Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à

For Solo Piano. Par LASH HANNAH. Pianist Lisa Moore has an extraordinary charisma and energy at her instrument, with a kind of musical laser focus that I find tremendously inspiring. I wanted to write her a set of pieces that would play to her wonderful range and character as a performer. So I decided to write pieces in the spirit of etudes: each focuses on a different type of playing or technique or pianistic color. There is one odd piece out: the 'dream,' which is in no way an etude. This 'dream' came about when I was looking after Lisa's petunias while she was away from home. Unfortunately, her petunias languished and died. Feeling very bad, I wrote a piece to commemorate the poor flowers that had perished in my care. The set of pieces as a whole is playful, energetic, and sometimes dark and contemplative. It is a work which reflects my deep admiration for Lisa's musicianship and playing. Hannah Lash/ Etude / Piano

A beautiful and inspirational text forms the lyric framework for this deeply moving song. O music wrap me in your arms. Let me soar to farther shores. Point me to the stars. With optional flute (part included). Performance Time: Approx. 4:20

Tous les dix chansons de Ray LaMontagne célèbre album, soigneusement arrangé pour piano, voix et guitare. Cette réédition est le smash non-surprise de 2006 ! Avec une voix puissante et forte folk rock mélodies LaMontagne marqué lui-même comme un compositeur exceptionnelle et monte / Piano/Vocal/Guitare (PVG) / 156 pages / Partition

The Climb from Hannah Montana - The Movie has been a mega-hit for Miley Cyrus. Its message of persistence in overcoming life's challenges has been embraced by all generations. This is an easy arrangement and is appropriate programming for any occasion.

Anthony Gilbert's Photos Found At Hukvaldy for solo Oboe.Published 2001.First performance: Hannah Rowland BBC young musician of the year Manchester 2001.Score.

For Mixed Chorus. Par LASH HANNAH. / Date parution : 2016-11-20/ Répertoire / Chœur Mixte [SATB] a Capella

Partitions pour piano, chant et guitare (grilles d'accords) de l'album The Time Of Our Lives de Miley Cyrus, vedette de la série américaine Hannah Montana .
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