By Giuseppe Verdi. Arranged by Luke Aylsworth. Percussion Ensemble. For glockenspiel, xylophone, vibraphone, 3 marimbas (low A), chimes, 3 timpani, snare drum finger cymbals, bass drum, china cymbal suspended cymbal, gong, crash cymbals (pair), wind chimes, crash cymbal, tambourine, sleigh bells, triangle, gong, synthesizer (optional), crotales (optional). (13 or 14 players). Level: Intermediate/Advanced. Full score and CD-Rom (containing printable parts). Duration 4:00. Published by Tapspace Publications.

(For mallet ensemble and two flutes). By George Frideric Handel (1685-1759). Arranged by Brian Slawson. For Two flutes, two glockenspiels, two small marimbas (4-octave), one 4.3 octave marimba (low-A), one 5-octave marimba (low C) (8 or 9 players). This edition: Percussion ensemble. Concert Percussion Ensembles. NOTE: If four marimbas aren't available these parts can be performed by sharing two marimbas (one low-A, and one low-C). Medium. Folio parts on CD-Rom. 12 pages. Duration 2:30

(for percussion ensemble and solo flute). Composed by Stuart P. O'Neil. Percussion Ensembles. For Flute (soloist), 4 tuned crystal glasses (C, D, Eb, and F), glockenspiel, xylophone, vibraphone (or marimba), chimes, rainstick, 4 timpani, windchimes, cabasa, suspended cymbal, sizzle cymbal, bass drum, tam tam, and triangle (11 players). Difficulty: Medium-Easy. Folio and CD-ROM. 16 pages. Duration 3:20. Published by Tapspace Publications

(for percussion ensemble and rhythm section). By Bela Fleck. Arranged by Tom Gierke. Percussion Ensemble. For 2 low A marimbas (adaptable for 3), 1 low E marimba, 2 vibraphones, 1 xylophone, 1 glockenspiel, 5 timpani, 1 drumset with optional electronic trigger pads, bongos, djembe, windchimes, triangle, finger cymbal (9 players). This edition: Percussion ensemble. Concert Percussion Ensembles. For percussion ensemble and rhythm section. Advanced. Folio parts on CD-Rom. 22 pages. Duration 3:10

(from Peer Gynt Suite No. 1 arranged for percussion ensemble). Composed by Edvard Grieg (1843-1907). Arranged by Brian Blume. Percussion Ensembles. For Glockenspiel, xylophone, bell tree, chimes, 2 vibraphones, 2 low-A marimbas, 1 low-C marimba, 4 timpani, double bass (optional), triangle, 3 suspended cymbals, windchimes, bass drum, ride cymbal, and finger cymbals (12-13 players). Difficulty: Medium-Advanced. Folio and CD-ROM. 10 pages. Duration 3:15. Published by Tapspace Publications

(Piano Reduction). By David Maslanka. For Solo Alto Saxophone, Piano reduction. Piano reduction. 68 pages. Duration 42 minutes. Published by Carl Fischer

Concert Band; Orchestra - Grade 1

SKU: AP.49214

Composed by Chris M. Bernotas. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Debut Series. Score and Part(s). Duration 2:20. Alfred Music #00-49214. Published by Alfred Music (AP.49214).

ISBN 9781470648565. UPC: 038081569369. English.

This version of Air Force One by Chris M. Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 5-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Air Force One evokes the proud spirit that is symbolized by the Presidential aircraft. With its rhythmic drive and uplifting melody, this will quickly become a favorite of your students and audience alike. Now scored in a 5-part FLEX format, this piece has engaging rhythms, memorable melodies, and exciting percussion parts!

Percussion Accompaniment Track Downloads:
with click
without click. (2:20).

Concert Band; Orchestra - Grade 1

SKU: AP.49214S

Composed by Chris M. Bernotas. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Single Titles; Solo Small Ensembles. Alfred Debut Series. Score. Duration 2:20. Alfred Music #00-49214S. Published by Alfred Music (AP.49214S).

ISBN 9781470648572. UPC: 038081569376. English.

This version of Air Force One by Chris M. Bernotas is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 5-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Air Force One evokes the proud spirit that is symbolized by the Presidential aircraft. With its rhythmic drive and uplifting melody, this will quickly become a favorite of your students and audience alike. Now scored in a 5-part FLEX format, this piece has engaging rhythms, memorable melodies, and exciting percussion parts!

