| Detective Decrescendo and the Hunt for Favorite Melodies [Flash Cartes & Jeux] Lorenz Publishing Company
By Barbara Meeks, Bonnie J. Krueger. Book of games. Published by Lorenz Publishi...(+)
By Barbara Meeks, Bonnie
J. Krueger. Book of
games. Published by
Lorenz Publishing
Company. (30/2322H)
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz for Classic Guitar Made Easy Guitare Guitare classique [Partition + CD] - Débutant Mel Bay
By Alexander Vinitsky. For Guitar (Classical). Solos. Made Easy. Jazz. Level: B...(+)
By Alexander Vinitsky.
For Guitar (Classical).
Solos. Made Easy. Jazz.
Level: Beginning. Book/CD
Set. Size 8.5x11. 32
pages. Published by Mel
Bay Publications, Inc.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noir Vignettes Contrebasse, Piano (duo) Theodore Presser Co.
Chamber Music Double Bass, Piano SKU: PR.114418110 For Double Bass and...(+)
Chamber Music Double
Bass, Piano SKU:
PR.114418110 For
Double Bass and
Piano. Composed by
Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+16
pages. Duration 13
minutes. Theodore Presser
Company #114-41811.
Published by Theodore
Presser Company
(PR.114418110). ISBN
9781491111994. UPC:
680160640423. The
film noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. String bass
parts are provided both
for standard orchestral
tuning and for solo
tuning. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES for Double Bass
and Piano consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael
Cameron.-Stacy
Garrop. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noir Vignettes Violoncelle, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello,
Piano SKU:
PR.114418630 Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+8
pages. Duration 13
minutes. Theodore Presser
Company #114-41863.
Published by Theodore
Presser Company
(PR.114418630). ISBN
9781491114063. UPC:
680160642724. 9 x 12
inches. The film
noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael Cameron;
and it also published for
Double Bass and Piano
(114-41811). The cello
version is transcribed by
the composer.-- Stacy
Garrop. $20.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elecs Geheimnis Sikorski
Book with Audio Online Guitar; Lead; Piano; Voice (Piano/Voice/Guitar) SKU: H...(+)
Book with Audio Online
Guitar; Lead; Piano;
Voice
(Piano/Voice/Guitar)
SKU: HL.50606900
Ein Musical für die
Sekundarstufe Lehrerheft
Book with Audio Onli.
Vocal Collection.
Musicals. Softcover.
Sikorski #SIK1519D.
Published by Sikorski
(HL.50606900). UPC:
196288201441. A
school musical on the
theme of acceptance and
difference, suitable for
secondary school
performances. Playing
time approx. 35 minutes.
Story: Somehow he is
different, the new
student: his name is Elec
and he has uncanny
abilities. His classmates
wonder and whisper about
him. Even the schoolhouse
detective is on his
trail. What he finds out
leads to only one
conclusion: Elec is an
alien! But on what
mission? Elec only trusts
Judith and reveals
himself to her: he was
sent to Earth to learn
humanity. When his
classmates offer Elec not
to betray him if he uses
his abilities in their
favor, he agrees and
prevents the next class
test. But things get out
of hand and the police
are called in. Shortly
before they take Elec
away, he learns what
humanity means and the
class stands united with
him. Elec's Secret was
created based on ideas
from students at
Pestalozzi Middle School
Oberlungwitz. $21.99 - Voir plus => Acheter | | |
| Two Boys St Rose Music Publishing
Vocal Score SKU: HL.367285 An Opera in Two Acts Vocal Score. Compo...(+)
Vocal Score SKU:
HL.367285 An Opera
in Two Acts Vocal
Score. Composed by
Nico Muhly. Vocal Score.
Softcover. 348 pages.
Duration 5400 seconds.
St. Rose Music
#SRO100135. Published by
St. Rose Music
(HL.367285). ISBN
9781705139011. UPC:
840126965513.
