| Great Fugues For Organ Orgue Hal Leonard
Un style qui repose sur le contrepoint, ou l'interaction de deux ou plusieurs mo...(+)
Un style qui repose sur le contrepoint, ou l'interaction de deux ou plusieurs motifs, la fugue a captivé les auditeurs pendant des siècles.Cette collection originale propose une grande variété de pièces de grande époque de la fugue à l'époque baroque ainsi que d'autres époques, chacune créé par un maître du genre. Avec des oeuvres de Bach, Buxtehude, Brahms, Schumann et d'autres, tous ensemble ici pour orgue solo. / Orgue
20.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Reicha, Antoine : 36
Fugues for Piano Piano seul [Partition] - Intermédiaire Barenreiter
The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as b...(+)
The Czech composer Antonin Rejcha (also Anton Reicha, 1770?1836) was famous as both an experimental composer and as a teacher and theorist. His ?36 Fugues for Piano? testify to this experimentalism; they can be seen as a type of
?Well-Tempered Piano of the new ages?, basing the traditional Baroque fugue on radical new fundaments.
The first edition of this unusual collection was produced in 1803 in Vienna by Reicha?s own publishing company ?Au Magasin de l?Imprimerie chimique?. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text ?Über das neue Fugensystem? (?On the new fugal system?) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel).
The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828).
- Works historically important to the development of the fugue
- New foreword by Roman Dykast (Cz/Eng/Ger) / [36 Fugues Pour Piano] / Classique / Partition / Broché /
43.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
| Great Fugues For Solo
Keyboard (Bach Beethoven:
Piano: Instrumental Album Piano seul Dover Publications
An extensive volume filled with fugues from the last 350 years! Beginning with w...(+)
An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.
8.95 GBP - vendu par Musicroom GB Délais: Info (stock) sur le site | |
| 12 Fugues Pour Le Piano,
1800. (REICHA ANTON) Piano ou Pianoforte
(Fac-similé) - Facile Anne Fuzeau Productions
Par REICHA ANTON. Douze fugues pour le piano.Edition : - Paris, Imbault, (s.d. =...(+)
Par REICHA ANTON. Douze fugues pour le piano.Edition : - Paris, Imbault, (s.d. = 1800).Présentation par Joël Pontet : Anton Reicha : un compositeur pédagogue - douze fugues pour le piano - quelques remarques concernant les douze fugues de 1800 - correction et suggestions.Ces douzes pièces ne sont pas des fugues d'école mais des oeuvres musicales souvent très audacieuses et novatrices.Préface et avertissement de Reicha.Les tonalités indiquées sont celles par lesquelles les fugues se terminent. Elles commencent souvent dans une toute autre tonalité. / Niveau : Facile / Répertoire / Piano ou Pianoforte (Fac-similé)
35.19 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Fantasies, Preludes And
Fugues Piano seul G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Fantasies, Preludes and Fugues qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 220. / Piano / Chanson En Séparée
66.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Fantasies, Preludes And
Fugues Piano seul G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Fantasies, Preludes and Fugues qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1219. / Piano / Chanson En Séparée
43.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Bach J.s. - Complete
Organ Works Vol.1 -
Preludes And Fugues I +
Cd-rom Orgue [Partition + CD-ROM] Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by ...(+)
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg
As close as possible to Bach
In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
31.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Little Preludes And
Fugues Piano seul [Partition] G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Little Preludes and Fugues qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 107. / Piano / Partition
30.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Piano Works (1): Studies
and Fugues (SAINT-SAENS
CAMILLE) Piano seul [Partition] Barenreiter
Par SAINT-SAENS CAMILLE. “The Etudes op. 52 and op. 111 are little masterpiece...(+)
Par SAINT-SAENS CAMILLE. “The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.”
(Isidore Philipp)
What Isidore Philipp described in “Musica” in 1907 is still true today: indeed, the etudes of Saint-Saens offer a panopticon of French piano technique as complex as it is dazzling.
