Featuring Easy Piano arrangements of 21 more Classical Favourites, this sheet music songbook will satisfy any beginner's desire to play the most popular and enduring classical pieces ever composed by the masters of the genre. These simple arrangements feature fingering guidance, song background notes and helpful performance hints.With some of the most beautiful classical music included here, this Really Easy Piano songbook will let you play the standards, the traditionals and the essentials quickly and easily. Schubert's Ave Maria, Debussy's En Bateau, Mendelssohn's Song Without Words and the all-time favourite, Vivaldi's Spring from The Four Seasons are included, among many others. Each of these composers represents a very different school of music, so you'll love picking out your favourite or playing through them all and then exploring the rest of their oeuvre.This instalment of the Really Easy Piano series puts the best-loved Classical Favourites right at the fingertips of beginning pianists. All too often playing the works of these composers is but a dream of players who are just starting out. Now, such masters of composition as Beethoven, Mozart, Puccini, Wagner and Handel are immediately accessible to pianists in the early stages of their playing, letting them learn these glorious melodies and soaring chords without the decades of practice necessary to master the full arrangements. Even though they are simplified, they sound absolutely great, from the lively to the melancholy and everything in between, these pieces are sure to impress any audience.Not only do you get Easy Piano arrangements of tunes like Sarabande, Vocalise and Dance Of The Knights, as with all the books in the Really Easy Piano series some fascinating background information on each song is included, as well as really useful practical performance advice, ensuring that you nail every note and play every phrase perfectly.This book of Really Easy Piano: More Classical Favourites features a great number of beautiful classical pieces that are easy to play and sound utterly fantastic. This book is suitable for pianists at the early grades, bringing amazing classical music to the fingertips of beginners, enabling you to learn the timeless pieces that we return to again and again. / Piano

Teachers' Choice, Répertoire piano sélectionné et études pour les élèves de 4 et 5 est compilé pour fournir aux enseignants et aux étudiants avec de bonnes options pour les examens de piano ABRSM 2013-2014.Une variété de pièces pour piano intéressants et attrayants avec des suggestions éditoriales mises à jour sont présentées pour aider les élèves à atteindre des normes élevées de performance musicale.Les points d'enseignement efficaces sont proposées avec des études techniques recommandées. Les enseignants trouveront cette approche très utile et efficace, enrichissant ainsi leur processus d'enseignement, menant à une expérience très réussie.Exigences de l'examen de côté, des détails plus fins de l'interprétation et de la performance stylistique sont fortement encouragés. Au-delà de la page imprimée, les suggestions rédactionnelles sont dirigés à donner l'élan de tendre vers une plus grande créativité musicale et de la perfection.Le plus important de tous, profitez des normes élevées de la typographie musicale, claires et définies scores professionnelle qui combinent la sémiotique musicale avec la technologie moderne d'édition. Impression numérique sur la qualité de papier de couleur crème assure un confort de lecture et d'apprentissage pour les élèves. / Piano