Percussion Accompaniment Track Downloads:
with click
without click. (2:20).

For Band and Optional Chorus. Arranged by Dwight Bigler. Windependence Master Level (Grade 4). Concert. Softcover. Published by Boosey and Hawkes

Wind Ensemble horn, wind ensemble

SKU: KU.GM-16

Composed by Friedrich Siebert. Edited by Friedrich Siebert. Bach format (230 x 302). Staple Bound. Full score, parts. 18 pages. Duration 4 minutes. Edition Kunzelmann #GM-16. Published by Edition Kunzelmann (KU.GM-16).

Score and parts.

Concert Band - Grade 3

SKU: BT.EMBZ14724SET

EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2011. 182 pages. Editio Musica Budapest #EMBZ14724SET. Published by Editio Musica Budapest (BT.EMBZ14724SET).

9x12 inches.

János Galli (1921-2006) was a conductor, composer, music teacher, a well-known and highly respected personality in Hungarian wind music life. As a music teacher he directed numerous string and wind ensembles and choirs, made hundreds of transcriptions for wind orchestras, and instrumented works for ensembles of all sizes and formations. The most important of his works are his series of volumes of marches, folksong arrangements and church music. He was excellent at instrumentation. For its fine sound and easy playability we recommend to youth wind bands and their conductors this work of his composed in memory of the king who founded the Hungarian state.

János Galli (1921-2006) Chorleiter, Komponist und Musiklehrer, war in den ungarischen Bläserkreisen eine bekannte und anerkannte Persönlichkeit. Als Musiklehrer leitete er zahlreiche Streich- und Bläserensembles und Chöre, fertigte mehrere hundert Transkriptionen für Bläserorchester an und instrumentierte Werke für verschieden große Orchester unterschiedlicher Besetzung. Von seinen eigenen Kompositionen sind die Märsche, Volksliedbearbeitungen und die kirchenmusikalische Heftreihe am bedeutendsten. Er war eine exzellente Arrangeur. Sein Gedenkstück an den Staatsgründerkönig, Hl. Stephan empfehlen wir den Jugendblasorchestern und ihren Leitern wegen seines guten Klangs undwegen seiner einfacher Spielbarkeit.

By Cowan / Paterson. Arranged by Barry E. Kopetz. Concert Band/Wind Ensemble. FJH Concert Band. Full set (score and parts). Score only also available: S. Concert Band. Score and Set of Parts. Composed 2001. Published by The FJH Music Company Inc.
Level: Grade 3.

Concert Band Wind Band - Intermediate

SKU: AP.12-0571570488

Composed by Kenneth Hesketh. 5 or More; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Faber Edition: Faber Wind Band Series. Form: Dance. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571570488. Published by Faber Music (AP.12-0571570488).

ISBN 9780571570485. English.

This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies are more abstract and project only a distant echo of their original forms, but as before, each movement is self-contained, colorful and direct, with its own distinct mood. The outer movements---Jennie's Bawbee and Peascod's Galliarda----share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic coloring. The result is a richer, even more exhilarating set of dances. Danceries has come of age! Arranged for wind band.

Organ, Wind quartet (Organ, Brass instruments)

SKU: BA.BA11259

Composed by Gerard Bunk. Edited by Christof Schmidt and Jan Boecker. This edition: urtext edition. Stapled. Also suitable for amateur ensembles. Performance score, Set of parts. Opus 55. Baerenreiter Verlag #BA11259_00. Published by Baerenreiter Verlag (BA.BA11259).

ISBN 9790006569717. 30 x 23 cm inches. Preface: Boecker, Jan / Schmidt, Christof.

As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk’s large-scale organ work “Legende” op. 29 and its symphonic version op. 29II, there is a further well-known “Legende” op. 55b written for organ and string orchestra (or string quartet) which was composed in 1945.

This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version.

What Albert Schweitzer praised in the earlier “Legende”, “the calm and vivid layout of the complete work”, is also recognisable in Bunk’s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this “Legende” for organ and brass quartet.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Concert Band/Harmonie and Opt. Choir - Grade 2

SKU: BT.DHP-1033337-015

Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015).

