Par CEUNEN FILIP. The Flood (L?Inondation) est une commande de la société musicale Maris Sonores de Biddinghuizen, aux Pays-Bas, à l?occasion de son 55e anniversaire. Dans cette ?uvre haute en couleurs, le nom de la société est habilement tissé dans la musique ? « Maris Sonores » signifiant « les sons de la mer » ? avec des cliquetis de clés dans les saxophones, des effets de vent dans les cuivres et timbales, ainsi que d?autres effets sonores dans les petites percussions. L?histoire de la ville est également reflétée musicalement. Il y a bien longtemps, vers l?an 800, un hameau du nom de Bidningahusum existait déjà ; il fut victime, hélas, des eaux du Zuiderzee de l?époque. Plus tard, les inondations catastrophiques de 1170 lui portèrent le coup fatal. Dans les années soixante, on fit appel à des spécialistes pour reconstruire une ville nommée Biddinghuizen dans le polder du Flevoland-Est ? et ce projet se concrétisa. Disponible pour orchestre d?harmonie ou fanfare, cette ?uvre polyvalente a été écrite de manière à pouvoir être interprétée par de nombreux ensembles. Tous les pupitres étant mis en valeur, The Flood sera une joie pour les musiciens comme pour leurs auditeurs. / Date parution : 2022-07-28/ Répertoire / Fanfare

Par CEUNEN FILIP. The Flood (L?Inondation) est une commande de la société musicale Maris Sonores de Biddinghuizen, aux Pays-Bas, à l?occasion de son 55e anniversaire. Dans cette ?uvre haute en couleurs, le nom de la société est habilement tissé dans la musique ? « Maris Sonores » signifiant « les sons de la mer » ? avec des cliquetis de clés dans les flûtes et les clarinettes, des effets de vent dans les cuivres, les bois et les timbales, ainsi que d?autres effets sonores dans les petites percussions. L?histoire de la ville est également reflétée musicalement. Il y a bien longtemps, vers l?an 800, un hameau du nom de Bidningahusum existait déjà ; il fut victime, hélas, des eaux du Zuiderzee de l?époque. Plus tard, les inondations catastrophiques de 1170 lui portèrent le coup fatal. Dans les années soixante, on fit appel à des spécialistes pour reconstruire une ville nommée Biddinghuizen dans le polder du Flevoland-Est ? et ce projet se concrétisa. Disponible pour orchestre d?harmonie ou fanfare, cette ?uvre polyvalente a été écrite de manière à pouvoir être interprétée par de nombreux ensembles. Tous les pupitres étant mis en valeur, The Flood sera une joie pour les musiciens comme pour leurs auditeurs. / Date parution : 2022-07-28/ Répertoire / Concert Band/Harmonie

Par VAUGHAN STEVIE RAY. 19 tracks transcribed note-for-fiery-note from this posthumous release documenting two of SRV's most legendary live performances - the first of which inspired festival attendees Jackson Brown and David Bowie to take note and invite this guitar god to record and perform. Songs include Ain't Gone 'n' Give Up on Love ú Couldn't Stand the Weather ú Dirty Pool ú Gone Home ú Hide Away ú Love Struck Baby ú Mary Had a Little Lamb ú Pride and Joy ú Say What ú Scuttle Buttin' ú Texas Flood ú Voodoo Child (Slight Return) ú and more. 19 tracks transcribed note-for-fiery-note from this posthumous release documenting two of SRV's most legendary live performances - the first of which inspired festival attendees Jackson Brown and David Bowie to take note and invite this guitar god to record and perform. Songs include Ain't Gone 'n' Give Up on Love · Couldn't Stand the Weather · Dirty Pool · Gone Home · Hide Away · Love Struck Baby · Mary Had a Little Lamb · Pride and Joy · Say What · Scuttle Buttin' · Texas Flood · Voodoo Child (Slight Return) · and more./ Tablatures / Guitare Tablatures

Book with Interactive Online Audio Interface. Par VAUGHAN STEVIE RAY. La collection Deluxe Guitar Play-Along Series® vous aidera à jouer des chansons plus rapidement que jamais ! Chaque livre comprend des tablatures précises et faciles à lire ainsi que des fichiers audio professionnels et personnalisables. Le lecteur audio multifonctionnel vous permet de ralentir l\'audio sans modifier la tonalité, de définir des points de boucle, de changer de tonalité, d\'activer ou de désactiver les instruments ainsi qu?une tabulation de guitare avec un marqueur de suivi. Ce volume comprend 15 grands classiques dont : Crossfire - Lenny - Pride and Joy - Scuttle Buttin\' - The Sky Is Crying - Texas Flood - et plus encore. / Date parution : 2022-07-28/ Recueil / Guitare

Par TAKE THAT. Progress is Take That's sixth studio album, and the first to feature the full lineup of Gary Barlow, Mark Owen, Howard Donald, Jason Orange, and Robbie Williams since 1995's Somebody Else . The album was released in the UK a week earlier than planned (15th November 2010), as it had become the most pre-ordered album of the year. On the first day of the release it sold over 305,000 copies across the UK and became the fastest selling record of the century so far! This artist-approved album matching folio/songbook contains all the songs from the album including the single The Flood arranged for Piano and Voice with Guitar Chords./ Recueil / Piano, Chant et Guitare

Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents. Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare

Par CURNOW JAMES. In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit. / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band

Par CURNOW JAMES. In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit. / Niveau : 3 / Répertoire / Fanfare

In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who had been his student in earlier years and who, even today, is one of its most authentic performers. Kocsis played from this notebook in the first public performance of Games in 1974. The gradually expanding series of piano pieces also appeared in print in the course of later decades- however, since then he has used this collection - expanded over 32 years since by Kurtág - whenever he plays pieces from Games in concert. Since the time of this 1974 concert, as he writes: I didnt know that the spiral notebook I received at the premi?re would later become, as it were, my permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, travelling to the worlds most prominent concert halls, surviving fire damage, flood, transport catastrophes, theft attempts, forced landings and so on, and that - well beyond the intention of its being copied with love - it would include works and sketches for which this notebook would become the principal source. The manuscript gives a glimpse into Kurtágs workshop from the viewpoint of both performers and musicologists. The former can understand more from Kurtágs handwriting about the composers intentions than from the printed score. The musicologists, however, can study the historical origins of the works: some works can be found here in more than one version, others appear in a version different from the printed score. The publication is accompanied by a booklet and a CD supplement. The booklet contains Kocsiss own personal preface, as well as András Wilheims essay providing information about the collection and the pieces contained therein. On the CD we hear 11 works performed by Kocsis, from a recording made in 1982 which has not previously been commercially issued. This edition has been published for György Kurtágs 90th birthday. (Tünde Szitha) / Piano