3 sopranos

SKU: HL.49019909

From A Worcester Ladymass. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Choral. Softcover. Composed 2008. 6 pages. Duration 6'. Schott Music #ED13330. Published by Schott Music (HL.49019909).

ISBN 9790220134111. UPC: 196288025597. 9.0x12.0x0.073 inches. Latin.

Bryars' settings of Benedicamus Domino and Credo were written to complete a Ladymass that had been constructed from the Worcester Fragments. They were composed with the intention of seamless integration into the original settings, maintaining the same spirit and sound world of the existing music.

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000921

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Oboe 1. Sacred vocal music, Mass sections. Single Part, Oboe 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/21. Published by Carus Verlag (CA.4000921).

ISBN 9790007248048. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000912

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/12. Published by Carus Verlag (CA.4000912).

ISBN 9790007248000. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000903

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections. Vocal score. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/03. Published by Carus Verlag (CA.4000903).

ISBN 9790007241551. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000949

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Mass sections. Single Part, Organ. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/49. Published by Carus Verlag (CA.4000949).

ISBN 9790007248055. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000900

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections. Full score. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/00. Published by Carus Verlag (CA.4000900).

ISBN 9790007187729. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000911

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 1. Sacred vocal music, Mass sections. Single Part, Violin 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/11. Published by Carus Verlag (CA.4000911).

ISBN 9790007247997. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000905

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections. Choral Score. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/05. Published by Carus Verlag (CA.4000905).

ISBN 9790007187712. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score available separately - see item CA.4000900.

SATB choir, organ - Early Intermediate

SKU: MN.CH-1196

Composed by Eugene Gerlitz. Octavo. Laurendale Associates #CH-1196. Published by Laurendale Associates (MN.CH-1196).

Raised in a quintessential Protestant tradition, Eugene's encounter with liturgical worship, and especially the Mass, was breath-taking. His imagination was first set in motion for this piece when he heard the Credo intoned at Grace Cathedral in San Francisco. The drama of this particular piece clearly occurs in the organ accompaniment as the choir and congregation recited the entire credo on a single pitch. Credo received this response on tour in the Czech Republic: ...deep artistic and human expression...the strongest probably provoked by Stravinsky's Symphony of Psalms...and the exciting Gerlitz' Credo (translated from Pojizerski Listy, 11 August 93, Vladmir Havrada, critic).

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000915

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Basso continuo. Sacred vocal music, Mass sections. Single Part, basso continuo. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/15. Published by Carus Verlag (CA.4000915).

ISBN 9790007248031. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000914

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Viola 2. Sacred vocal music, Mass sections. Single Part, Viola 2. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/14. Published by Carus Verlag (CA.4000914).

ISBN 9790007248024. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000913

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Viola 1. Sacred vocal music, Mass sections. Single Part, Viola 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/13. Published by Carus Verlag (CA.4000913).

ISBN 9790007248017. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000919

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/19. Published by Carus Verlag (CA.4000919).

ISBN 9790007248062. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and parts available separately - see item CA.4000900.

Medium voice, unaccompanied - Medium

SKU: PL.8308

Edited by Dr. Mary Berry. Choral, Chant. Octavo. Paraclete Press #8308. Published by Paraclete Press (PL.8308).

The setting of the Credo Cardinale transcribed here comes from a fifteenth to sixteenth century illuminated choir-book in Edinburgh University Library where it appears in a late medieval rhythmic notation. The melody itself is known as Credo IV in modern service-music books. Nick-named the Jazz Credo by Dr. Berry's students, this is an unusual chant work that is a joy to sing.

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000405

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Choral Score. RV 591. Duration 10 minutes. Carus Verlag #CV 40.004/05. Published by Carus Verlag (CA.4000405).

ISBN 9790007057374. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score available separately - see item CA.4000400.

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000413

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Viola. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/13. Published by Carus Verlag (CA.4000413).

ISBN 9790007057404. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

For Concert Band. Composed by James Barnes. Southern Music. Concert. Softcover. Southern Music Company #S945CB. Published by Southern Music Company (HL.172748).

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000412

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Violin 2. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/12. Published by Carus Verlag (CA.4000412).

ISBN 9790007057398. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

SATB choir, 2 violins, viola, basso continuo - Level 3

SKU: CA.4000411

Composed by Antonio Vivaldi. This edition: urtext. Stuttgart Urtext Edition: Vivaldi-Archiv. German title: Credo. Innovative practice aids, Sacred vocal music, Mass sections. Single Part, Violin 1. RV 591. 8 pages. Duration 10 minutes. Carus Verlag #CV 40.004/11. Published by Carus Verlag (CA.4000411).

ISBN 9790007057381. Key: E minor. Language: Latin/English.

The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.

SATB/SATB choir, basso continuo

SKU: CA.4008900

Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. This edition: Paperbound. Sacred vocal music, Mass sections. German title: Credo. Sacred vocal music, Mass sections. Full score. Composed 1806. 80 pages. Carus Verlag #CV 40.089/00. Published by Carus Verlag (CA.4008900).

ISBN 9790007094461. Key: G major. Language: Latin.

In Cherubini's complete oeuvre and in musical classicism the Credo a 8 occupies an absolutely exceptional place. It represents the summa summarum of Italian vocal polyphony since Palestrina, employing the rich harmonic means of the early 19th century, and at the same time is Cherubini's masterpiece. For chamber choirs in search of new horizons the work is an exciting discovery.

SATB/SATB choir, basso continuo

SKU: CA.4008905

Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. Chorus 1. Sacred vocal music, Mass sections. Choral Score. Composed 1806. 20 pages. Carus Verlag #CV 40.089/05. Published by Carus Verlag (CA.4008905).

ISBN 9790007131173. Key: G major. Language: Latin.

In Cherubini's complete oeuvre and in musical classicism the Credo a 8 occupies an absolutely exceptional place. It represents the summa summarum of Italian vocal polyphony since Palestrina, employing the rich harmonic means of the early 19th century, and at the same time is Cherubini's masterpiece. For chamber choirs in search of new horizons the work is an exciting discovery. Score available separately - see item CA.4008900.

SATB choir, voice solo, assembly, piano and organ accompaniment, flute, oboe, clarinet in B-flat, trumpet 1 in B-flat, trumpet 2 in B-flat, horn in f, trombone, violin 1, violin 2, viola, cello, bass, percussion, harp, synthesizer

SKU: GI.G-5755

Composed by Edward Nowak. Mass. Sacred. 32 pages. GIA Publications #5755. Published by GIA Publications (GI.G-5755).

English, Latin. Text Source: From the Credo of the Latin Mass.

Instrument parts are optional. Percussion is for vibes. Handbell may be played by glockenspiel. Flugelhorn or trumpet. Synthesizer part is optional.

By Isabella Leonarda (1620-1704). Edited by Barbara Jackson. Choir, SATB soloists, Strings,.organ. SATB choir and soloists. This edition: Second Edition. Choral music. Choral Mass, Credo. Baroque. College. Choral Score. Sheet music. 36 pages. Duration 19 minutes,19 seconds

ED4286. By Mark Adamo. Vocal Collection. Size 9x12 inches. 8 pages. Published by G. Schirmer, Inc.

Composed by Benedict Sheehan. Craig Hella Johnson Series. Concert, Festival. Octavo. Published by Hal Leonard