From Pitch Perfect 3-Originally released by teen pop sensation Daya and then re-energized in the movie Pitch Perfect 3 this is a song of empowerment for girls and women. In her own words Daya states that ?this is a song about a girl that goes after her own dreams and really fights for what she wants.? All of these good vibes are wrapped up in a dynamite pop a cappella arrangement.

Par DAYAN JEAN-LUC. Batteur, compositeur, professeur, auteur intermittent (de méthodes de batterie, par exemple), accessoirement chef d'orchestre et consultant événementiel, Jean-Luc Dayan est professionnel depuis... Et mince, il n'a pas envie de se rappeler la date ! Jean-Luc pense toujours très fort à Gus Wallez et à Marcel Blanche, ses deux mentors musicaux, dont les inestimables conseils l'ont aidé et l'aident encore à accompagner des chanteurs(ses) aussi différents(tes) que Serge Gainsbourg, Jean Guidoni, Dorothée, Frédéric François, François Valéry, Patrick Bruel, Serge Reggiani, Jane Manson, Jeanne Moreau, Lavelle, Dee-Dee Bridgewater, Liza Minnelli, Nathalie Cole, Puff Daddy, Danny Brillant, Guy Marchand, Victor Laszlo, Lee John, Samy Goz, Gérard Darmon, Cunny Williams... à jouer avec des maîtres musiciens tels que Lionel Hampton, Larry Corryell, Hubert Laws, Claude Bolling, Herbie Mann, Charlie Bird, Ivan Jullien, Clark Terry, James Moody, Jack Wilkins, Akira Jimbo, Russell Malone, Walfredo Reyes, Maurice André, Yo-Yo Ma, Jean-Pierre Rampal, Alexandre Lagoya, l'English Chamber Orchestra... ou à battre la mesure dans la pénombre de fosses d'orchestre, tant pour des revues 'à plumes” que pour des ' Broadway shows ' tels 42 th Streets ou Le Roi Lion. Bien qu'il continue d'espérer que les dieux du groove lui accorderont encore quelques temps la chance et le bonheur de parcourir le monde en compagnie de ses petites baguettes magiques, Jean-Luc Dayan a désormais, en parallèle à une activité régulière au sein de deux structures pédagogiques, la grosse envie de laisser une toute petite trace de son aventure musicale au travers des travaux, davantage personnels, que représentent la composition de musiques, l'écriture de chansons… et la réalisation d'ouvrages du genre de celui que vous tenez entre les mains !/ Etude / Percussions

Compositeur(s): SINGUILA BEDAYA N'GARO and DAVE MUNDELE SILUNVANGI / Piano Et Chant

Compositeur(s): SINGUILA BEDAYA N'GARO, NICOLAS NOCCHI and DIDIER DAVIDAS / Piano Et Chant

Compositeur(s): SINGUILA BEDAYA N'GARO DIT SINGUILA and VALY KABALA DIT DECK / Piano Et Chant

Compositeur(S): Singuila Bedaya N'Garo. Par SINGUILA. Auteur: SINGUILA BEDAYA N'GARO and DAVE MUNDELE SILUNVANGI/ Feuillet / Chant et Piano

This exciting new teaching method by the renowned piano pedagogue Hans-Günter Heumann is ideal for adults and young people looking to learn the piano from scratch or for those returning to the piano after a break from playing.Using classical music as a basis for learning this method introduces interesting varied and well-known pieces right from the outset. The two method books have been carefully designed to progress in small manageable steps beginning with simple fingering patterns and exercises onto some of the most beautiful melodies and pieces from the baroque classical and romantic eras such as the Ode to Joy Für Elise and the BlueDanube Waltz.Leading the student through a range of exercises repertoire pieces theory checks tips on practising playing and technique and composer biographies the process of learning is made interesting informed and fun.The four supplementary volumes present further material to help learning at each stage of the students? development as well as offering up a wider range of beautiful pieces for the solo pianist or piano duet.The method books and duet collections are accompanied by a CD recording of all pieces performed on a grand piano by a professional concert pianist as well as some additional accompanying parts which can be used as play-along tracks.ContentHeumann: Merry and SadHering: Wild HorsemanHeumann: PassionLe Couppey: Melody No. 12Küffner: MarchGerman Folk Song: Hansel and Gretelfrom Salzburg: LullabyHeumann: Rock FeverMozart: Oragnia figata faL. Mozart: MinuetFrench Folk Songs: For He's a Jolly Good FellowHeumann: Perfect DayAmerican Folk Tune: Banks of the OhioCzerny: The Little Pianist op. 823 No. 6Gurlitt: Morning Greeting op. 210 No. 1Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 13Gurlitt: Little Melodic Exercises for Beginners op. 187 No. 14Gurlitt: Little Melodic Exercises

Morceau De Lecture For Trombone And Piano-Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school and composed almost exclusively for his instrument.A rare exception is this “Morceau symphonique” written in1902 for the Paris Conservatoire’s annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns’s “Cavatine” (HN 1119) – and is todayamong the essential standard works of trombone literature.The “Morceau symphonique” is here offered in its first-ever Urtext edition based on the autograph and the first edition. We also offer here aparticularly special treat – the sight-reading piece that Guilmant wrote for the same competition which had until now slumbered in the archives and is here published for the very first time.

The Four Noble Truths are the most basic expression of the teaching of Buddha and therefore still form the guidelines for Buddhists to this day. The four truths are Dukkha which describes times of major stress in our lives - birth aging desire and death; Samudaya which describes those parts of our life that induce stress feeling craving desire; Nirodha which tells us how to eliminate those aspects of our lives which induce stress and Magga which describes the eight didciplines which can help us eliminate the origins of stress from our lives. It can be seen from these over-simplified definitions that the Four Noble Truths fall into two pairs the first two describingthe origins of stress and the second two describing how we can reduce stress. To reflect this the four movements of this work are also combined into two pairs - two quick movements and two slow movements. A fascinating work from this great English composer.