Avec 8 Préludes et 1 Allemande De 'L'Art De Toucher Le Clavecin' (1716-1717). Par COUPERIN LOUIS. Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.' (Jury of the German Music Edition Prize on BA 10844) Bärenreiter presents Book II of Couperin's 'Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise 'L'Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary. - Pioneering edition with the first-time evaluation of an extensive body of sources - Includes Couperin's original expression marks - Contains nine original compositions from 'L'Art de toucher le clavecin”(1716-17)/ Répertoire / Clavecin

Edition : Paris, 1703A ces quatre versets chantés à Versailles en 1703, Couperin ajoute un verset chanté par sa nièce lors de sa réception, en février 1702. Présentation de : Philippe Lescat : Contexte historiqueJean Saint-Arroman : Notation, agrémentation, effectifDescription : - Quatre versets d'un motet de Louis Couperin : -Verset Onzième Tabescere, - à 2 chanté par Mesdemoiselles Chappe & - Couperin-Verset douzième Ignitum, - à voix seule & - Symphonie, Mademoiselle Chappe-Verset treizième Adolescentulus, - à voix seule & - Flûtes, Mademoiselle Couperin-Verset Quatorzième Justitia, - les deux Demoiselles alternativement avec tous les Dessus.-Verset ajoûté Qui dat nivem ficut lanam, - - à voix seule & - Flûtes, Mademoiselle Couperin. / Musique De Chambre, Voix (2 Voix De Dessus), Voix Et Instrument(s) (Voix De Dessus, 2 Flûtes Traversières Et Violons), Voix Et Choeurs (Choeur A 2 Voix De Dessus) / 52 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score and Parts) This edition contains Couperin?s four ?Concerts royaux?, which were published in 1722 as part of Book III of his ?Pièces de clavecin?. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of ?Pièces de clavecin III? (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world. The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the ?Concerts royaux?, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today?s players close to the special sound of this music in a fascinating way. Couperin?s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. - First separate Urtext edition of the ?Concerts royaux? for chamber ensemble, based on the pioneering new edition of Book III of the ?Pièces de clavecin? (BA 10846) - Preserves essential features of the original notation as well as Couperin?s original embellishment signs - Notes on historical performance practice, glossary, Couperin?s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng) / Date parution : 2022-05-31/ Recueil / Ensemble de Chambre

Par COUPERIN FRANCOIS. What is hidden behind the seductively hypnotic repeating theme of Couperin?s Les Baricades Mistérieuses' The original allusion of the title is long forgotten, though tantalizing theories abound, but the piece has lost none of its evocative beauty. This new Urtext Edition from Edition Peters by eminent Couperin scholar Catherine Massip provides young pianists of advancing abilities, enthusiasts and professional pianists with a beautifully engraved and reliable scholarly text. In addition to the notation itself, this edition contains a preface in French, German and English and a critical commentary. ? New Urtext Edition of one of the most famous and appealing Baroque keyboard works ? Medium difficulty makes this suitable for advancing players ? Contains preface and critical commentary in French, German and English ? Edition by leading Couperin scholar Catherine Massip/ Répertoire / Piano

50 solos de guitare fantastique dans les notes et les onglet de 18 compositeurs baroques, y compris de Bach, Corelli, Couperin, Haendel, Purcell, Rameau, Scarlatti, Telemann et autres. / Guitare

Arrgt: Eric Vireton. Par COUPERIN FRANCOIS. Formation : Musique de Chambre, Duo - Instrumentation : 1 Violon 1 Violoncelle - Niveau de Difficulté : 2/6 - Facile - Durée : 1 mn 10 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : François COUPERIN - Arrangeur : Eric VIRETON / Niveau : Facile / Classique / Répertoire / Violon et Violoncelle

Par ADES THOMAS. In Three Studies from Couperin, Thomas Adès empathetically reworks three pieces by the Baroque composer into music that is distinctively Adès without dismissing the source material. The basic structures of harmony and duration in ?Les Amusemens?, ?Les Tours de Passe-passe?, and ?L?Âme-en-Peine? remain unchanged, but the retouching of rhythm, texture and orchestral colours reveals an enthralling music that could be no other composer. The Three Studies has earned critical praise and popularity, having received over 200 public performances in more than 20 countries since its 2006 premiere. ?Three Studies from Couperin, looks at the music as if through a kaleidoscope, the shattered pieces of the original tumbling around like glinting fragments of coloured glass.? Financial Times / Date parution : 2022-06-14/ Répertoire / Orchestre de Chambre

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano

Arrgt: Eric Vireton. Par COUPERIN FRANCOIS. Formation : Musique de Chambre, Duo - Instrumentation : 1 Violon 1 Violoncelle - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 45 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : François COUPERIN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon et Violoncelle

La collection contient des pièces originales par j.s. Bach, Haendel, Couperin, Philipp Kirnberger, Marpurg, Haydn, Mozart et Beethoven et le plus léger, qui sont connus par ces compositeurs. Les pièces sont disposées dans l'ordre chronologique - le résultat progressif est b / Piano

Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 20 pieces by 12 composers, including C. P. E. Bach, Blow, F. Couperin, Daquin, Duncombe, Handel, Pachelbel, Petzold, A. Scarlatti, D. Scarlatti and Telemann.Complete with online access to recorded performances, this book provides the early intermediate level pianist with a newly-engraved collection of pieces from the Baroque Era, accompanied by historical notes and performance suggestions. / Piano