9x12 inches.

Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:
1. clarinet choir (from Eb Clarinet to BassClarinet)
2. clarinet choir + saxophones
3. brass (flugelhorns, horns, euphoniums, bass section)
4. brass (2 trumpets / 2 trombones)
5. double reeds (optional + flute, optional + string bass)
6. tutti
7. all winds
8. allbrass
In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.
Choral parts available separately.

Mis sa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk:

1. clarinet choir (van Es-klarinet tot basklarinet)

2. clarinet choir + saxofoons

3. zacht koper (bugels, hoorns, euphoniums, bassen)

4. scherp koper (2 trompetten / 2 trombones)

5. dubbelrieten (eventueel + fluit, eventueel + contrabas)

6. tutti

7. alle hout

8. alle koper

In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.

M issa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich:

1. Klarinettenchor (von Klarinette in Es bis Bassklarinette)

2. Klarinettenchor + Saxophone

3. Blech (Flügelhorn, Horn, Euphonium, Bassregister)

4. Blech (2 Trompeten / 2 Posaunen)

5. Doppelrohrblattinstrument e (wahlweise + Flöte, wahlweise + Kontrabass)

6. Tutti

7. Alle Holzbläser

8. Alle Blechbläser

In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.

Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprét ation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées :

1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse)

2. Choeur de Clarinettes + Saxophones

3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses)

4. Cuivres (2 Trompettes / 2 Trombones)

5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles)

6. Tutti

7. Tous les Bois

8. Tous les Cuivres

Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.

Parti per coro disponibili a parte.

Wind instrumentsQuintet (Flute, Oboe, Clarinet, Horn, Bassoon) - Level 4

SKU: BA.BA11524

Composed by Pavel Haas. Edited by Robert Simon. This edition: urtext edition. In a folder. Set of parts. Opus 10. 6/6/8/7/4 pages. Baerenreiter Verlag #BA11524_00. Published by Baerenreiter Verlag (BA.BA11524).

ISBN 9790260109025. 31 x 24.9 cm inches.

Pavel Haas (1899–1944), one of Leoš Janácek’s most talented pupils, composed his Wind Quintet op. 10 in 1929. This work was issued by the Prague publisher Edition Sádlo in 1934, and is one of the few compositions that was printed during his lifetime. Its first performance took place in Brno on 24 March 1930. With its relative brevity and standard instrumentation (flute, oboe, clarinet, horn and bassoon), it is currently gaining in popularity among wind ensembles. The composer structured the quintet as a four-movement suite with the titles „Preludio“, „Preghiera“, „Ballo eccentrico“ and „Epilogo“.

This first Urtext edition of the Wind Quintet is based on the original print which was proofread by the composer in 1935, as well as the autograph score and a copyist’s manuscript. The publication has been supported by the Terezín Composers‘ Institute.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Wind ensemble

SKU: KU.GM-942

Composed by Carl Maria von Weber. Edited by Kurt Janetzky. Bach format (230 x 302). In A Folder. Full score, parts. 12 pages. Edition Kunzelmann #GM-942. Published by Edition Kunzelmann (KU.GM-942).

Flute (Piccolo), oboe, clarinet in Bb, A and Eb, horn, bassoon and piano - difficult

SKU: HL.49018092

For wind quintet and piano. Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Benjamin Schweitzer prasentiert sein erstes Werk fur diese Formation. Experimentierfreudig erweitert er den typischen Charakter der Blaser um den Klang des Klaviers. Das Werk gliedert sich in zwei Satze, jeder Satz in mehrere Teile. Komplex-verflochtene P. Score and parts. Composed 2001-2002/2008. 132 pages. Duration 8'. Schott Music #ED20623. Published by Schott Music (HL.49018092).

ISBN 9790001158459. UPC: 884088679071. 9.25x12.0x0.365 inches.

Benjamin Schweitzer presents his first work for this combination. Willing to try out something new, he adds to the typical character of the wind instruments the sound of the piano. The work is made up of two movements, each movement of several parts. Complex interwoven passages are set against stringently composed sections.The composer says of his piece: 'the combination of shortness and an ease of attitude with the complexity of a major chamber music work relates, in a certain way, the piece to the late works of Elliott Carter.'.

