English Folk Tunes contains 29 original arrangements of traditional and contemporary tunes including ballads, sea shanties, and carols. Most of the pieces are arranged for solo guitar, with several also offered as trios and with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh Burns. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

Par THEVET. In three books, Lucien Thevet (1914-2007), a virtuoso Horn player of his day, provides 148 pages of detailed, progressive studies and exercises for the Horn. The first volume of Complete Method of Horn is essential to all Horn players seeking to improve their technique on the instrument. Thevet 's book focuses on elements including scales, chromaticism, intervals, arpeggios, diligence, articulation, tone, vibrato, dynamics, ornamentation and extended technques, among other musical aspects. Moreover, Complete Method of Horn also contains plenty of exercises. Significantly, Complete Methodof Horn firstly seeks to address tube-lengths, fingering combinations and tuning-slides so that when the student progresses to Horn notation, the sound is not lost. With notes in French, English, German and Spanish, this Thevet book is versatile and crucial to the progress of any Horn player. / Niveau : Débutant à Intermédiaire / Méthode / Méthode / Cor

Technique and musical expression. Par HOELTZEL MICHAEL. The well-known standard for all questions concerning the technique and playing of the horn - now in English translation. The work is relevant to professionals as well as students. Apart from issues of daily practice and playing, it also deals with topics that haven't been covered within horn literature until recently: playing the high F-horn or the Wagner-tuba, the arrangement of the cadenza in the solo concertos (including cadenzas of all established concertos), personal management as a performer, and other subjects. The German edition has received the German award 'Best Edition' 2000./ Etude / Cor

Five Portraits Of Women is a work by Aulis Sallinen for Soprano Solo Horn and Large Ensemble. This is the Vocal Score which sets five poems three of which are by the composer with two by Paavo Haavikko. A full performance lasts around 25 minutes. The lyrics are in both the original Finnish and in English translation.

Studio Ghibli Songs for Horn/English. 10 arrangements for solo horn and piano from 7 Ghibli Cinemas.

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Trompette et Piano-“Musique française” is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music with performance suggestions and historical and stylistic commentary by noted scholars. The Sonata for trumpet and piano composed in 1944 is a well-known piece for both students and professionals. This edition presents a new engraving of the musical text performing notes by French trumpeter Raphaël Dechoux and an introductionby Edmond Lemaître (editorial supervisor for the critical editions of the Debussy’s works published by Durand) in 4 languages (French English German Italian).

This joyful Christmas carol from 15th century France may be sung in either the original French or in English. If a children's choir is used, it can sing the soprano part throughout. The words 'nouvelet? and 'noel? both come from the French root word meaning 'news? or 'newness? and this arrangement by Wayland Rogers is just that, fresh and new. / Voix (SATB), Flûte Et Piano

An Operatic Fantasy in Five Acts-The Tales of Hoffmann (Les Contes d'Hoffmann) Libretto based on the play of the same name by Jules Barbier and Michael Carre by Jules Barbier. New critical edition based on original sources by Fritz Oeser. The purpose of the new edition was to discover the intentions of the author through the sources and to make it playable despite its fragmentary quality. Because the long searched-for manuscripts did happily come to light at last this edition is fundamentally different from all others. Moreover it has the smallest number of editorial admixtures. With the exception of Guiraud's additions every bar of the present version is derived from Offenbach. Thequestion of whether this edition was or is necessary is largely the concern of conductors stage-directors and set-designers. If they are interested in keeping a tradition alive then after a hundred years they deserve whatever support musicologY can provide. Vocal score French-English (AE333-02) and French-German (AE333-03) available for sale Critical Report German text (AE333-01) available for sale Full score and performace material (AE333-72) available for hire

Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore the collection of his works Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieve orchestral sonority. Moreover d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significantcomposers. The first volume of Pieces for Harpsichord comprises four Harpsichord Suites composed by d'Anglebert each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore the three unmeasured preludes included in Suites one two and three are truly remarkable examples of their kind. With a descriptive preface in French English and German volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.

This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces this work for Harpsichord was reviewed and edited by Françoise Petit. With a preface in French English and German that sets the context of the work and presents the composer this first book offers a set of pieces for intermediate players. With simple rhythms it includes few accidental alterations and some arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.

Musique de scène-“An enchanted dream” – these words from poet Charles Van Leberghe give an idea of the public’s enthusiasm for the first English language performance on June 21 1898 of Maurice Maeterlinck’s symbolist play. Staged at the Prince of Wales Theatre the play was translated by Jack W. Mackail with stage music composed by Gabriel Fauré. Occupied by various administrative tasks the composer asked his favourite student Charles Koechlin to orchestrate the score in May 1898. The London theatre’s limited instrumental staff corresponded perfectly to the apprentice musician’s ideals of clarity and transparency.Established by Roger Nichols and Otfrid Nies this trilingual edition (French – English – German) is based on signed manuscripts and distinguishes itself through a 60-page critical commentary that precisely retraces the birth of the work. The book presents for the first time the complete incidental music written for the London premiere of Pelléas et Mélisande with the aim of staying true to Koechlin’s original annotated version. Koechlin’s orchestration is equal to the work: a model of clarity and refinement.

A comprehensive fingering chart for French Horn written by Franz Schollar including notes in English and German.

Par STRATFORD DIZZY. English-German-French-Dutch / Niveau : Intermédiaire / Recueil / Cor