Duration : 20'
Edition : piano reduction for 2 pianos
Date of Composition : 1937-1938

Mulsant, Florentine String quartet op. 26 Instrumentation: string quartet Edition: score and parts Item no.: fue 4250 Duration: (11'30) Difficulty: medium ISMN: 979-0-50012-925-7

Quartet in one movement
Edition : study score
Instrumentation : oboe, violin, viola and cello
Date of Composition: 1932
Duration : 15'
Number of Pages : 22
Series : Hawkes Pocket Scores HPS 10

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 2

Edition : set of parts
Instrumentation : flute, Piccolo, 2 oboes, clarinet, bass clarinet, bassoon, contrabassoon, 2 horns, trumpet (C)
Date of Composition: 1978
Duration : 1' 30''
Date of Publications : 18/11/1983
Number of Pages : 48

for Clarinet, Violin, Violoncello and PiaNo.Transcription
Edition : separate part
Instrumentation : 2 pianos (4 hands)
Date of Composition: 1938
Duration : 24'
Date of Publications : 12/10/1983
Number of Pages : 26

The composer Rudolf Kelterborn about his work: 'I call the ten compositions for female voice and piano 'DUOS' because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. In the vocal part there are several variants, and this makes them accessible for different types of voice. The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects. The texts are by authors who have continued to inspire me for years.? / Voix De Femmes Et Piano

The composer Rudolf Kelterborn about his work: ?I call the ten compositions for baritone and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways. Two duos (?Alles Gold? and ?Gegenlicht in den Bergen?) come from the ?Ensemble-Book I? for baritone and 14 instruments with texts by Erika Burkart (1990).

The 10 duos do not form a complete cycle that can be heard only as an entire work.

Smaller groups can be put together and presented according to text-related or musical aspects. The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Baryton et Piano] / Classique / Partition / Agrafé /