(Late Intermediate to Early Advanced Repertoire). Composed by Edward MacDowell (1861-1908). Edited by Nancy Bachus. For Piano. Book; Graded Standard Repertoire; Masterworks; Piano Collection. The Classics for the Advancing Pianist series provides motivating, enjoyable literature of substantial quality for developing keyboard artists. Masterwork; Recital; Romantic. Early Advanced; Late Intermediate. 36 pages. Published by Alfred Music

(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal, Medium/Low Voice, Piano Accompaniment. E.B. Marks. Softcover. 248 pages. Published by Edward B. Marks Music

(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Piano Accompaniment. E.B. Marks. Softcover. 240 pages. Published by Edward B. Marks Music

Violin

SKU: BT.RICL00003700

For Solo Violin. Composed by Ross Edwards. Contemporary Music. Book Only. Composed 2000. 8 pages. Ricordi #RICL00003700. Published by Ricordi (BT.RICL00003700).

English.

One of Australia’s best-known composers, Ross Edwards’ distinctive sound world combines shapes and patterns from nature with a variety of musical resources which reflect and celebrate Australia’s cultural diversity.White Cockatoo Spirit Dance has all the characteristics of a maninya, or dance-chant. Ross Edwards coined the word maninya to denote the chant-like quality of one strand of his music, a unique and highly characteristic form which results from thesubtly varied repetition of material over a static harmonic basis in a lively tempo.Vibrant, captivating, life-affirming and virtuosic, White Cockatoo Spirit Dance is a spontaneous melodic outpouring. It also exists as a viola solo from which it has been adapted for violin by the composer.

Vocal Score

SKU: HL.327310

Cuban Zarzuela in Two Acts Vocal Score. Composed by Gonzalo Roig. E.B. Marks. Softcover. 136 pages. Edward B. Marks Music #MP800001. Published by Edward B. Marks Music (HL.327310).

ISBN 9781540081155. UPC: 888680989248. 9.5x12.0x0.708 inches.

Cecilia Valdes is a Cuban Zarzuela based on the novel by Cirilo Villaverde. It is a work of importance for its quality, and its revelation of the interaction of classes and races in Havana, Cuba. The story takes place in colonial Cuba around 1830. The young and beautiful woman of mixed-race, Cecilia Valdés, is the illegitimate daughter of powerful land magnate and slave trader, Cándido de Gamboa. Leonardo de Gamboa is his legitimate son. Leonardo falls in love with Cecilia, not realizing that she is his own half-sister, and they become lovers. At the same time, a poor black musician, José Dolores Pimienta, is also hopelessly in love with Cecilia. Cecilia rejects Pimenta's advances and conceives Leonardo's son. However, love between Leonardo and Cecilia does not last. He abandons her and becomes betrothed to a white upper class woman, Isabel Ilincheta. Cecilia turns to the faithful Pimienta to plan revenge. On the day of his wedding, Leonardo is assassinated on the steps of the cathedral by Pimienta who acts on the instigation of Cecilia. Pimienta is executed, and she is thrown in prison. This edition has been arranged by Evan Hause.

Edited by Nancy Bachus. Graded Standard Repertoire; Masterworks; Other; Piano Supplemental; Promotional Packet. Classics for Students. Baroque; Classical. Published by Alfred Music

Piano Solo. By Edward MacDowell. Piano Large Works (Arranged for piano). Size 9x12 inches. 56 pages. Published by G. Schirmer, Inc.

150 Rounds for Singing and Teaching by Edward Bolkavec and Judith Johnson. For Choral, Voice (COLLECTION). BH Kodaly. 104 pages. Boosey and Hawkes #M051808601. Published by Boosey and Hawkes

Piano; Voice

SKU: HL.49014475

For High Voice and Piano. Composed by William Lawes. Edited by Edward Huws Jones. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 14 pages. Schott Music #ED11143. Published by Schott Music (HL.49014475).

ISBN 9790220130052. UPC: 073999317923. 8.5x11.5x0.064 inches. English.

To Pansies Ah, cruel love! * Persuasions not to Love He that will not love * On the Lilies White though ye be * To the Virgins, to make much of Time Gather ye rosebuds while ye may * To Sycamores I'm sick of love * To the Dews I burn, I burn.

Composed by Eubie Blake, compiled by Terry Waldo. For piano. Format: piano solo book. With standard notation, chord names, introductory text and black and white photos. Ragtime. 72 pages. 9x12 inches. Published by Marks Music Company.

Arranged by Edward Kalendar. Tara Books (Tara: The Best in Jewish Music). Jewish. Size 9x12 inches. 48 pages. Published by Tara Publications.

(The Songs of Ernesto Lecuona) Performed by Placido Domingo, composed by Ernesto Lecuona (1895-1963). For voice, piano and guitar chords. Format: piano/vocal songbook. With vocal melody, piano accompaniment, lyrics (Spanish and English), introductory text and black and white photos. Latin and spanish. 64 pages. 9x12 inches. Published by Marks.

Cello and piano - easy

SKU: HL.49001547

Composed by Benedetto Marcello. Edited by Alfred Moffat and William Edward Whitehouse. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. 12 pages. Schott Music #CB 56. Published by Schott Music (HL.49001547).

ISBN 9790001016933. 9.0x12.0x0.05 inches.

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Feat ured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

Music from Historical Collections. Composed by Star Edwards. Saddle- stitched. Book. 64 pages. Published by Mel Bay Publications, Inc

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

SSATTB choir, organ accompaniment - Early intermediate

SKU: GI.G-8883

Composed by Clayton White. Christ the King. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #8883. Published by GIA Publications (GI.G-8883).

UPC: 785147888307. English. Text Source: 'All Hail the Power of Jesus' Name,' Edward Perronet, 1726-1792. Text by Edward Perronet.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Men's choir

SKU: BR.SON-624

Werke f. Mannerchor a cap.. Composed by Jean Sibelius. Edited by Sakari Ylivuori. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 216 pages. Breitkopf and Haertel #SON 624. Published by Breitkopf and Haertel (BR.SON-624).

ISBN 9790004803264. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Piano Quintet

SKU: BR.SON-637

Composed by Jean Sibelius. Edited by Anna Pulkkis. Chamber music. Complete Works. Late-romantic; Early modern. Complete Works. Breitkopf and Haertel #SON 637. Published by Breitkopf and Haertel (BR.SON-637).

ISBN 9790004803929. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Lyrics by Edward Kleban, music by Marvin Hamlisch. For voice, piano and guitar chords. From the Broadway musical "A Chorus Line". Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and black and white photos. Broadway and movies. 96 pages. 9x12 inches. Published by Hal Leonard.

By Edward L. White. Edited by Leonard Van Camp. For Choir. (SATB/SATB). Choral Octavo. Lawson-Gould. Sacred, Christmas. Choral Octavo. Published by Alfred Publishing.