A Realistic Approach for Instrumental Conductors. Composed by Gary Stith. Music Education. 96 pages. GIA Publications #317211. Published by GIA Publications

Clarinet Sextet

SKU: SU.28090100

For Clarinet Sextet. Composed by James Marshall. Woodwinds, Clarinet, Woodwinds, Woodwind Ensemble. Score and Parts. James Marshall Music #28090100. Published by James Marshall Music (SU.28090100).

Cloud Metamorphosis is a textural piece in a sequence of four continuous sections drawn from separate cloud formation types. Unique motifs establish each section of the piece which is scored for Clarinet Sextet: Eb, 3 Bb, Bass, and Contra Alto Clarinets (alternate version with two Bass). Each musical texture is developed in a musical, rather than, programmatic way.Set includes alternate Bass Clarinet part for Contra Alto ClarinetClarinet Sextet (Eb, 3 Bb, Bcl, Contra-alto) Duration: 9' Composed: 2018 Published by: James Marshall.

Concert Band Brass Band

SKU: AP.12-0571570771

Composed by Kenneth Hesketh. 5 or More; Brass Band; Masterworks; Performance Music Ensemble; Solo Small Ensembles. Faber Edition. Form: Dance. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571570771. Published by Faber Music (AP.12-0571570771).

ISBN 9780571570775. English.

Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world première of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colorful, and direct---with its own distinct mood. Arranged for brass band.

Concert Band Brass Band

SKU: AP.12-057157078X

Composed by Kenneth Hesketh. 5 or More; Brass Band; Masterworks; Performance Music Ensemble; Solo Small Ensembles. Faber Edition. Form: Dance. 20th Century; Masterwork. Score. Faber Music #12-057157078X. Published by Faber Music (AP.12-057157078X).

ISBN 9780571570782. English.

Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world première of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colorful, and direct---with its own distinct mood. Arranged for brass band.

Concert Band - Grade 4

SKU: BT.EMBZ14493

Score for Symphonic Band. Composed by László Dubrovay. EMB Concert Band Series. Concert Piece. Score Only. Composed 2010. 56 pages. Editio Musica Budapest #EMBZ14493. Published by Editio Musica Budapest (BT.EMBZ14493).

9x12 inches. English-Hungarian.

This work was written in 2005, prompted by the composer's determination that young members of junior, music school and conservatoire wind ensembles should not be limited to transcriptions for lack of original compositions, especially contemporary ones. The new devices used in the Little Suite are suitable for student players to try out. Indeed, they enjoy them - for instance, purring or whistling into the instrument. Each of the three-or-four-minute movements of this four-movement work can also be performed separately. The titles of the movements are the following: 1. In cheerful mood, 2. Song, 3. Joke, 4. March. This music in modern idiom, full ofinteresting new effects, offers young players an opportunity for enjoyable music-making together, and at the same time prepares them for playing more difficult contemporary works.

Dieses Werk schrieb der Komponist 2005, für Jugendblasorchester. Jeder der vier Sätze dieser Komposition lässt sich auch einzeln vortragen. Die Titel der Sätze sind: 1. Gutgelaunt, 2. Lied, 3. Spass, 4. Marsch. Die in moderner Sprache gehaltene, mit vielen interessanten neuen Effekten bereicherte Musik bietet den jungen Instrumentalisten Möglichkeiten zum heiteren, gutgelaunten Musizieren in der Gemeinschaft und bereitet sie auch auf das Spielen schwierigerer zeitgenössischer Musik vor.

Little Suite (In Cheerful Mood, Song, Joke, March) pour musiciens décomplexés s’adresse aux Orchestres Juniors de niveau avancé, ainsi qu’aux formations la recherche de nouvelles expériences musicales. Il va falloir, siffl er, souffl er, ronronner, etc. Chacun des quatre mouvements (durée individuelle : 3-4 min.) peut être interprété séparément.

Little Suite si presta per essere eseguito da banda di livello avanzato come anche per tutte le formazioni desiderose di suonare un brano originale moderno con effetti sorprendenti. I quattro movimenti di questa piccola suite, In Cheerful Mood, Song, Joke e March, possono essere eseguiti separatamente.