9.0x12.0x0.813
inches. Commissione
d by the Metropolitan
Opera. Loosely inspired
by a true case that
happened in the North of
England a few years ago,
Nico Muhly's opera enters
the secret world of the
teenage bedroom and
explores on the realities
and risks of living our
lives online. A teenage
boy is fatally stabbed.
Another boy is caught on
CCTV leaving the scene.
An open-and-shut-case, it
would seem. But, as the
Detective Inspector Anne
Strawson investigates the
older boy's story, she
uncovers a bizarre nexus
of chatroom meetings,
false identities,
fictitious spy rings and
raunchy cybersex, leading
to just one conclusion:
it wasn't so much murder
as suicide by
internet. $80.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two Boys [Conducteur] St Rose Music Publishing
Vocal Score SKU: HL.50603780 An Opera in Two Acts Study Score. Com...(+)
Vocal Score SKU:
HL.50603780 An
Opera in Two Acts Study
Score. Composed by
Nico Muhly. Score.
Softcover. 308 pages.
Duration 5400 seconds.
St. Rose Music
#SRO100209. Published by
St. Rose Music
(HL.50603780). ISBN
9781705139004. UPC:
840126965506.
10.5x14.0x0.771
inches. Commissione
d by the Metropolitan
Opera. Loosely inspired
by a true case that
happened in the North of
England a few years ago,
Nico Muhly's opera enters
the secret world of the
teenage bedroom and
explores on the realities
and risks of living our
lives online. A teenage
boy is fatally stabbed.
Another boy is caught on
CCTV leaving the scene.
An open-and-shut-case, it
would seem. But, as the
Detective Inspector Anne
Strawson investigates the
older boy's story, she
uncovers a bizarre nexus
of chatroom meetings,
false identities,
fictitious spy rings and
raunchy cybersex, leading
to just one conclusion:
it wasn't so much murder
as suicide by
internet. $110.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| By the rivers of Babylon Chorale SATB [Conducteur] Barenreiter
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano SKU:
BA.BA11309 Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309). ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English. It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$13.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis op. 123 Barenreiter
SKU: BA.BVK02395 Composed by Ludwig van Beethoven. Edited by Lewis Lockwo...(+)
SKU: BA.BVK02395
Composed by Ludwig van
Beethoven. Edited by
Lewis Lockwood and
Martina Rebmann. This
edition: facsimile.
Half-leather binding.
Documenta musicologica
II/51 / Barenreiter
Facsimile. Facsimile.
Opus 123. 340/29 pages.
Baerenreiter Verlag
#BVK02395_00. Published
by Baerenreiter Verlag
(BA.BVK02395). ISBN
9783761823958. 45 x 39.5
cm inches. Text Language:
English,
German. Beethoven
struggled with theMissa
solemnisfor years,
searching for a highly
personal way to deal with
the words and musical
traditions of the Mass
Ordinary. In the end he
produced a work that
leaves no listeners cold
- some are puzzled but a
great many are deeply
moved.
The
autograph reflects how
intensively he worked on
theMissa solemnisand what
a difficult work process
it was. Apart from the
many corrections there
are several torn-out
pages. Sometimes
Beethoven could only
proceed by stitching
replacement pages into
the
manuscript.
Beetho
ven authority
Hans-Joachim Hinrichsen
unveils the stages of its
genesis in an
understandable and rather
detective-like manner. In
addition Martina Rebmann,
head of the music
department, explains how
this and other autographs
were gradually acquired
for the Beethoven
collection in the Berlin
Staatsbibliothek.
Reproduced in
high-quality four-colour
printing, the facsimile
replicates the page stubs
and fold-out pages,
thereby emulating the
feel of the original
source. Judicious
inscriptions with
movement headings,
continuous pagination,
scholarly foliation and
measure numbers help
readers to find their way
more easily in the
manuscript.
>>
One of the most grandiose
artistic working
processes ever documented
in the history of
music<< Hans-Joachim
Hinrichsen. $1080.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Music Publishing -- The Complete Guide Livre - Pas de partitions [Livre] Alfred Publishing
By Steve Winogradsky. Book; Reference Textbooks; Textbook - General. 408 pages. ...(+)
By Steve Winogradsky.
