| Anton Dvorak : Quatuor -
4Eme Mouvement Du Quatuor
A Cordes #12 Dit
Américain Op. 96 En Français Quatuor de Clarinettes: 4 clarinettes [Partition] Billaudot
Anton Dvorak : Quatuor - 4éme Mouvement Du Quatuor A Cordes no 12 Dit Américai...(+)
Anton Dvorak : Quatuor - 4éme Mouvement Du Quatuor A Cordes no 12 Dit Américain Opus 96 / Clarinette / 19 pages / Partition
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| String Quartet #1 A Major
Op. 2 (DVORAK ANTONIN) 3 Violons, Alto et Violoncelle [Partition] Barenreiter
Study Score. Par DVORAK ANTONIN. Dvorák n'avait que vingt ans quand il écrivit...(+)
Study Score. Par DVORAK ANTONIN. Dvorák n'avait que vingt ans quand il écrivit son Quatuor à cordes n o 1 en la majeur, op. 2 (1862). Le travail est considéré comme le deuxième compositeur travail le plus important, après le Quintette à cordes en la mineur op. 1.
Dvorák ne sont pas retournés au travail sur op. 2 jusqu'à 1887, quand il a été la révision de ses premières oeuvres. Il a supprimé les sections de ce quatuor substantielle n'épargnant que le Scherzo, les autres mouvements, où tous coupés par près d'un tiers. Le travail a finalement été créée par des musiciens d'orchestre du Théâtre national, mais une édition imprimée n'a pas été publié avant le milieu du 20e siècle.
Cette nouvelle édition Bärenreiter présente le texte musical principal de l'édition complète de 1989, qui donne à l'oeuvre dans sa forme définitive, après la révision de Dvorák. L'édition est basée sur le manuscrit autographe et sur les pièces manuscrites.
- Avec la nouvelle préface (Cz / Eng / Ger), qui sont basées sur les recherches les plus récentes/ Répertoire / 3 Violons, Alto et Violoncelle
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| DVORAK A. - SYMPHONIE
N°9 OP.95 SYMPHONIE DU
NOUVEAU MONDE -
CONDUCTEUR Orchestre [Conducteur d'étude / Miniature] Barenreiter
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groun...(+)
Dvorák, Antonín Symphony no. 9 in E minor op. 95 New World - Groundbreaking Urtext edition taking new sources into consideration - Offers solutions for controversial musical questions - With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng) The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl. Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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| Dvorak - Violin Concerto
Op.53 - Violon and Piano Violon et Piano Barenreiter
Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. B...(+)
Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 Edition no. BA 10422-90 ISMN 9790260107687 Editor Cividini, Iacopo Dvorák's Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883. Its premiere took place in October of that same year with Franti'ek Ondrícek as soloist. This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts). It also takes Dvorák's autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák's manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original piano reduction, which probably stems from Dvorák himself, and in which Joseph Joachim's fingering is published. ' First Urtext edition of the original piano reduction ' Variants in the solo part rendered as ossia passages ' Foreword on the work's genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor
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| DVORAK ANTON - FIVE
MORAVIAN DUETS B 107 Choeur et ensemble vocal BARENREITER
Dvorák, Antonín Five Moravian Duets B 107 Arrangement for 4 Female V...(+)
Dvorák, Antonín Five Moravian Duets B 107 Arrangement for 4 Female Voices a cappella by the Composer - First scholarly-critical edition - The popular “Moravian Duets” in an arrangement by the composer - Ideal for professional as well as amateur singers (female choir) - With Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor Dvorák composed the cycle “Moravian Duets” for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of the then still unknown composer: it marked the beginning of his lifelong collaboration with the Simrock publishing house and opened the way to international recognition. In March 1880, Dvorák arranged five songs from this cycle for four female voices a cappella. The occasion was a concert to support the construction of the Prague National Theatre, at which the composer conducted his own works. The “Five Moravian Duets” now appear for the first time in a scholarly-critical edition. The autograph serves as the main source; secondary sources consist of transcriptions by an unknown hand which include corrections by the composer. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
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| Dvorak A. - Concerto In
A Minor Op.53 - Score Orchestre Barenreiter
Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 This study s...(+)
Dvorák, Antonín Concerto for Violin and Orchestra A minor op. 53 This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorák's op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorák's autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation. ' Study score based on the new Bärenreiter Urtext edition ' Variants in the solo part as ossia passages ' Foreword by the editor on the work's genesis (Ger/Cz/Eng)
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| Dvorak A. - Concerto In
G Minor Op.33 - 2 Pianos 2 Pianos, 4 mains Barenreiter
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...(+)
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.
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| Wind Ensemble 2 Band 2 Universal Edition
Terry Kenny’s Wind Ensemble series provides highly flexible, four-part arrange...(+)
Terry Kenny’s Wind Ensemble series provides highly flexible, four-part arrangements of well-known classics. Parts are offered for flute, oboe, clarinet, alto and tenor saxophone and bassoon. A score is provided and all the parts can be downloaded free of charge from the publisher’s website. Kenny takes care in his arrangements that all four parts are interesting to the player and caters for students of varying technical ability.
There are two volumes: Volume one includes Mozart’s “Eine Kleine Nachtmusik”, two Hungarian Dances by Brahms and the Prelude from “L’Arlésienne by Bizet. Volume two includes Mozart’s “Musical Joke” (the movement known to many as the theme to the “Horse of the Year Show”!), “Champagne Polka” by Strauss and “Three Slavonic Dances” by Dvorak. These simple packages provide excellent value and are especially suitable for the UK GCSE Music practical exams./ Recueil / Ensemble Flexible d'Instruments à Vent
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| Gaelic Suite Quintette à cordes: 2 violons,
alto, violoncelle, basse Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was pre...(+)
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes
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| String Sextet A Major Op.
