| Ernesto Cavallini: 30 Caprices for Clarinet Clarinette [Partition + CD] Lauren Keiser Music Publishing
(Charles Neidich 21st Century Series for Clarinet). By Ernesto Cavallini. Edited...(+)
(Charles Neidich 21st
Century Series for
Clarinet). By Ernesto
Cavallini. Edited by
Charles Neidich. LKM
Music. Softcover with CD.
Hal Leonard #S131007.
Published by Lauren
Keiser Music Publishing
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Method for Trombone Trombone Charles Colin Music
Trombone SKU: M7.AHW-2054 Or Bass Clef Baritone. Composed by Ernes...(+)
Trombone SKU:
M7.AHW-2054 Or
Bass Clef Baritone.
Composed by Ernest S.
Williams. Edited by Roger
Smith. Sheet music.
Method. 97 pages. Charles
Colin Corp. #AHW 2054.
Published by Charles
Colin Corp.
(M7.AHW-2054).
English. Read
below what Roger Smith
had to say about
completing this
momumental work from the
manuscripts of Ernest
Williams. We are all
thankful for his hard
work: 'The Ernest S.
Williams Modern Method
for Trumpet or Cornet is
generally recognized by
teachers and students
alike as the finest and
most complete ' School '
for Trumpet and Cornett
hat has ever been
written. Both the
technical and the musical
aspects of these volumes
reflect the genius of Dr.
Williams as a musician,
and as a teacher.' 'I was
privileged to study both
Trombone and Baritone
with Dr. Williams, in
fact he was my only
teacher on either
instrument. After
graduation from the
Ernest Williams School of
Music, I became a member
of the faculty, and
assisted Dr. Williams
with the teaching of
Brasses, under his direct
guidance, and using this
material. Dr. Williams
commenced the revision of
the books at that time
for Trombone and
Baritone, a task which he
was never to complete.
This revision, based
largely on his
manuscripts, is the
result of my training as
his pupil and assistant,
and of my experience as
teacher of Trombone at
the Juilliard School of
Music.' 'The principal
problems were two; proper
introduction of the
positions on the
trombone, which are more
difficul to learn than
the valve combinations on
Baritone or Trumpet, and
the contrasting
techniques of legato and
slur on the two
instruments. For these
reasons some chapters of
the book have been
revised considerably, and
some new material added
from time to time.' If
you do not know this
book, you have to take a
look. $88.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Method of Scales Charles Colin Music
Melody instrument SKU: M7.AHW-1037 Composed by Ernest S. Williams. Sheet ...(+)
Melody instrument SKU:
M7.AHW-1037 Composed
by Ernest S. Williams.
Sheet music. Treble Clef
Instruments. 79 pages.
Charles Colin Corp. #AHW
1037. Published by
Charles Colin Corp.
(M7.AHW-1037).
English. Method
Of Scales by Ernest S.
Williams is a systematic
method of studies on
major scales, minor
scales, whole-tone
scales, chromatic scales,
'velocity scales', and
'high tone scales'. These
scale studies are in
treble clef, but intended
for all instruments,
including trumpet,
trombone, tuba, and
french horn. $33.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Second Concerto for Tuba and Piano Tuba et Piano Charles Colin Music
Tuba and piano SKU: M7.AHW-3910 Composed by Ernest S. Williams. Sheet mus...(+)
Tuba and piano SKU:
M7.AHW-3910 Composed
by Ernest S. Williams.
Sheet music. 39 pages.
Charles Colin Corp. #AHW
3910. Published by
Charles Colin Corp.
(M7.AHW-3910).
Ernest S.
William's Second Concerto
for Tuba and Piano is an
adaptation of William's
fine concerto for the
trumpet, put into base
clef and adapted for the
instrument. This edition
has the solo part and
accompaniment in one file
with correct page turns,
just double sided print
to get two separate parts
for performance. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Spielt Zum Lied Prep Playing Scor Voix basse, Piano Schott
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano
SKU: HL.49005024
Lieder mit
Instrumentalbegleitung
fur die Schule.
Arranged by Cesar
Bresgen, Friedrich Zipp,
Paul Nitsche, and Werner
Fussan. Edition Schott.
Classical. Score for
Voice and/or Instruments.
60 pages. Schott Music
#HL50499823. Published by
Schott Music
(HL.49005024). ISBN
9781495000713. UPC:
888680028183. Selec
ted Art Songs by
prominent American
composers in the G.