Book; Reference
Textbooks; Textbook -
General. 408 pages.
Published by Alfred Music
$79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Autograph Keyboard Manuscript Ut Orpheus
Harpsichord; Piano; Early Music SKU: UT.HS-312 El manuscrito autógr...(+)
Harpsichord; Piano; Early
Music SKU:
UT.HS-312 El
manuscrito autógrafo
de tecla. SinfonÃas
I-VIII. Critical
Edition. Composed by
José de Nebra. Edited
by Luis Antonio
González MarÃn.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
312. Published by Ut
Orpheus (UT.HS-312).
ISBN 9790215327269. 9
x 12 inches. In a
few decades José de
Nebra, previously almost
completely unknown to
musicians and amateurs -
outside a narrow circle
of connoisseurs -, has
become one of the most
appreciated Spanish
composers in history.
Famous and renowned
during his lifetime, his
music has been forgotten
- except for one
composition - for more
than two centuries, but
the publication of a
certain number of
editions of his music,
especially theatrical and
religious, since the
1990s has contributed to
giving him back a
preeminent role in the
history of Spanish music
and to providing him with
a certain presence in
concert programs and
recordings. As for
Nebra’s keyboard
music, which from the
start was to be his main
occupation, we have a sad
panorama of scattered,
late sources, and often
of doubtful - if not
erroneous - attribution,
until the appearance and
subsequent study of the
manuscript to which the
present edition is
dedicated. This notebook
was discovered in the
Music Archive of the
Cathedrals of Zaragoza.
The content of the
manuscript consists of a
set of thirty-one pieces
grouped in eight large
works in several
movements, which often
depart somewhat from the
Scarlattian sonata model
so common in
eighteenth-century
Iberian keyboard music
and which link with other
traditions of keyboard
music: the purely
Hispanic (in some
examples of great
intentos or fugues,
imitative compositions
derived from the ancient
tientos) and also other
European traditions, such
as the French, detectable
in numerous dance
movements. Nebra gives
the name
‘sinfonÃaâ€
to two of these
large-scale compositions
in several movements, so
that in this edition,
respecting the name given
by the author, the editor
used such a name for the
series of eight pieces,
which could probably also
have been called suites,
ordres or even
sonatas. $52.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Diary of One Who Disappeared Barenreiter
Level 5 SKU: BA.BA06869-01 Composed by Leos Janacek. Edited by Jirà Za...(+)
Level 5 SKU:
BA.BA06869-01
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka. This
edition: complete
edition, urtext edition.
Linen. Complete edition,
Score. Baerenreiter
Verlag #BA06869_01.
Published by Baerenreiter
Verlag (BA.BA06869-01).
ISBN 9790260109599. 34
x 27 cm inches. Text
Language: Czech, German,
English. Preface:
Zahrádka,
JirÃ. Even
though Janacek’s
song drama „The
Diary of One Who
Disappeared†is
scored for chamber
ensemble, the
composer’s
operatic experience is
clearly detectable. This
work appears in the
series “Complete
Critical Works of Leos
Janacek†(vol.
B/6), edited by JirÃ
Zahrádka. The volume
includes an expanded
preface (compared with
the performing edition,
BA09575) and a separate
edition of the song
texts. The beautiful
engraving matches that of
the performing edition.
During recent years the
author of the poems has
been identified as Josef
Kalda, and we know that
the muse of all of
Janacek’s late
works was Kamila
Stösslová.
“That’s why
there is so much ardent
feeling in this
work†(letter of 24
July 1924) .
“… With this
work I constantly thought
of you! You were this
Žofka to me!“
(letter of 24 December
1927). The renowned
editor’s research
uncovered several new
findings.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$204.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Ba...(+)
Soloists, Mixed choir
(SATB), Orchestra
(Soprano solo, Alto solo,
Tenor solo, Bass solo,
Mixed choir (SATB),
Orchestra) SKU:
BA.BA11310-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90). ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin. This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
You will
find a detailed brochure
on the new completion of
Mozart's Requiem
here.
$20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |