Transposition à vue se classe parmi les compétences plus essentiels à maîtriser par un trompettiste orchestrale. Dans ce volume, chacun des etudes formidables de Sachse est présenté dans sa forme originale et complète avec plusieurs modifications clées. Il est ensuite présenté avec une transposition écrite-out pour trompette dans Bb - fournissant l'étudiant avec un guide d'étude utile et la clé de ces exercices de transposition plutôt intimidante. / Trompette

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Music through the Ages-Take a journey through time with More Time Pieces For Viola. These two volumes contain well-crafted arrangements presented in chronological order to take you from the seventeenth century right up to the present day.   Pieces that regularly feature on the ABRSM Viola syllabus. Invaluable source of recital repertoire. Contrasting styles from Schubert to Stravinsky and from Wagner to Weill. Arrangements that practise the note ranges and keys of the grades.   Maggy Lamb played the Viola with English National Opera and the Philharmonia Orchestra before taking up the post ofHead of Strings at St Peter’s School in York. She now divides her time between teaching performing and examining. Rachel Meredith is a Bristol University graduate. After a period performing both in the UK and abroad she now teaches upper strings in York. Rachel is also a syllabus selector and examiner for ABRSM.

The Notebooks for Anna Magdalena Bach 1722 and 1725 for Piano (Premium Edition)
Hardcover Clothbound with Gold Embossing, Urtext
Johann Sebastian Bach
In 1721 a 20-year-old soprano employed at the princely court in Köthen married the court?s Kapellmeister, set to become the greatest composer of the age. As his second wife she married into a young family with four children, and a busy household filled with music. The music book that Johann Sebastian Bach presented to his new wife Anna Magdalena in 1722, and replaced more lavishly in 1725, treats us to a tantalizing glimpse inside this unique family, allowing us to sit beside Bach as a composer, teacher, husband and father. Over the years, these notebooks became a place for the family to share instructional exercises, favourite pieces ? by Bach and other composers ? to play or sing, early composition efforts from the children, and first versions of some of Bach?s more ambitious keyboard works.
What is usually presented as ?the? Anna Magdalena Notebook is a set of excerpts from the 1725 collection. The scholarship that informed the New Bach Edition in 1957 has been greatly developed and expanded since then.
Now, for the first time, Edition Peters presents a new Urtext edition of the Notebooks for Anna Magdalena Bach.
Contains all the material from the 1722 and 1725 notebooks together in one volume, in the original landscape format
Edited by pre-eminent Bach scholar Christoph Wolff, Harvard Professor and former Director of the Leipzig Bach Archive
Represents the very latest in Bach scholarship, reflecting up-to-the-minute research on texts, authorship and copyists
Extensive preface, detailed critical commentary, and beautifully engraved notation
Hardcover clothbound edition with gold embossing
Printed in Köthen and bound in Leipzig ? the home of Bach and the home of Edition Peters ? this cutting-edge, premium modern edition?s journey to your library retraces the Bach family?s own move from the princely town to the city
This premium edition offers a truly best-in-class publication. / Partitions classique / Piano - instruments à clavier / Piano / EDITION PETERS

60 Highlights for Frauenchor-Reine Frauensache! was released on occasion of the German Choir Festival in Stuttgart in May 2016. Divided into four sections (Secular Sacred Folklore and Popular) the collection covers newer compositions which are part of the repertoire of many women‘s choirs already as well as ageless beautiful titles from older eras; music spans from Palestrina Telemann Gounod Brahms Distler and Chaminade to NancyTelfer Sandra Milliken Sarah Quartel and riks Ešenvalds.The editor‘s focus is on musical quality well singable mostly 3 4 part titles to meet the capabilities of non professional singers and moreover on the quality of texts. It is a highly vividcollection with attractive compositions from different origins genres and eras a treasure trove for those interested in women‘s choirs.

Complet avec des traductions et des conseils sur la prononciation. ' Comme chaque chanteur et amant de l'opéra français sait, Editions de même les plus célèbres arias opéra français sont difficile - et parfois cher - à obtenir. Sélection scrupuleusement équilibrée de Roger Nichols des airs français du XIXe siècle donne le point de départ idéal pour l'exploration plus large. Nichols, qui a défendu la musique française dans ses écrits, les pourparlers et les émissions de radio plus de trois décennies avec éloquence et de la bourse, est le guide idéal pour ce répertoire qui, aujourd'hui encore, est souvent négligée, mal compris ou mal exécutée. / Voix Et Piano

