The Christmas Organist is a cornucopia of 30 seasonal pieces for Christmas services and concerts including favourites such as Handel’s Hallelujah Chorus and Vivaldi’s Gloria in Excelsis aswell as preludes and other Christmas pieces which take their inspiration from popular carols. A truly outstanding collection.

E-Z Play Today Volume 338-A cornucopia of 116 beloved hymns in large easy-to-play notation.

Commissioned and recorded twice by tenor William Brown Through This Vale of Tears is a kind of social commentary on the death of Dr. King. As described by the Atlanta Journal Constitution “Mr. Baker's piece set a varietyof texts in a cornucopia of styles including scat spiritual and chorale. Miraculously this diversity cohered producing a multi-dimensional work filled with grief humor and hope.” Instrumental parts available separately(LKMP# X815403).

Uses: General Baptism RevivalScripture: John 7:38; I Kings 18:35; Ezekiel 36:25-27; Revelation 22A choral cornucopia is waiting for you in this spectacular new gathering of hymns and folk songs.Assembled around the metaphor of God's waters of blessing this arrangement suggests an authentic Appalachian sound with the violin obbligato adding a delightful element.

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Here is an intriguing assortment of six original and stylish pieces for french horn with piano accompaniment. Carefully graded this varied collection is a real treat for players and listeners. ABRSM E Flat Horn Examination Grades 5 and 6.

Six outstanding collections of favourite songs (Songs of England, Songs of Ireland, Songs of Scotland, Songs of Wales, Songs of Christmas, Songs of the Americans). All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos. Ideal for playing at home, in the classroom, or even as concert item!An international collection, including Stille Nacht, Fum! Fum! Fum!, Mary Had a Baby and O TannenbaumThe edition is part of the ABRSM syllabus (grades 1, 2 and 3). / Voix Et Piano