All the preludes and études including many perfectly spun miniatures. Edited by K. N. Igumnov and Y. I. Mil'shteyn. Content :
PRELUDES
Op. 2, No. 2 in B Major
For the Left Hand, Op. 9, No. 1 in C Sharp Minor
24 PRELUDES, OP. 11
Part I
No. 1 in C Major
No. 2 in A Minor
No. 3 in G Major
No. 4 in E Minor
No. 5 in D Major
No. 6 in B Minor
Part II
No. 7 in A Major
No. 8 in F Sharp Minor
No. 9 in E Major
No. 10 in C Sharp Minor
No. 11 in B Major
No. 12 in G Sharp Minor
Part III
No. 13 in G Flat Major
No. 14 in E Flat Minor
No. 15 in D Flat Major
No. 16 in B Flat Minor
No. 17 in A Flat Major
No. 18 in F Minor
Part IV
No. 19 in E Flat Major
No. 20 in C Minor
No. 21 In B Flat Major
No. 22 in G Minor
No. 23 in F Major
No. 24 in D Minor
SIX PRELUDES, OP. 13
No. 1 in C Major
No. 2 in A Minor
No. 3 in G Major
No. 4 in E Minor
No. 5 in D Major
No. 6 in B Minor
FIVE PRELUDES, OP. 15
No. 1 in A Major
No. 2 in F Sharp Minor
No. 3 in E Major
No. 4 in E Major
No. 5 in C Sharp Minor
FIVE PRELUDES, OP. 16
No. 1 in B Major
No. 2 in G Sharp Minor
No. 3 in G Flat Major
No. 4 in E Flat Minor
No. 5 in F Sharp Major
SEVEN PRELUDES, OP. 17
No. 1 in D Minor
No. 2 in E Flat Major
No. 3 in D Flat Major
No. 4 in B Flat Minor
No. 5 in F Minor
No. 6 in B Flat Major
No. 7 in G Minor
FOUR PRELUDES, OP. 22
No. 1 in G Sharp Minor
No. 2 in C Sharp Minor
No. 3 in B Major
No. 4 in B Minor
TWO PRELUDES, OP. 27
No. 1 in G Minor
No. 2 in B Major
FOUR PRELUDES, OP. 31
No. 1 in D Flat Major/C Major
No. 2 in F Sharp Minor
No. 3 in E Flat Minor
No. 4 in C Major
FOUR PRELUDES, OP. 33
No. 1 in E Major
No. 2 in F Sharp Minor
No. 3 in C Major
No. 4 in A Flat
THREE PRELUDES, OP. 35
No. 1 in D Flat Major
No. 2 in B Flat Major
No. 3 in C Major
FOUR PRELUDES, OP. 37
No. 1 in B Flat Minor
No. 2 in F Sharp Major
No. 3 in B Major
No. 4 in G Minor
FOUR PRELUDES, OP. 39
No. 1 in F Sharp Major
No. 2 in D Major
No. 3 in G Major
No. 4 in a Flat Major
Op. 45, No. 3 in E Flat Major
FOUR PRELUDES, OP. 48
No. 1 in F Sharp Major
No. 2 in C Major
No. 3 in D Flat Major
No. 4 in C Major
Op. 49, No. 2 in F Major
Op. 51, No. 2 in A Minor
Op. 56, No. 1 in E Flat Major
Op. 59, No. 2
TWO PRELUDES, OP. 67
No. 1
No. 2
FIVE PRELUDES, OP. 74
No. 1
No. 2
No. 3
No. 4
No. 5
ETUDES
Op. 2, No. 1 in C Sharp Minor
TWELVE ETUDES, OP. 8
Part 1
No. 1 in C Sharp Major
No. 2 in F Sharp Minor
No. 3 in B Minor
No. 4 in B Major
No. 5 in E Major
No. 6 in A Major
Part II
No. 7 in B Flat Minor
No. 8 in A Flat Major
No. 9 in G Sharp Minor
No. 10 in D Flat Major
No. 11 in B Flat Minor
No. 12 in D Sharp Minor
EIGHT ETUDES, OP, 42
No. 1 in D Flat Major
No. 2 in F Sharp Minor
No. 3 in F Sharp Major
No. 4 in F Sharp Major
No. 5 in C Sharp Minor
No. 6 in D Flat Major
No. 7 in F Minor
No. 8 in E Flat Major
Op. 49, No. 1 in E Flat Major
Op. 56, No. 4
THREE ETUDES, OP. 65
No. 1
No. 2
No. 3

En 1968, le premier volume de la collection CLASSICS TO MODERNS a été reçu avec enthousiasme par les professeurs de musique. Depuis, avec l'arrivée de nouveaux volumes, la collection a reçu l'approbation totale des professeurs et des étudiants pour son contenu utile et sa bibliothèque unique de morceaux pour piano. Tout ceux intéressés par la littérature pour piano ont été servis grâce à ces compilations intelligentes et une édition judicieuse par Denes Agay. Cette collection pour piano a imposé un nouveau standard pour l'apprentissage du piano et se distingue par une approche éditoriale qui reste fidèle aux intentions du compositeur.Ces 142 morceaux par les maîtres de la littérature pour piano s'étendent d'une période allant de la seconde moitié du XVIIème siècle à aujourd'hui. / Piano / 160 pages / Partition

sélectionné et édité par miniatures de Dennis Agay clavier sous une forme originale de Bach, Mozart etc.., également compositeurs moins connus. Les marques d'expression supplémentaire et doigtés./ Recueil / Piano, Chant et Guitare