Schirmer and AMP catalog,
including songs by Samuel
Barber, John Duke, Lee
Hoiby, Charles Ives, John
Jacob Niles, William
Schuman, and
others. Selected art
songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Includes
worksfrom Ernst Bacon:
It's all I have to
bring * Samuel
Barber: The
Crucifixion; The Daisies;
Hey nonny no!; The Monk
and His Cat; Mother, I
cannot mind my wheel; A
Slumber Song of the
Madonna; Sure on this
shiningnight * Paul
Bowles: Cabin;
Heavenly Grass; Sugar in
the Cane * Theodore
Chanler: The Lamb *
Ernest Charles: When I
Have Sung My Songs *
John Duke: Loveliest
of Trees; Richard
Hageman: Do not go,
mylove * Lee Hoiby:
Where the Music Comes
From * Carles Ives:
In the mornin';
Serenity * Herbert
Kingsley: The Green
Dog * Charles
Naginski: The
Pasture * John Jacob
Niles: Black is
thecolor of my true
love's hair; Go 'way from
my window; The Lass from
the Low Countree *
Gladys Rich: American
Lullaby * William
Roy: This Little
Rose * John Sacco:
Brother Will, Brother
John *William
Schuman: Holiday
Song; Orpheus with his
lute.
Selected Art
Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. $20.99 - Voir plus => Acheter | | |
| 28 American Art Songs Voix basse, Piano Schirmer
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano).
Composed by Various. For
Low Voice, Piano
Accompaniment. Vocal.
Softcover. 96 pages. G.
Schirmer #ED4600.
Published by G. Schirmer
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 114 Easy Duets 2 Trompettes (duo) Charles Colin Music
2 trumpets SKU: M7.AHW-1205 Composed by Ernest S. Williams. Sheet music. ...(+)
2 trumpets SKU:
M7.AHW-1205 Composed
by Ernest S. Williams.
Sheet music. 50 pages.
Charles Colin Corp. #AHW
1205. Published by
Charles Colin Corp.
(M7.AHW-1205).
English. These
melodious duets composed
in the inimitable
Williams musical style,
for teacher and student,
progressing from beginner
to intermediate level.
There has always been a
deficiency in the number
of easy (easier) duet
books for trumpet. Ones
that occupy a more narrow
range and are
approachable by players
in their first few years
of study. This one is an
absolute classic. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Low Tone Studies Trombone basse Charles Colin Music
Basstrombone SKU: M7.AHW-2037 Composed by Allen Ostrander. Sheet music. P...(+)
Basstrombone SKU:
M7.AHW-2037 Composed
by Allen Ostrander. Sheet
music. Performance book.
Charles Colin Corp. #AHW
2037. Published by
Charles Colin Corp.
(M7.AHW-2037).
English. Double
Valve Bass Trombone
Twenty-six low-tone
studies from the works of
Ernest S. Williams
designed to develop the
low register. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| How to Play High Notes and Low Notes Trompette Charles Colin Music
Trumpet SKU: M7.AHW-1048 And All Those In Between. Composed by Joh...(+)
Trumpet SKU:
M7.AHW-1048 And
All Those In Between.
Composed by John Haynie.
Sheet music. 98 pages.
Charles Colin Corp. #AHW
1048. Published by
Charles Colin Corp.
(M7.AHW-1048).
English. High
Notes, Low Notes, and All
The Notes In-Between, by
John J. Haynie, Music
Department, North Texas
State University.
Inspired largely by
Ernest S. Williams'
Secret of Technique
Preservation, this book
contains textual material
and studies on embouchure
development, tone and the
breathing process,
fingering and tonguing,
together with a series of
tonality studies on each
tone of the chromatic
scale. Within each tone
are studies on long
tones, scales, trills,
lip slurs, intervals,
tonguing, chords. Widely
used as study material in
colleges, and considered
an effective, systematic
approach for preservation
of technical
abilities. $41.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Artistic Duets 2 Trompettes (duo) Charles Colin Music
2 trumpets SKU: M7.AHW-1206 Composed by Ernest S. Williams. Sheet music. ...(+)
2 trumpets SKU:
M7.AHW-1206 Composed
by Ernest S. Williams.
Sheet music. 52 pages.
Charles Colin Corp. #AHW
1206. Published by
Charles Colin Corp.
(M7.AHW-1206).
English. William
s' Artistic Duets pick up
where his 114 Easy Duets
left off. They range from
intermediate to advanced
level and require much
more stamina and
endurance. Many are 3
pages long and demand a
good facility on the
instrument, increased
range, flexibility, and
adept reading skills to
keep everything together.
These are a wonderful
collection that are an
absolute staple of the
repertoire. I am very
pleased to have them on
the store taking their
place among the most
import trumpet duet books
in our history. For
people who already have
William's transposition
method you will recognize
some of these duets,
while others are
originals for this
publication. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| High Tones Trombone Charles Colin Music
Trombone SKU: M7.AHW-2034 Composed by Ernest S. Williams. Sheet music. 10...(+)
Trombone SKU:
M7.AHW-2034 Composed
by Ernest S. Williams.
Sheet music. 10 pages.
Charles Colin Corp. #AHW
2034. Published by
Charles Colin Corp.
(M7.AHW-2034).
English. The
title says it all: a
series of graded
exercises designed to
develop the upper
register and the
endurance necessary to
support it. After an
extensive preface
Williams takes you
systematically up into
the stratosphere and
gives you valuable
direction along the way.