23 Works for Alto Recorder with Piano Accompaniment-This anthology presents pieces by 17th and 18th century composers in a variety of different styles providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach Handel and Telemann as well as lesser known composers including Caix d’Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works as well as a CD of the pieces performed by Gudrun Heyens and Wolfgang Kostujak.Ideal for players and teachers looking to explore the repertoire for their instrument further this collection provides pieces suitable for concerts festivals and competitions.Suitable for students with 8 or more years playing experience (grades 7-8).Content - Handel: Andante (from Sonata in D minor) - Handel: A Tempo di Menuet (from Sonata in D minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Corrente (from Sonata in G minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Giga (from Sonata in G minor) - Parcham: Solo - Danican-Philidor: Le Tombeau (from Sixieme Ensemble de Pieces) - Danican-Philidor: Air tendre (from Sixieme Ensemble de Pieces) - Danican-Philidor: Le Badin (from Sixieme Ensemble de Pieces) - Marcello: Ciaconna (from Sonata No.12 in F major) - Graun: Adagio (from Sonata in C major) - Graun: Allegro (from Sonata in C major) - d'Hervelois: Muzette (from the Premiere Suite) - d'Hervelois: Marche du Czar (from the Premiere Suite) - Barsanti: Adagio (from Sonata in G minor) - Barsanti: Allegro (from Sonata in G minor)- Gavotta: Adagio (from Sonata in G minor) - Teleman: Air a L'Italien - Wassenaer: Grave (from Sonata Prima in F major) - Wassenaer: Allegro (from Sonata Prima in F major) - J.S. Bach: Giga (from BWV 997) - J.S. Bach: Double (from BWV 997)

A Handbook for Opera Singers Coaches and Accompanists-Edition Peters the world’s leading publisher of vocal music for more than 200 years has joined forces with Anthony Legge to produce this revised and updated edition of the best-selling guide The Art of Auditioning. Essential reading for every aspiring and professional singer it contains: authoritative advice on how to approach and prepare for your auditions a directory of more than two hundred recommended audition arias information about what to expect after your first successful audition and how to prepare for professional engagementsAnthony Legge has worked regularly with the principal British operacompanies Opera Australia many European opera companies and at Bayreuth where he worked on The Ring and Die Meistersinger . He spends much time on audition and competition panels. His experience as a conductor accompanist and vocal coach has given him a broad overview of the profession.

Etudes - Sight-reading sont une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violoncelle

25 Choral Highlights for Upper Voices. Following the great success of the award-winning first volume of Reine Frauensache! (crowned Best Edition 2017 by the German Music Publishers Association), Edition Peters presents the longawaited second book in this series. As previously, the collection includes pieces at easy to intermediate level that are fun to sing and highly effective in performance. The selection represents a broad cross-section of choral repertoire, making it a treasure trove for any female choir. ? 25 easy to intermediate choral settings in three or four parts, particularly suitable for amateur choirs ? Effective and varied repertoire ranging from Pergolesi to ABBA ? Four categories of pieces: Secular, Sacred, Folksongs and Pop ? Mostly a cappella piano/instrumental accompaniments are available separately ? Appendix with translations of foreign-language lyrics

Ein Musical zur Weihnachtszeit. Par SCHINDLER PETER. Alter: 7& 14 Jahre Dauer: 60 min Lieder: 11, 4 Instrumentalstücke Besetzung: - Chor 1& 2stg - Soli: 7 - Sprechtextrollen: 22 - Sprecher: & - Gemeinde/Publikum: nein - Instrumente: Flöte, 2 Violinen, Violoncello, Kontrabass, Klavier, Schlagzeug, Gitarre ad lib. ; oder: Klavier [Bass, Gitarre; Schlagzeug ad lib. ]. Der Klavierauszug ist gleichzeitig die Klavierfassung. Inhalt Der Weihnachtsmann Ambrosius Schneeweiß bemängelt den jährlich zunehmenden Weihnachtsstress, die unsinnig vielen Geschenke sowie die Unzufriedenheit der Menschen und vermisst die Besinnlichkeit derWeihnachtszeit. Daher beschließt er: Weihnachten fällt aus. Alle Menschen werden darüber informiert & nur die Familie im Tannenwald erreicht diese Botschaft nicht. Sie machen Hausmusik, schmücken einen Weihnachtsbaum und sind voller Vorfreude auf das Fest. Die Mutter erwartet ein Kind. Ambrosius Schneeweiß und seine Engel tun alles dafür, noch rechtzeitig zum Weihnachtsfest bei ihnen zu sein. Musik und Text In erfrischender Art und Weise vereinigt dieses Stück Elemente des heutigen Alltagslebens mit einer märchenhaften Geschichte. Dabei bedient es sich einer humorvollen Sprache, die mit der Musik vollkommen im Einklang steht: mal witzig und frech, mal anrührend schön. Abwechslungsreiche Stücke mit zahlreichen musikalischen Zitaten führen durch die Handlung: ein witziger ChaChaCha, ein französicher Walzer, ein spritziges Halleluja ; , ein Rezitativ und eine schwebende Schnee- und Fernrohrmusik. Die sehr eingängigen Melodien liegen im Umfang a bis e''. Botschaft des Musicals Dieses Musical lenkt den Blick weg von der oberflächlichen, alljährlich wiederkehrenden Weihnachtshektik hin zu dem, was dahinter steht und was das Weihnachtsfest jenseits von Geschenken und Glitzer sein kann./ Répertoire / Solistes, 1-2stg Choeur d'Enfants, Flûte Traversiè