22 pièces pour trompette et piano sélectionné et édité par Peter Wastall, maintenant rafraîchi et reconditionné pour répondre aux besoins de la prochaine génération de musiciens.Fournir le parfait 'prochaine étape' pour les étudiants arrivent à la fin de Peter Wastall primé apprendre en jouant des livres de méthode, ces collections de répertoire sont parfaitement adaptés pour les étudiants de Grade 3-5 standard.Chaque pièce est désormais complétée par la pratique et des conseils utiles de performance. Un nouveau CD-enregistré de morceaux d'accompagnement est également inclus aux côtés de l'accompagnement au piano. / Clarinette Et Piano / 80 pages / Partition + Cd

Par GOWIK KRYSTYNA. Fives for piano comprises music for beginners ? miniature pieces for five successive notes of a particular scale. However, those notes can be written in different octaves, with the following aims in mind: ? to teach the quick recognition of how notes are written on the stave, ? to teach how to move around the keyboard and to recognise the sounds of the instrument?s registers, ? to make the music more interesting. There are always five notes, one for each finger, so the fingerings are not numbered and we do not introduce any techniques for crossing fingers. We assign particular fingers to specific notes ? with the help of an insert included with the edition ? and we play. Thanks to the systematic use of all five fingers, we can develop all the fingers evenly and at the same time, which is particularly important with regard to the fourth and fifth fingers. These works may touch on five-finger exercises to a limited extent, but not entirely, as in that method there are different notes in the right and left hands, while here they are the same for both hands. In my works, we learn different keys and modal scales. Each work is preceded by information about the key or scale employed and about the notes that are used. I have also taken care over articulation and dynamics. The budding pianists might try playing some of the works with pedal. I hope you enjoy working with Fives! Krystyna Gowik translated by John Comber / Date parution : 2022-12-12/ Répertoire / Piano

Ursula Mamlok's SIX RECITAL PIECES FOR YOUNG PIANISTS, composed in 1981, as well as FOUR RECITAL PIECES FOR YOUNG PIANISTS, composed shortly afterwards in 1982, belong, no doubt, to the most fruitful and successful years of the composer.At the request of her friend, violinist and amateur pianist Lilo Glick, Ursula Mamlok wrote these pieces, which Lilo premiered at the Bennington Summer Music Festival of 1982.The exact dates of composition of each individual piece can be found in the original version of the score, showing the dates of THE RELUCTANT RAINDROP and ON THIN lCE were 10.28.1981, PASSING STORM CLOUDS and A CLARION CALL 10.29.1981 framing them, SUNRISE IN THE EAST and SUNSET IN THE WEST were added a month later on 11.23.1981. Small additions and corrections can be found in a 2nd copy, done during her visit toGermany in December 2005.Typical of Mamlok's musical language of these character pieces - written between the dodecaphonic works PANTA RHEI for violin, cello and piano of 1981 and FANTASIE VARIATIOATS for solo-cello of 1983 - is her use of extended tonality, intervals of diads, tritones, pentatonic scale structures, cluster chords, dynamic contrasts, the use of extremely wide ranges, rhythmic shifts, subtle use of pedalling, all playing an important role in this music.While each of these 6 miniatures, with their picturesque titles is in itself a self-contained character piece SIX RECITAL PIECES FOR YOUNG PIANISTS forms a cyclic whole.No doubt, the great variety inherent in these 6 miniatures will not only be stimulating, but also convey much enjoyment to the performing pianist.Dr. Dieter Michael Backes (Mainz, 2006) / Piano