Individual etudes, such as the “Prélude No. 1” and “En forme de valse No. 6” from the “Etudes op. 52” or the “Toccata No. 6” and “Les Cloches de Las Palmas No. 4” are included in recitals time and again - they belong to the standard repertoire of piano students, at least in France. Even the “Etudes for the left hand op. 135” and the '“Fugues op. 161” are full of poetic surprises with their self-imposed limitations.
The editor has written a detailed Introduction to these enchanting discoveries in this definitive volume. In addition to information on the history of the genre and its genesis, the Introduction provides biographical details about the dedicatees, insights on the contemporary reception of the works and notes on interpretation./ Recueil / Piano
458.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Domenico Scarlatti: The
Five Fugues: Piano:
Instrumental Album Piano seul - Intermédiaire/avancé ABRSM Publishing
'The Cat Fugue' Kp. 30 and Kp. 41 58 93 417-These are the only 5 surviving H...(+)
'The Cat Fugue' Kp. 30 and Kp. 41 58 93 417-These are the only 5 surviving Harpsichord fugues from Scarlatti and they have been collected together in this wonderful volume by Richard Jones.
8.95 GBP - vendu par Musicroom GB Délais: En Stock | |
| Bach J.s. -
Miscellaneous Keyboard
Works : Toccatas, Fugues
And Other Pieces Dover Publications
Wide selection of fine pieces, many difficult to find elsewhere. Included are ha...(+)
Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions ? over 40 in all. Content : Toccata in F-sharp Minor, BWV 910 Toccata in C Minor, BWV 911 Toccata in D Major, BWV 912 Toccata in D Minor, BWV 913 Toccata in E Minor, BWV 914 Toccata in G Minor, BWV 915 Toccata in G Major, BWV 916 Prelude and Fugue in A Minor, BWV 895 Fugue n A Major, from Prelude and Fugue, BWV 896 Fugue in A Minor, BWV 897 (doubtful) Prelude and Fughetta in D Minor, BWV 899 (doubtful) Prelude and Fughetta in E Minor, BWV 900 Fantasia and Fugue in D Minor, BWV 905 (doubtful) Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful) Fantasia and Fughetta in D Major, BWV 908 (doubtful) Concerto and Fugue in C Minor, BWV 909 (doubtful) Fantasia in G Minor, BWV 920 (doubtful) Fantasisa in C Minor, BWV Anh. 86 (incomplete) Prelude (Fantasia) in C Minor, BWV 921 (doubtful) Prelude in B Minor, BWV 923 (doubtful) Seven Little Preludes, BWV 924-930 (from the Clarvier-Büchlein vor Wilhelm Friedemann Bach) Six Little Preludes, BWV 933-938 Five Preludes, BWV 939-943 Fugue in A Minor, BWV 944 Fugue in A Major, BWV 949 (doubtful) Fugue in B Minor on a Theme by Albinoni, BWV 951 Fugue in C Major, BWV 952 (doubtful) Fugue in C Major, BWV 953 (from the Clavier-Büchelein vor Wilhelm Friedemann Bach) Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus) Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius) Fugue in E Minor, BWV 956 (doubtful) Fugue in G Major, BWV 957 (doubtful) Fugue in A Minor, BWV 958 Fugue in A Minor, BWV 959 Fughetta in C Minor, BWV 961 (doubtful) Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard) Suite in A Minor, BWV 818 Suite in E-flat Major, BWV 819 Ouverture in F Major, BWV 820 Suite in B-flat Major, BWV 821 Suite in F Minor, BWV 823 (incomplete) Partie in A Major, BWV 832 Partita in C Minor, BWV 997 (for lute or keyboard) Partita in E Major, BWV 1006a (for lute or keyboard. arr. Of Violin Partita No. 3, BWV 1006) Sonata in D Major, BWV 963 Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003. doubtful) Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus) Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus) Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005. doubtful) Three Minuets, BWV 841-843 (from the Clavier-Büchlein vor Wilhelm Friedemann Bach) Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWV Capriccio in E Major, BWV 993
30.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| Prelude And Fugue In D
Major For Organ (BACH
JOHANN SEBASTIAN / BUSONI
FERRUCCIO) Piano seul G. Henle
Arrangement For Piano. Par BACH JOHANN SEBASTIAN / BUSONI FERRUCCIO. Aside from ...(+)
Arrangement For Piano. Par BACH JOHANN SEBASTIAN / BUSONI FERRUCCIO. Aside from the Violin Chaconne (HN 557) and the ten Chorale Preludes for Organ (HN 1293), the Prelude and Fugue in D major ranks among the best-known Piano transcriptions Busoni fashioned from J. S. Bach’s works. Considerable evidence suggests that he viewed these three pieces as paradigmatic examples of his transcription technique. Busoni ’s explicit labelling of the Prelude and Fugue “for concert performance” in the title already serves as an indication of the heightened virtuosic requirements. And, indeed, here Busoni demands that the pianist have perfectly mastered the keyboard, always with the aim of delegating to the Piano, effectively but still in the spirit of Bach, the mighty sound-world of the Organ work. This Urtext edition is heartily recommended to all those pianists who have ever wanted, finally, to pull out all the stops on the Piano. / Schaper, Christian / Scheideler, Ullrich / Répertoire / Piano
