Par COOMAN CARSON. These five works of extroverted character are all suitable for use as service voluntaries or in recitals. The two toccatas are very fast and driving, whereas the three flourishes are more stately and ceremonial. Contains: Toccata in A, Toccata in C, Flourish in C, Flourish in D, and Flourish in G. / Date parution : 2018-05-04/ Répertoire / Orgue

A Gathering of Carols, Choir and Candlelight. Par . This choral compilation brings together beloved carols and new seasonal lyrics with celebrated music from Bach, Handel, Mozart and others. As a collection, you can use this resource throughout Advent and Christmas, or use the optional narration to present the entire work as a cantata. A full line of support products is available to enable your performance options. Score and Parts (instrumentation varies by song) available as a digital download. For the Accompaniment Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428625: Accompaniment Tracks Songs include: Canon de Noel; Procession of Light; A Classic Advent Flourish; Advent Alleluia; Celebration for Advent; He Shall Feed His Flock; An Etude Carol; Christ Is Born! Let Earth and Heaven Rejoice; Adoramus Te; Christmas Jubilate. / Date parution : 2022-11-29/ Recueil / SATB et Ensemble

Par CURNOW JAMES. Based on Marc-Antoine Charpentier's (1634-1704) Te Deum, Fanfare and Flourishes for a Festive Occasion was originally commissioned for the 1991 European Brass Band Championships held in Rotterdam, Holland. Based on Marc-Antoine Charpentier's (1634-1704) Te Deum, Fanfare and Flourishes for a Festive Occasion was originally commissioned for the 1991 European Brass Band Championships held in Rotterdam, Holland. / Niveau : 4 / Ouverture / Répertoire / Concert Band ou Harmonie

Par MEALOR PAUL. Balmoral Flourishes was premiered by The State Trumpeters of the Household Cavalry at the National Service of Thanksgiving and Dedication for King Charles III and Queen Camilla at St Giles’ Cathedral, Edinburgh in 2023. Mealor says, “Balmoral Flourishes is a short burst of light and will herald the entrance of The King and Queen at St Giles’. It is the first time that a Scotch Snap has featured in a Royal fanfare.” / Date parution : 2023-10-31/ Répertoire / 4 Trompettes

For Flugel Horn Solo And Brass Band. Par SPARKE PHILIP. Moon Song, Sun Dance was commissioned by flugel horn virtuoso, Claude Romailler, and premiered by him at the Swiss National Solo and Quartet Championships in April 2012. As the title implies, the work is in two contrasting movements, which can be performed separately or together. Moon Song opens with a flowing modal theme, which the soloist embellishes before the band takes centre stage. A central section brightens the mood with a new melody over the lightest of accompaniments; this is once again developed by the soloist until the original theme reappears, played by the band. This introduces a cadenza for the soloist which either closes the movement, or can beextended to link directly to the second movement. Sun Dance is a vivace 6/8 scherzo which opens with a flourish from the band. The soloist then introduces the main theme, which in turn is taken up by the band. A short bridge passage heralds a change of key and a new melody from the soloist. A brief central interlude then introduces a change of meter and recalls the main melody of Moon Song, before a recapitulation leads to a florid coda, which brings the work to a close. Solo part: difficulty 5 / Niveau : 4 / Répertoire / Brass Band

Concert March - Wheaton Kiwanis Salute. Par BULLA STEPHEN. A bright technical flourish in the introduction, a toe-tapping theme following in the Woodwinds, fanfare-like syncopation from the Brass, and even a Piccolo solo in the Trio section make Stephan Bulla’s KIWANISCA a sure winner. The fresh timbres and exhilarating melodies will add zest to your next concert whether you choose to program it as your closer or at any other time in the concert. The vitality is contagious! Don’t miss it! / Niveau : 5 / Répertoire / Concert Band ou Harmonie

Solo For Trumpet And Concert Band. Par CURNOW JAMES. From the dynamic, driving introduction to the expressively lyric Andante cantabile, Concertpiece for Trumpet was created to showcase both the technical and lyrical qualities of the trumpet. Whether cascading down difficult runs, negotiating its way through exciting double-tonguing passages, or soaring above the ensemble during the most expressive moments, the trumpet soloist is challenged to perform at an extremely high standard of excellence. After the expressive middle section, the recapitulation of the opening Allegro once again re-establishes the brilliant, energetic qualities of the trumpet, while the following Coda focuses on the interplay between the soloist and theensemble. A dramatic flourish of ascending runs brings this work to a fitting conclusion. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band et Trompette

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

The six collections of 'Vierstimmige Motetten und Arien' published by Johann Adam Hiller offer a selection of motets, mostly from the second half of the 18th century. They show us the products of a new age of achievement in which the motet was again able to flourish after this genre had led only a shadowlike existence for more than a century. The editor of those collections, Johann Adam Hiller, was active as a composer of Singspie, editor of various musical periodicals, leader of the Gewandhaus concerts, University Director of Music, musical director of the Neukirche, and finally, from 1789, Thomaskantor in Leipzig. Upon Hiller's assumption of the office of Thomaskantor theolder motets were replaced in Leipzig church services by contemporary compositions. Printed texts which have been preserved show that Hiller's collections were used widely. A Critical Report from the editor, Uwe Wolf, with additional information concerning the motets and their composers, will be published to cover all the collections. / Mottet / Répertoire / Choeur Mixte

This anthem opens with a driving energy, capturing the celebratory occasion of Palm Sunday. The (optional) hushed a cappella section provides a wonderful contrast leading back to a reprise of the opening theme. The anthem then drives to a satisfying flourish. Exciting! / SATB

Par SPARKE PHILIP. The White Rose was commissioned by the White Rose Concert Band from Harrogate, England. The band takes its name from the county symbol of Yorkshire, the white rose. This partly rhythmic, party lyrical piece opens with a flourish from the trumpets. Following a rhythmic melody in the clarinets there are solo passages for flute and trumpet leading to the finale which brings together elements of the whole piece. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition. Full score and performance material (BA4712), Violin and Piano reduction (BA4712-90) and study score format 22. 5 x 16. 5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included./ Répertoire / Partition de Poche

Par BUCKLEY ROBERT. The Sky\'s the Limit is a celebratory overture that explodes with positive energy and exuberance. From the triumphant opening fanfare to the beautifully elegant euphonium solo (cued in various instruments) to the final exhilarating flourish, this piece is full of powerful melodies, driving percussion and dynamic contrasts. A joyful tour-de-force showcasing all sections of the band! Dur: 4:45 / Date parution : 2022-07-23/ Répertoire / Concert Band

Choirs of any size will sound full on this jubilant fanfare with Christmas carol appeal. The inclusion of 'We Wish You a Merry Christmas' elevates the holiday cheer, and an optional brass and percussion ensemble will add a festive flourish. / Choeur Mixte (SATB)