Par DOBRZYNSKI IGNACY FELIKS. Ignacy Feliks Dobrzynski wrote eight nocturnes for piano. Five of them were published in 1833–1834 in two books as Opp. 21 and 24, while the remainder appeared in various occasional collections issued much later. The Nocturne in A major was written in 1846 and belongs to the group of works composed by Dobrzynski during his tour of German cities. That tour was designed to increase the composer’s popularity and boost his finances. Besides concerts and meetings promoting Dobrzynski’s music, the ‘marketing campaign’ also included the publication of his new salon miniatures in particular cities. This Nocturne appeared in print in Berlin as Op. 52, together with a short mazurka constituting a transcription of the earlier song ‘Gdzie lubi’ (‘A fickle maid’). The form of this piece is based on an A-B-A1 scheme typical of the genre, with a quite elaborate epilogue. In section A, the composer based the melody on a one-bar motif in mazurka rhythm, which he combined with a bass led in widely spread chords, often used in nocturnes. He thus obtained a specifically idyllic mood. The sonorities, the type of melody and texture and, above all, the ornaments that appear as the work progresses bring to mind the early work of Fryderyk Chopin. The chordal section B, of lively expression, in the key of F sharp minor and a uniform triple rhythm, triggers associations with the middle section of Chopin’s Nocturne in A flat major, Op. 32 No. 2. After a short bridge, the reprise comprises a reiteration of the opening part of section A, which then passes into the epilogue, in which the composer splices motifs from both contrasting sections. It is difficult to date the second Nocturne published here and to establish the circumstances surrounding its composition. It was published posthumously (in 1868, in Warsaw), in the Album Pamiatkowe IG.F. Dobrzynskiego (‘Souvenir album of I. F. Dobrzynski’), which also contained two mazurkas, two songs and an excerpt from his incidental music for the play Konrad Wallenrod arranged for four hands. These compositions were not previously published and probably come from private collections. The Nocturne carries a dedication to Miss Wanda Miecznikowska. Determining the principal key of this work is rather problematic, since it falls into two tonally and expressively contrasting sections, divided by a lengthy caesura. An agitated, emotional episode in F minor (in A-B-A1 form, section B in A flat major), ending with a distinct conclusion, is followed, rather unexpectedly, by completely new material in the key of F major; adhering to a slower tempo and of very restrained expression, it serves as a sort of post scriptum, a lengthy and calming musical commentary to the foregoing segment. One may even gain the impression that this Nocturne is essentially a diptych consisting of two separate ‘songs without words’. Judging by its style, which is close to the lyric writing of Franz Schubert, Felix Mendelssohn-Bartholdy or John Field, with elements of the style brillant, this work could have been written earlier than the Nocturne in A major. One may also discern here a certain melodic-rhythmic similarity to the above-mentioned Nocturne in A flat major by Chopin. Both these Dobrzynski mazurkas could make interesting additions to the repertoire of both professional pianists and more advanced amateurs interested in nineteenth-century salon music. They may also enrich the programmes of concerts and broadcasts, particularly those devoted to Polish music, and also be included on the curricula of secondary schools of music. The present edition was based on the first editions. The proposed fingering in both works and the pedalling in the Nocturne in A major are entirely the work of the editors; other editorial performance markings are given in brackets. / Répertoire / Piano

Par CUI CESAR. Orientale du compositeur et critique musical russe César Cui (1835?1918) est tirée du cycle Kaleidoscope, un recueil de 24 miniatures pour violon et piano. La pièce était arrangée pour de nombreuses instrumentations, dont l'arrangement pour violoncelle est un des plus populaires. Exerçant un charme oriental ? non seulement par la mélodie, mais aussi par le rythme ?, cette miniature est un bis populaire, notamment à cause de sa brièveté. Estelle Revaz, violoncelliste de concert et pédagogue, a remanié l'?uvre, en ajoutant des indications pour les cours de violoncelle modernes qui doivent faciliter l'enseignement et donnent des suggestions pour la propre interprétation de l'élève. L'édition fait partie de la série Schott Student Edition pour l'enseignement qui englobe un large répertoire réparti en 5 niveaux de difficulté, de facile à difficile. Chaque édition fournit des indications utiles par des pédagogues expérimentés, ainsi devenant un ajout précieux à des cours de musique modernes. Toutes les éditions de la série sont disponibles sous forme d'édition imprimée ou d'édition numérique en téléchargement (pdf). L'accompagnement de piano de beaucoup d'ouvrages est disponible comme version playback (téléchargement mp3). / Niveau : moyen / Date parution : 2022-02-15/ Répertoire / Violoncelle et Piano

Dance of the Butterflies: Brush-footed butterflies dance in a very special way with their four special legs. Eötvös transfers their miniature dances to the keyboard and sends a greeting from his garden. Beautiful music, not easy to play, sometimes in three systems. / Piano

THE EDITION IS PART OF THE ABRSM SYLLABUS (GRADE 4) CONTENTS :I INVOCATION - II INTERMEZZO - III CHORALE - IV BRAZILIAN DANCE