16.41 EUR - vendu par LMI-partitions Délais: En Stock | |
| 7 Romantic Fugues For
Guitar Guitare Ut Orpheus
Contents: Johann Georg Albrechtsberger: Orgelfuge (arr. J.K. Mertz)/ Mauro Giuli...(+)
Contents: Johann Georg Albrechtsberger: Orgelfuge (arr. J.K. Mertz)/ Mauro Giuliani: Fughetta Op. 113/ Anton Diabelli: Deux Fugues Op. 46/ Napoléon Coste: Fugue (from Op. 21)/ Robert Schumann: Fugue (from Op. 68, arr. F. Tárrega); Fugueta (from Op. 126, arr. F. Tárrega)
13.20 EUR - vendu par Woodbrass Délais: Sur commande | |
| Mass For 6 Voices
(C.1585-87) From Cod. 34
Of The Archivio Musicale
Della Santa Casa Di
Loreto 6 Voix (SSATTB) avec Une Fugue
à 8 Voix (SSAAATTB) Ut Orpheus
5. Agnus Dei/ Recueil / 6 Voix (SSATTB) avec Une Fugue à 8 Voix (SSAAATTB)
3.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Chromatic Fantasy And
Fugue D Minor Bwv 903 And
903A Piano seul G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Chromatic Fantasy and Fugue d minor BWV 903 and 903a qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1163. / Piano / Chanson En Séparée
13.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Grand Fugue Op. 134 (The
Composer's
Transcribed Version) 1 Piano, 4 mains G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...(+)
Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Grand Fugue op. 134 (the composer's transcribed version) pour Piano 4 mains et Plus et plus particulièrement pour Piano 4 Mains. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano 4 Mains / Chanson En Séparée
14.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Fugue 1 Piano, 4 mains [Partition] Hal Leonard
Styles Pop et contrapuntique n'ont jamais eu tellement de plaisir ensemble! Bas...(+)
Styles Pop et contrapuntique n'ont jamais eu tellement de plaisir ensemble! Basé sur la chanson à succès 'Bad Romance' rendu populaire par le artiste pop Lady Gaga, cet arrangement duo irrésistible est conçu dans le style d'une fugue à trois voix. Les voix sont soigneusement répartis entre le primo et pièces Secondo, le rendant facilement accessible pour les étudiants de niveau intermédiaire. / 2 Pianos / 12 pages / niveau : Intermédiaire / Partition
8.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Prelude And Fugue On Bach
For Organ Orgue G. Henle
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, ...(+)
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, cette partition de musique Prelude and Fugue on BACH for Organ du compositeur Liszt Franz a été composée pour Orgue. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Orgue / Chanson En Séparée
22.40 EUR - vendu par LMI-partitions Délais: En Stock | |
| Johann Sebastian Bach:
The Art Of Fugue-A
Companion To The Art Of
Fugue: Piano Orgue Dover Publications
Bach: The Art Of Fugue And A Companion To The Art Of Fugue features sheet music ...(+)
Bach: The Art Of Fugue And A Companion To The Art Of Fugue features sheet music for the complete score of J. S. Bach's Die Kunst der Fuge (The Art of Fugue) in this editionprepared by Donald Francis Tovey. Originally published by Oxford University Press in 1931 Tovey's edition presents the fourteen fugues plus the four canons in open score allowing readers to follow eachindividual voice. Furthermore Tovey completed the unfinished final fugue reintroducing the principal theme of the work's opening fugue to create a quadruple fugue.In addition to the complete score this editionfeatures Tovey's extended commentary on each of the fugues. Entitled A Companion to 'The Art of Fugue ' Tovey's commentary was originally published separately from the score; this editionincludes the commentary within the same volume as the music. The commentary outlines the contrapuntal devices employed in each of the fugues as well as keen observations on J. S. Bach's technicalcraftsmanship.In addition Tovey offers insights into the performance of these fugues and suggestions for their programming.Pianists organists and all lovers of chamber and Baroque music will appreciatethis inexpensive single-volume edition of one of Bach's finest works and a classic commentary.