48 Orchestre à Cordes Barenreiter
Le 'sextuor à cordes en la majeur' a été composée à l'époque whenAntonín ...(+)
Le 'sextuor à cordes en la majeur' a été composée à l'époque whenAntonín Dvorák commenCait à devenir célèbre. Il a été écrit in1878 au cours de sa période dite slave, alors que le compositeur enrichir wasspecifically sa musique avec des éléments folkloriques.Cette édition est basée sur la copie autographe ainsi que la première édition imprimée de 1879. Seulement sextuor à cordes de Dvorák reproduit dans une édition Bärenreiter Basé sur le 'édition complète des oeuvres d'Antonín Dvorák', volume IV / 9 / 2 Violons, 2 Altos Et 2 Violoncelles
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| Dvorak, Antonin :
Slavonic Dances for Piano
Duet op. 46
1 Piano, 4 mains [Partition] - Intermédiaire Barenreiter
It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorá...(+)
It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvorák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s ?Hungarian Dances?, Dvorák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.' ' This edition of both series of the ?Slavonic Dances? is based on the ?Complete Edition of the Works of Antonín Dvorák?. The main sources are the first editions published by Simrock.' ' - Separate editions of these works based on the ?Complete Edition of Antonín Dvorák's Works?, vol. V/5' - New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch' - Newly engraved in score format / [Dances Slaves pour Piano 4 Mains Opus 46] / Classique / Partition /
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| Dvorak, Antonin :
Slavonic Dances for Piano
Duet op. 72
1 Piano, 4 mains [Partition] - Intermédiaire Barenreiter
It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorá...(+)
It was the ?Slavonic Dances for Piano Duet? op. 46 which brought Antonín Dvorák unexpected international fame. An unerring business instinct led Fritz Simrock, at the beginning of 1878, to ask the Czech composer for some works for piano duet into which Dvorák incorporated musical themes from where he grew up. Following in the footsteps of Brahms?s ?Hungarian Dances?, Dvorák refrained from a literal portrayal of individual kinds of dance. As a result, he created unique masterpieces of European music for domestic use and concert performance.' ' This edition of both series of the ?Slavonic Dances? is based on the ?Complete Edition of the Works of Antonín Dvorák?. The main sources are the first editions published by Simrock.' ' - Separate editions of these works based on the ?Complete Edition of Antonín Dvorák's Works?, vol. V/5' - New forewords (Cz/Eng/Ger) by Hans-Joachim Hinrichsen and Ivana Rentsch' - Newly engraved in score format / [Danses Slaves pour Piano 4 Mains Opus 72] / Classique / Partition /
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| String Quintet G Major
Op. 77 Quintette à cordes: 2 violons,
alto, violoncelle, basse - Intermédiaire Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was pre...(+)
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of the score.This edition is based on the 'Complete Edition of the Works of Antonín Dvorák?, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.- Dvorák's famous quintet with double bass- New detailed foreword by Dvorák scholar David Beveridge (Eng/Cz/Ger)- Musical text based on the 'Complete Edition of the Works of Antonín Dvorák? (series IV, vol. 8) / Quatuor A Cordes
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| Easy Classic Piano Band 1
(BIRCH SVEN) Piano seul Universal Edition
Par BIRCH SVEN. Brahms Johannes: Erlaube mir, feins Mädchen WoO 33 · Grieg Edv...(+)
Par BIRCH SVEN. Brahms Johannes: Erlaube mir, feins Mädchen WoO 33 · Grieg Edvard: Letzter Frühling · Fauré Gabriel-Urbain: Berceuse op. 56/1 · Chopin Frédéric: Mazurka C-Dur op. 67/3 · Händel Georg Friedrich: VI. Sonate für Violine und Klavier HWV 373 · Dvorák Antonín: Symphonie Nr. 8 G-Dur op. 88, IV. Satz · Beethoven Ludwig van: Thema aus: 6 Variationen op. 76 · Borodin Alexander: Polowetzer Tanz Nr. 1 · Debussy Claude: En bateau aus: Petite Suite · Schumann Robert: Quintett Es-Dur op. 44, II. Satz · Tschaikowsky Peter Iljitsch: Rokokothema op. 33/ Recueil / Piano
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| Dvorak A. - String
Quartet N°13 Op.106 -
Set Of Parts Quatuor à cordes: 2 violons,
alto, violoncelle Barenreiter
After working for three years at the NationalConservatory in New York, Dvorak re...(+)
After working for three years at the NationalConservatory in New York, Dvorak returnedhome in 1895 feeling extraordinarily happy. The fruit of this ecstatic periodare thecomposer's last two string quartets. The Quartet in G major, Op. 106, waswrittenimmediately after his return from America. The melodic freshness of the light,airythemes, alternating folk idioms in a temperate, unobtrusive musical allusion,betraysthe composer's maturity and mastery. The editor of this work, published as partof the first Complete Critical Edition of Works by Antonin Dvorak, is FrantisekBartos.
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| String Quartet #2 B-Flat
Major B 17 Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur d'étude / Miniature] - Intermédiaire Barenreiter
Like Dvorák's third and fourth quartets (in D major and E minor respectively), ...(+)
Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text from the 'Antonín Dvorák Complete Edition?, together with a new foreword by Hartmut Schick.- Musical text based on the 'Antonín Dvorák Complete Edition?, volume IV/5- New foreword by Hartmut Schick (Ger/Cz/Eng) / Quatuor A Cordes
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