014304

Edited By G.S. Holmes (See Contents). Composed by George Frideric Handel. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV922244. Published by Music Sales (HL.14014304).

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Book with 3 Hours of Video Content. Drum Instruction. Instruction, Pop Instruction. Softcover Video Online. 112 pages. Published by Hal Leonard

Voice, guitar tablature or piano

SKU: LM.PB759

By Pep's. By Pep's. Album. Pop, jazz. Score. Bookmakers International #PB759. Published by Bookmakers International (LM.PB759).

ISBN 9790231307597.

Melo die - Poterie des Dieux - Liberta - Dans ma tete - J'te serre - Une utopie dans le decor - Fakir - Non identifie - Ca va... - De l'air - A l'insouciance - Me contenter de rien - ...Ca vient - Tristan - M'asseoir - Boum boum - La P'tite recolte du jardinier.

SKU: HL.1236959

Mackie. Studio and Rehearsal Support. Hal Leonard #2053754-00. Published by Hal Leonard (HL.1236959).

UPC: 663961064049. 15.0x16.0x5.0 inches.

BETTER. FASTER. CREATOR. The DLZ Creator Adaptive Digital Mixer for Podcasting and Streaming enables you to get the results you want–faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level–without compromising processing power or sound quality. EASY For those who want to get great results without menu-diving. ENHANCED For those who want some customization without an overwhelming number of options. PRO For those who know what they want and how to get it. BUILT-IN SMARTS More than just an audio interface or podcast mixer, DLZ Creator is designed to help you be a better content producer. • Mix Agent is your virtual audio assistant, guiding you through setup and setting gain levels • AutoMix manages levels for up to four mics, so everyone can be heard • Using Mix Minus with your Bluetooth®-connected smartphone brings a caller into your mix with no audible echo THE INS AND OUTS OF PRODUCING From studio-grade Onyx80 preamps, to custom headphone mixes for each guest, DLZ Creator brings Mackie's legacy in pro mixing boards to creators everywhere. READY FOR WHAT'S NEXT DLZ supports the way you want to create. Record or stream to your computer via USB-C, or record full multitrack audo to an SD card or flash drive for a truly self-contained setup.

By Various. For Piano. Written For You Collections. Contents include: The Wild West (Brown); Mystic Legend (Goldston); Black Cat Scherzo (Bober); Souvenir of Old Vienna (Brown); Crystal Palace Waltz (Bober); Midnight Chase (Goldston); At a Paris CafE (Olson); Rodeo Roundup! (Bober); Romantic Promenade (Brown). Level: Intermediate. Book. Published by The FJH Music Company, Inc.

By Various. For Piano. Written For You Collections. Contents include: Daybreak in Dublin (Bober); Mountain Memories (Olson); Canyons and Waterfalls (Bober); Nocturne (Nightfall in Tossa de Mar) (Cuellar); Sleighride Fantasy (Bober); Diamonds on the Water (Rossi); On Wings of Sound (Brown); Ballad of the Matador (Heller). Level: Late Intermediate. Book. Published by The FJH Music Company, Inc.

Composed by Vince Gassi. Jazz Ensemble. Jazz Ensemble; Part(s); Score. First Year Charts for Jazz Ensemble. Jazz. Grade 1. 86 pages. Published by Alfred Music

By Various. For Piano. Written For You Collections. Contents include: Elephant Stomp (Olson); First Winter's Snow (Cuellar); Starfish (Bober); Sneaker Salamander (Bober); Fiesta! (Bober); Autumn Ballad (Olson); Watch Out for the Witch's Cat! (Brown); Once Upon a Time (Brown); Time's Up! (Olson). Level: Late Elementary/Early Intermediate. Book. Published by The FJH Music Company, Inc.