22.30 GBP - vendu par Musicroom GB | |
| Bach J.s. - Complete
Preludes And Fugues For
Organ Dover Publications
This volume reproduces all 25 of Bach's complete sets of preludes and fugues (i....(+)
This volume reproduces all 25 of Bach's complete sets of preludes and fugues (i.e. compositions written as pairs), from the authoritative Bach-Gesellschaft edition. Organists and music lovers can enjoy Bach's beautiful compositions in one convenient edition ? ideal for reading, study, and performance. Content : Prelude and Fugue, C Major (BWV 531. BG XV, 81) Prelude and Fugue, D Major (BWV 532. BG XV, 88) Prelude and Fugue, E Minor (BWV 533. BG XV, 100) Prelude and Fugue, F Minor (BWV 534. BG XV, 104) Prelude and Fugue, G Minor (BWV 535. BG XV, 112) Prelude and Fugue, A Major (BWV 536. BG XV, 120) Prelude and Fugue, D Minor (BWV 539. BG XV, 148) Prelude and Fugue, G Major (BWV 541. BG XV, 169) Prelude and Fugue, A Minor (BWV 543. BG XV, 189) Prelude and Fugue, B Minor (BWV 544. BG XV, 199) Prelude and Fugue, C Major (BWV 545. BG XV, 212) Prelude and Fugue, C Minor (BWV 546. BG XV, 218) Prelude and Fugue, C Major (BWV 547. BG XV, 228) Prelude and Fugue, E Minor (BWV 548. BG XV, 236) Prelude and Fugue, C Minor (BWV 549. BG XXXVIII, 3) Prelude and Fugue, G Major (BWV 550. BG XXXVIII, 9) Prelude and Fugue, A Minor (BWV 551. BG XXXVIII, 17) Eight Short Preludes and Fugues (possibly spurious) 1. C Major (BWV 553. BG XXXVIII, 23) 2. D Minor (BWV 554. BG XXXVIII, 27) 3. E Minor (BWV 555. BG XXXVIII, 30) 4. F Major (BWV 556. BG XXXVIII, 33) 5. G Major (BWV 557. BG XXXVIII, 36) 6. G Minor (BWV 558. BG XXXVIII, 39) 7. A Minor (BWV 559. BG XXXVIII, 42) 8. B-flat Major (BWV 560. BG XXXVIII, 45)
19.60 EUR - vendu par Woodbrass Délais: Sur commande | |
| Liszt F. - Complete Bach
Transcriptions - Piano Piano seul Dover Publications
Done with great taste, in a perfectly simple and straightforward manner, Liszt's...(+)
Done with great taste, in a perfectly simple and straightforward manner, Liszt's piano transcriptions of Bach's organ music became the classic models for all future works in this genre. Includes 6 Organ Preludes and Fugues (BWV 543-548) and the world-famous Fantasia and Fugue in G minor (BWV 542).
