| Kirsten Trolle: Gå Tæt
På Noderne -
Opgavehæfte: Theory Tingluti
Gå Tæt På Noderne af Kirsten Trolle er en arbejds- og opgavebog til Spring ud...(+)
Gå Tæt På Noderne af Kirsten Trolle er en arbejds- og opgavebog til Spring ud i musikken. Bogen er en arbejds- og opgavebog til Spring ud i musikken. Ordlege krydsord rebus o.l. til nodelæsning Kompositionsopgaver over sprogrytmer Relativ nodelæsning Opgaver til sammenspil Lydformning og grafisk notation Der er lagt vægt på at de mange elementære begreber erkendes på en naturlig og indlysende måde ud fra børns begrebs- og billedverden. Hvert kapitel er opbygget med en langsom og logisk progression.Problemerne angribes til stadighed fra nye sider med igangsættende opgaver. Materialet kan anvendes i al elementær musikundervisning: forskole folkeskole instrumentalstart og elementært sammenspil i tilknytning til Spring ud i musikken
5.70 GBP - vendu par Musicroom GB Délais: En Stock |
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| Kaller Ernst - Organ
Method Band 1 - Organ Orgue Schott
This School of Organ Playing presupposes a certain technical facility on the pia...(+)
This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo.
The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue.
The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing).
The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind.
It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.
27.40 EUR - vendu par Woodbrass Délais: Sur commande |
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| Studien Zur
Musikgeschichte Divers [Partition] Barenreiter
Ludwig Finscher zum 65. Geburtstag. / Recueil / Divers
150.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Complete Organ Works
Vol.6: Organ:
Instrumental Album Orgue [Partition] - Avancé Barenreiter
Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vo...(+)
Preludes Toccatas Fantasias and Fugues II/Early Versions and Variants to I (Vol. 5) & II (Vol. 6)-Johann Sebastian Bach's Complete Organ Works in revised editions.Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s Organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?.The present volume is an updated edition of Series IV Volume 6 of the ?New Bach Edition? (NBA) prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessmentof existing handwritten copies have brought about changes to the contents of the volume which now includes the ?Fantasia in C minor? (BWV 1121) the ?Fantasia in G major? (BWV 571) the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious.Besides the new compilation and corrections of the musical text the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved.In collaboration with the Bach Archive Leipzig and its ?Bach? digital database links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis.Contents:BWV 551 563-566 (version in E major) 569-571 573-575 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a 533a 535a 543a 545a 549a 566 (version in C major) and 574b.New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources.New contents reflecting the current state of source evaluations.Links to sources in ?Bach digital?.Complete new engraving and revised page-turns.
26.00 GBP - vendu par Musicroom GB Délais: En Stock |
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| Ludwig van Beethoven:
Grande Sonate in E-flat
Major Op. 7: Piano:
Instrumental Piano seul - Avancé Barenreiter
In Es Für Klavier Op. 7-The earliest sketches for Beethoven’s Grande Sona...(+)
In Es Für Klavier Op. 7-The earliest sketches for Beethoven’s Grande Sonate Op.7 date from 1796 and the first edition was issued by the publisher Artaria Vienna in October 1797. It is dedicated to Beethoven’s pupil Anna Luise Barbara (Babette) Countess Keglevicz in whom if Carl Czerny is to be believed he was passionately in love. For this reason it is sometimes known by its German nickname “Die Verliebte” (The Lover).This work is one of the longest and most demanding of Beethoven’s piano sonatas. Its four movements cover a wide range of emotions – a challenge that the dedicatee who was 16 at the time and only started taking lessons from Beethoven in1797 possibly felt unable to master.Jonathan Del Mar the worldwide authority and acclaimed specialist on Beethoven is editing all of this composer's piano sonatas in B?renreiter Urtext editions incorporating the latest findings of Beethoven scholarship and evaluating every available source. Del Mar's meticulous examination of the handwritten and printed sources as well as the various impressions of prints published in Beethoven’s lifetime lead to a reliable and conclusive musical text. Rounding off each volume is a Critical Commentary which documents every source discrepancy and editorial decision.These editions contain an elegant and spacious engraving with practical page turns as well as informative Introductions on the genesis and significance of the works concerned. Also included are notes on key period performance practice questions such as the use of pedalling embellishments tempo and articulation.• Evaluation of every available source• Elegant and well-presented layout • Practical pageturns• Detailed Introductions (Eng/Ger)• Notes on period performance practice (Eng/Ger)• Detailed Critical Commentary (Eng)
7.50 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
Serenade In E-Flat Major
K.375: Wind Ensemble: 2 Clarinettes, 2 Cors Et 2 Bassons [Partition] Barenreiter
for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exi...(+)
for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
22.50 GBP - vendu par Musicroom GB |
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| Saxophon Spielen - Mein
Schönstes Hobby Band
1 Saxophone Tenor Schott 50.05 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| 250 Piano Pieces For
Beethoven - Vol. 10:
Piano: Instrumental
Collection Piano seul Musica Ferrum
250 Piano Pieces For Beethoven - Vol. 10
22.00 GBP - vendu par Musicroom GB Délais: En Stock |
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