Composed by Edward Fairlie. Windependence Master Level. Contemporary. Softcover. Duration 360 seconds. Boosey and Hawkes #M051664184. Published by Boosey and Hawkes

Concert Band (Score)

SKU: HL.48024892

Windependence Master Level. Softcover. 16 pages. Duration 360 seconds. Hal Leonard #M051664191. Published by Hal Leonard (HL.48024892).

UPC: 840126920000. 9.0x12.0x0.075 inches.

Favorite Piano Classics (CC10) by Various. For Piano. Published by Santorella Publications (SP.78200). ISBN 1-58560-526-3. There is certainly an abundance of Classical piano literature in print. Every publisher has a collection of piano classics in their catalog and the differences are determined by several factors. When we narrow the field to include only "unedited original works" of the greatest composers, the largest difference is content. Favorite Piano Classics from Santorella Publications contains the finest assortment of "unedited original" piano works in print. Let's let the titles and their fathers speak for themselves.

Piano

SKU: SU.12800060

For Piano. Composed by Joseph F. Lamb. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #12800060. Published by Subito Music Corporation (SU.12800060).

BachScholar Editions Vol. 60: JOSEPH F. LAMB: 12 Classic Rags for Piano (editor's preface, 51 pages of music) presents Joseph F. Lamb's twelve popular rags published by John Stark from the years 1908-1919. These beautiful and meticulous engravings are reproduced from the original editions, making this an historically accurate Urtext of the highest quality (no fingerings provided). In addition, corrections and editorial notes are provided in the informative preface by the editor. Pianists, students, teachers, and ragtime aficionados will marvel at the clarity and legibility of this fine authoritative edition of some of the highest caliber works from the classic ragtime era. Contents include: 1. Sensation Rag (1908) 2. Ethiopia Rag (1909) 3. Excelsior Rag (1909) 4. Champagne Rag (1910) 5. American Beauty Rag (1913) 6. Contentment Rag (1915) 7. Ragtime Nightingale (1915) 8. Cleopatra Rag (1915) 9. Reindeer Rag (1915) 10. Top Liner Rag (1916) 11. Patricia Rag (1916) 12. Bohemia Rag (1919) Composed: 1908-1919 Published by: BachScholar.

By Joan Szymko (1957-). For SSAA choir, violin and piano. Janet Galvan Women's Choral. Concert, General, Sacred. Octavo

Soloist: John Cipolla, clarinet; Ensemble: keyboard accompaniment. For Clarinet in B-flat. Instrumental Solo Part and 4 CDs. Published by Music Minus One.

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons. For Fiddle. Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 80 pages

By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

Composed by Charles McCartha and Patricia Mock. Arranged by Charles McCartha. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

SSA choir, piano

SKU: LO.15-3627H

Composed by Joseph M. Martin. Choral. Secular Christmas. Octavo. Heritage Music Press #15/3627H. Published by Heritage Music Press (LO.15-3627H).

ISBN 9780787763619.

The night wears on, the air is chilled. Alone I walk this road, as higher yet I go on the well-worn path. The soft moon rises, the stars give light, shining on the midnight sky on Winter Mountain. Vivid lyrics, rich winter imagery, and heartfelt emotion compliment with subtle nuance the message of discovering peace, beauty, and contentment in our ever-changing world. An unforgettable musical experience!

String orchestra

SKU: M7.DOHR-88807

Composed by Adrian Connell. Sheet music. Score. 20 pages. Duration 10'. MDS (Music Distribution Services) #DOHR 88807. Published by MDS (Music Distribution Services) (M7.DOHR-88807).

ISBN 9790202098073.

Spri ng Song is a celebration of the arrival of spring, a renewal of life from the death of the old year. The basic structure of this piece is classical Sonata form. The opening represents winter and this section contains the motives that are the seeds for spring. The music does not really take flight until the development section where march-like textures punctuated by string fanfares propel the music forward. The recapitulation is transformed as the themes reappear in a different order and use the march-like elements from the development. The coda acts as a tranquil recall of the opening music as four solo strings take on the guise of birds singing in contentment in the summer sun.