15.90 EUR - vendu par Woodbrass Délais: Sur commande | |
| Fugue No.1 for piano
solo: Piano: Instrumental
Album Piano seul Barenreiter
Fugue No.1 from 36 Fugues for Piano (BA9541) The Czech composer Antonin Rejcha (...(+)
Fugue No.1 from 36 Fugues for Piano (BA9541) The Czech composer Antonin Rejcha (also Anton Reicha 1770–1836) was famous as both an experimental composer and as a teacher and theorist. His “36 Fugues for Piano” testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages” basing the traditional Baroque fugue on radical new fundaments. The first edition of this unusual collection was produced in 1803 in Vienna by Reicha’s own publishing company “Au Magasin de l’Imprimerie chimique”. It included both a dedication poem to JosephHaydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text “Über das neue Fugensystem” (“On the new fugal system”) in the form of a polemic reacting to his critics one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn Bach Mozart Scarlatti Frescobaldi Handel). The musical text (BA9541) is a corrected reprint of the edition by Václav Jan Sýkora from 1973 which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna c. 1828). Works historically important to the development of the fugue. New foreword by Roman Dykast (Cz/Eng/Ger)
7.00 GBP - vendu par Musicroom GB | |
| 24 Preludes and Fugues
(MARCHETTINI PAOLO) Piano seul [Partition] Curci
Par MARCHETTINI PAOLO. I always considered the fugue the most perfect and pure o...(+)
Par MARCHETTINI PAOLO. I always considered the fugue the most perfect and pure of all musical forms. The possibility to build an entire piece of music from only one main idea represented an intriguing challenge for composers from different times. With this work, which I consider as a whole, I wanted to pay homage to this old, and beloved, form. I tried to infuse it with my personal view, hoping to give a contemporary feeling, still respecting the traditional tonal sense of the keys. Each fugue is preceded by a prelude which is sometimes connected thematically. Following the greatest baroque model, Johann Sebastian Bach, I avoided giving metronome and dynamic indications for the fugues. However, for the preludes I provided tempo and a few dynamic indications, only when I felt it was necessary. Note on performance: if the preludes and fugues are performed individually, they should be under the title: Prelude and Fugue I; Prelude and Fugue II, etc. It is also possible to indicate the key of each piece./ Répertoire / Piano
28.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Well-Tempered Clavier
Part II Piano seul [Partition] ABRSM Publishing
Edité et annoté par Richard Jones avec ommentaries par Donald Francis Tovey. L...(+)
Edité et annoté par Richard Jones avec ommentaries par Donald Francis Tovey. La deuxième partie de Bach 48 préludes et fugues.Ce volume a été réglé dans le cadre de l'année examens Clavecin ABRSM 8. / Piano / niveau : Intermédiaire à avancé / Partition
32.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Well-Tempered Clavier Piano seul Barenreiter
Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin - Preuss...(+)
Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin - Preussischer KulturbesitzWith a Commentary by Christoph Wolff and Martina Rebmann Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger). The preludes and fugues of The Well-Tempered Clavier embrace an entire cosmos of compositional devices and musical characters. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history.The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work's genesis and the characteristics of Bach's handwriting. Martina Rebmann (Staatsbibliothek zu Berlin) describes the subsequent history of the autograph. / Fac-similé
393.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Well-Tempered Clavier
Part I Piano seul [Partition] ABRSM Publishing
Edité par Richard Jones, avec des commentaires par Donald Francis Tovey. La pre...(+)
Edité par Richard Jones, avec des commentaires par Donald Francis Tovey. La première partie de Bach 48 préludes et fugues.Réglez le cadre de la 8 e année ABRSM Clavecin examen. / Piano / niveau : Intermédiaire à avancé / Partition
32.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 24 Preludes Et Fugues Op.