A short and sweet book
that really hits the spot
when it comes to high
range development. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| When I Have Sung My Songs
Voix haute, Piano Schirmer
High Voice. By Ernest Charles. Vocal Solo. Size 9x12 inches. 4 pages. Published ...(+)
High Voice. By Ernest
Charles. Vocal Solo. Size
9x12 inches. 4 pages.
Published by G. Schirmer,
Inc.
(2)$3.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| When I Have Sung My Songs Voix Schirmer
Low Voice. By Ernest Charles. Vocal Solo. Size 9x12 inches. 6 pages. Published b...(+)
Low Voice. By Ernest
Charles. Vocal Solo. Size
9x12 inches. 6 pages.
Published by G. Schirmer,
Inc.
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Contemporary Anthology of Solo Guitar Music Guitare Guitare classique [Partition] - Intermédiaire Mel Bay
By Charles Postlewate. For Guitar (Classical). Solos. Classic. Intermediate-Adva...(+)
By Charles Postlewate.
For Guitar (Classical).
Solos. Classic.
Intermediate-Advanced.
Book. 158 pages.
Published by Mel Bay
Publications, Inc
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sing Low Chorale TTBB TTBB, Piano Novello & Co Ltd.
Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello ...(+)
Sacred Music for Lower
Voices. By Barry Rose.
Edited by Barry Rose. The
Novello Choral Programme.
Sacred. Book [Softcover].
152 pages. Novello and Co
Ltd. #MUSNOV381000.
Published by Novello and
Co Ltd.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Two songs Piano, Voix [Conducteur] Noten Roehr
Voice and piano SKU: NR.91356 For voice and piano, opus 19 (fr/en)...(+)
Voice and piano SKU:
NR.91356 For voice
and piano, opus 19
(fr/en). Composed by
Albert Charles Paul Marie
Roussel. Vocal music.
Score. With Language:
French/English. Noten
Roehr #91356. Published
by Noten Roehr
(NR.91356). Georges
Jean-Aubry & Edwin Evans
Text: Ernest Henry
Clark. Light,
Jean-Aubry, Georges,
1882-1950, text, Evans,
Edwin, text, A farewell,
Oliphant, Ernest Henry
Clark, 1862-1936,
text. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270). ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Was A Child Went Forth Every Day Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419290 From Terra Nostra...(+)
Choral Children's choir,
Piano SKU:
PR.312419290 From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes, 35 seconds.
Theodore Presser Company
#312-41929. Published by
Theodore Presser Company
(PR.312419290). ISBN
9781491137932. UPC:
680160692620. Texts from
The King James Bible,
creation myths from
India, North America, and
Egypt; Edna St. Vincent
Millay, Percy Bysshe
Shelley, Walt Whitman,
Lord Byron, Esther
Iverem, William
Wordsworth, Wendell
Berry, Lord Alfred
Tennyson, Charles Mackay,
William . Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Paris Conservatory Flute Album: 16 Short Lyric Pieces for Flute and Piano Flûte traversière et Piano Southern Music Ltd
For Flute and Piano. Composed by Nancy Andrew. Arranged by James Galway. Sout...(+)
For Flute and Piano.
Composed by Nancy Andrew.
Arranged by James Galway.
Southern Music.
Classical.
Softcover. Southern Music
Company #B579. Published
by
Southern Music Company
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On Thine Own Child Theodore Presser Co.
Choral Children's choir, Piano SKU: PR.312419260 From Terra Nostra...(+)
Choral Children's choir,
Piano SKU:
PR.312419260 From
Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2:45.
Theodore Presser Company
#312-41926. Published by
Theodore Presser Company
(PR.312419260). ISBN
9781491137901. UPC:
680160692590. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Want of Peace Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280). ISBN
9781491137925. UPC:
680160692613. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $2.70 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Great Irish Songbook Piano, Voix Carl Fischer
With A Special Section of Traditional Irish Jigs, Reels and Hornpipes. By Alexan...(+)
With A Special Section of
Traditional Irish Jigs,
Reels and Hornpipes. By
Alexander Lee; Alma M.
Sanders; Anonymous; C.W.
Murphy; Charles W.
Glover; Chauncey Olcott;
Claribel; Dermot
Macmurrough; Ernest R.
Ball; F.W. Crouch; Fred
Fischer; Fred Fisher; G.
Barker; George L. Geifer;
George M. Cohan; Harry
Williams; Howard Johnson.
Edited by Dan Fox.
Arranged by Dan Fox.
Text: Alfred Bryan;
Alfred Perceval Graves;
Annie Crawford; C.W.
Murphy; Chauncey Olcott;
Claribel; Dion
Boucicault; E.J.
Falconer; F. Mordaunt
Spencer; Fred Fisher;
Fred Weatherly; George
Graff, Jr.; George L.
Geifer; George M. Cohan;
Harry Williams. For
Piano, Voice.
International Passport
Series. Piano/Vocal
Score. 128 pages.
Published by Carl
Fischer.
$23.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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