Par DE HAAN JAN. L’introduction, qui évoque le paysage de Groningen avec ses magnifiques vues étendues, est suivie de cinq variations basées sur le thème grégorien du XIIIe siècle, Dies Irae, qui est attribué à Thomas de Celano. Chaque variation peut être considérée comme une étape ou une scène de la riche histoire du village, ce qui fait que cette oeuvre formidable et expressive se prête parfaitement à un concours ou un concert. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-08/ Répertoire / Brass Band

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)

This latest, classically-flavoured songbook for John Thompson's Easiest Piano Course introduces easy works by one of the greatest composers ever to have lived, Wolfgang Amadeus Mozart. Featuring some very fine compositions, First Mozart is perfect for pupils reaching parts 2 to 4 of the world-renowned Piano course.These fun repertoire books contain some amazing pieces that have been specially collected and graded to be used in conjunction with the Easiest Piano Course. Pieces like The Birdcatcher Song, Eine Klein Nachtmusik (1st Movement), A Musical Joke and Sonata Facile will reinforce essential technical ability, while simultaneously enhancing a general sense of musicality and melodic playing. First Mozart is ideal for pupils who've worked through the course at levels 2 to 4, but it's also a great set of pieces for sight reading practice for more advanced students.The pieces in this songbook become progressively more difficult, and, to this end, dynamics and phrasing have been omitted for the earlier pieces, since they're not introduced until Part 3 of the course. Early pieces like Ave Verum Corpus and Dies Irae (From 'Requiem Mass In D Minor) help to reinforce what pupils learn in the beginning of the John Thompson Method, with a focus on playing notes and rhythms accurately. Towards of the end of the songbook, more challenging pieces like Piano Sonata #21 and #11 will help pupils to enhance their technical skills, play more melodically, and, most importantly, enjoy playing!Generally, these pieces stay in the 5-finger position, with handy hints and suggestions when a different fingering is called for. The pieces in this songbook are beautiful to hear and to play, making First Mozart a really great beginner's songbook for pupils who want to learn some of the finest music ever composed. As an introduction for beginners to classical music and Mozart in particular, this songbook is rewarding and enjoyable, these pieces being timeless and never going out of fashion.The John Thompson's Easiest Piano Course First Mozart songbook is the ideal beginning book for classical music fans. It's tailor-made for pupils working through the renowned and revered Piano method, so it's authoritative and accurate, helping you to enhance your technique and learn some amazing music. / Piano

Introductie en variaties over het Dies Irae. Par DE HAAN JAN. De Ruigewaard is a large polder (reclaimed land protected by dykes) in the Dutch province of Groningen. Shortly after the land was reclaimed around 1500, a settlement was established at the location of the current village of Grijpskerk. This was the source of inspiration for this concert work, together with a 13th-century Gregorian theme - the Dies Irae - which is used as a leitmotiv. After the introduction follow five variations, in randon order - however, each one of them carries us back to a striking moment in the history of Grijpskerk, home of the Excelsior Christian Music Association (CMV), who commissioned this work on the occasion of its participation in theWMC in Kerkrade (the Netherlands) in 2013. / Niveau : 4 / Pièce de concert / Date parution : 1905-07-05/ Répertoire / Fanfare

Based on Dies Irae. Cette oeuvre s’inspire du Dies Irae attribué à Tomaso da Celano, que l’on considère comme l’auteur de la version définitive de ce poème écrit au XIIIe siècle. Plusieurs compositeurs célèbres tels que Berlioz, Saint-Saëns, Mahler et Liszt, ont intégré des passages de chant grégorien dans leurs oeuvres. Dans sa composition Song of David, dont le titre fait référence à la troisième ligne du texte original, Jan de Haan présente un thème à l’unisson qui sera repris ensuite dans différentes couleurs orchestrales. / Niveau : 3 / Musique pour célébration / Répertoire / Fanfare

Sopra Sequentia 'Dies Irae'. Par TACHEZI HERBERT. Die Abschnitte 'Dies irae” - 'Tuba mirum” - 'Juste judex” - 'Lacrimosa” spüren den Linien der Choralmelodie nach./ Répertoire / Orgue

Based on Dies Irae. Cette oeuvre s’inspire du Dies Irae attribué à Tomaso da Celano, que l’on considère comme l’auteur de la version définitive de ce poème écrit au XIIIe siècle. Plusieurs compositeurs célèbres tels que Berlioz, Saint-Saëns, Mahler et Liszt, ont intégré des passages de chant grégorien dans leurs oeuvres. Dans sa composition Song of David, dont le titre fait référence à la troisième ligne du texte original, Jan de Haan présente un thème à l’unisson qui sera repris ensuite dans différentes couleurs orchestrales. / Niveau : 3 / Musique pour célébration / Répertoire / Fanfare

Lacrimosa & Dies Irae from the Requiem. Par MOZART WOLFGANG AMADEUS. / Niveau : Difficile / Répertoire / Brass Band

Eine kleine de Peteris Vask Nachtmusik, composée en 1978, est un exemple de la tragédie des époques antérieures et un requiem à petite échelle pour l'espoir des gens de tous âges. Le titre emprunté à Mozart est ici de couleur dans une teinte poignante ironique. Plus l'expérience musicale de l'auditeur, le plus profond est la compréhension de cette musique et de son compositeur. Par exemple, la mélodie de discours letton et de la proximité de la chanson folk diatonique à la séquence médiévale Dies irae soudainement se révèle comme un concept de la musique de nuit d'un aspect plus général. Par la suite, la pulsation rythmique constante dans la basse piano suppose une signification sémantique et pourrait être une élégie pour Erlkönig de Schubert. / Piano

Es-Dur. Par HASSE JOHANN ADOLF. Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. / Requiem / Répertoire / Solistes SSAATTB, Choeur SATB, 2 Cors, 2 Flûtes Tr

Par FREEMAN ALEX. Alex Freeman?s Under the arching heavens: A Requiem (2018) was commissioned by Nils Schweckendiek and the Helsinki Chamber Choir to commemorate the 100th anniversary of the 1918 Finnish civil war. Structured around the Latin liturgy of the mass for the dead, the work has a duration of more than an hour and also incorporates poems in Finnish, Swedish and English, reflecting both the specific reason for the commission and the universality of human suffering caused by war. In the non-liturgical texts chosen by Freeman, birds are a recurring image, as is that of a mother and child. The work ends with lines by Walt Whitman from a poem written in the aftermath of the American Civil War; lines described by the composer as ?some of the most comforting poetry in the English language.? Also included on the disc is A Wilderness of Sea, another recent choral piece which draws on works by Shakespeare, and the poet?s images of the sea, and of mankind?s relationship with it. Contents: I. Sydämeni laulu (Aleksis Kivi) II. Requiem aeternam III. Sequentia Dies irae Thrushes (Siegfried Sassoon) (Rex tremendae) Fientliga stjärnor (Edith Södergran) (Inter oves) IV. Sanctus V. Mikä lienee se lintu ollut' (Viljo Kajava) VI. Agnus Dei VII. O Years and Graves! (Walt Whitman) Duration: c. 67? / Date parution : 2022-05-31/ Répertoire / Choeur Mixte