87 (CHOSTAKOVITCH
DIMITRI) Piano seul [Partition] Sikorski
Par CHOSTAKOVITCH DIMITRI. Just back from a trip to Leipzig in the early autumn ...(+)
Par CHOSTAKOVITCH DIMITRI. Just back from a trip to Leipzig in the early autumn of 1950 where he heard Bach's Well-Tempered Klavier at the Bicentennial Bach Competition played by the Russian pianist Tatiana Nikolaeva, Shostakovich began his own series of 24 Preludes and Fugues, Op. 87, based on Bach's model. He composed them quickly, starting on October 10, 1950, and finishing on February 23, 1951. While his work would pay homage to Bach, Shostakovich's work would have several fundamental differences. First, the order of the individual pieces would be organized around the circle of fifths with a prelude and fugue in the relative minor following each major key piece rather than in ascending semi-tonalorder of Bach's work. Second, Shostakovich's pieces would be composed in order — that is, C major - A minor followed by G major - E minor followed by D major - B minor — and, more significantly, this order would have a sort of subliminal narrative sub-text, taking the music from the 'innocent' tonal world of the C major Prelude and Fugue to the profound and sublime severity of the concluding D minor Prelude and Fugue. Finally, Shostakovich's work, although conservative in its counterpoint and harmony — that is, there are no examples of invertible or reversible themes or counterpoint and the pieces are for the most part recognizably tonal in language — is still clearly the work of a modernist composer; his counterpoint and harmony may be conservative but the emotional and spiritual worlds of the preludes and fugues is at once sincere and ironic. The result is a work which can not only stand comparison with Bach's Well-Tempered Klavier, it is both Shostakovich's masterpiece for the piano and one of the contrapuntal masterpieces of the twentieth century./ Répertoire / Piano
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| Poul Ruders: Star Prelude
And Love Fugue: Saxophone
Ensemble: Score Wilhelm Hansen
Poul Ruders' two Piano pieces Star Prelude And Love Fugue from 1990 expertly ar...(+)
Poul Ruders' two Piano pieces Star Prelude And Love Fugue from 1990 expertly arranged for Saxophone Quartet by Jesper Nordin. Programme note Star Prelude and Love Fugue is the fruit of “a wonderful stay in Tokyo in March 1988” (the composer’s words). The two pieces were composed in February 1990 and they are dedicated to Japanese pianist Aki Takahashi who gave the premiere performance at the Lerchenborg Musikdage on 3 August 1990. The prelude is a fantasia on the prelude of Act Two of Poul Ruders’ opera Tycho (1986) about Danish astronomer Tycho Brahe (which should explain thetitle). The theme of the Love Fugueis taken from the opening bars of another earlier Ruders’ work namely the a cappella motet Charitas Nunquam Excidit (which is Latin for “love never ceases”). The following fugue is purged of the genre’s traditional gravitas as is already signalled by the expression mark 'Swinging'. Its initial eleven bars quote the motet but there after everything is newly composed. Per Erland Rasmussen 2001
17.99 GBP - vendu par Musicroom GB | |
| Poul Ruders: Star Prelude
And Love Fugue: Piano:
Instrumental Work Piano seul [Partition] - Intermédiaire/avancé Wilhelm Hansen
Poul Ruders' Star Prelude And Love Fugue is a work for Piano solo dating from 19...(+)
Poul Ruders' Star Prelude And Love Fugue is a work for Piano solo dating from 1990. Programme note Star Prelude and Love Fugue is the fruit of “a wonderful stay in Tokyo in March 1988” (the composer’s words). The two pieces were composed in February 1990 and they are dedicated to Japanese pianist Aki Takahashi who gave the premiere performance at the Lerchenborg Musikdage on 3 August 1990. The prelude is a fantasia on the prelude of Act Two of Poul Ruders’ opera Tycho (1986) about Danish astronomer Tycho Brahe (which should explain the title). The theme of the Love Fugueistaken from the opening bars of another earlier Ruders’ work namely the a cappella motet Charitas Nunquam Excidit (which is Latin for “love never ceases”). The following fugue is purged of the genre’s traditional gravitas as is already signalled by the expression mark 'Swinging'. Its initial eleven bars quote the motet but there after everything is newly composed. Per Erland Rasmussen 2001
13.99 GBP - vendu par Musicroom GB | |
| 10 Fugues For String
Quartet - Book 2 (BACH
JOHANN-SEBASTIAN) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
31.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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