| Beatles Complete Scores
Voix, Guitare, Basse, Batterie,
Clavier [Partition] - Intermédiaire/avancé Hal Leonard
À travers plus de mille pages, l?intégralité des musiques et des textes, enti...(+)
À travers plus de mille pages, l?intégralité des musiques et des textes, entièrement transcrits dans leur version `Rock` des 203 chansons qu?ils ont écrites et enregistrées en tant que Beatles ainsi que neuf autres écrites par d?autres auteurs et qu?ils ont interprétées à leurs débuts. Toutes sont transcrites avec des portées séparées pour les parties vocales, chaque guitare (en tablature et notation standard) et tous les autres instruments...Une collection essentielle des Beatles.
111.99 EUR - vendu par Woodbrass Délais: En Stock | |
| La Muette Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...(+)
Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
71.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Coffret Scores (BEATLES
THE) Conducteur [Partition] - Intermédiaire Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...(+)
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
153.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Big Book: Movie Musicals
(PVG) Piano, Voix et Guitare [Partition] Alfred Publishing
Each songbook in the Big Book series provides musicians of all ability levels wi...(+)
Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre. Rarely are there more catchy tunes than those performed in Broadway musicals. Alfred's Big Book series introduces hit songs from a variety of musicals. Songs include And All That Jazz (Chicago) * Fame (Fame) * Give My Regards to Broadway (Yankee Doodle Dandy) * Grease (Grease) * I Got Rhythm (An American in Paris) * New York, New York (On the Town) * Singin' in the Rain (Singin' in the Rain) * A Spoonful of Sugar (Mary Poppins) * Stayin' Alive (Saturday Night Fever) * That's Entertainment (The Band Wagon) * We're Off to See the Wizard (The Wizard of Oz) * and many more. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
29.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| American Idiot The
Musical (GTAB) (GREEN DAY
/ KITT TOM) Guitare et Voix [Partition] Alfred Publishing
Par GREEN DAY / KITT TOM. Alfred's guitar TAB songbook of the critically acclaim...(+)
Par GREEN DAY / KITT TOM. Alfred's guitar TAB songbook of the critically acclaimed Broadway show, featuring four pages of full-color photographs and full TAB for all 22 of the show's songs. Titles: * American Idiot * Jesus of Suburbia (Jesus of Suburbia, City of the Damned, I Don't Care, Dearly Beloved, Tales of Another Broken Home) * Holiday * Boulevard of Broken Dreams * Favorite Son * Are We the Waiting * St. Jimmy * Give Me Novacaine * Last of the American Girls/She's a Rebel * Last Night on Earth * Too Much Too Soon * Before the Lobotomy * Extraordinary Girl * Before the Lobotomy (Reprise) * When It's Time * Know Your Enemy * 21 Guns * Letterbomb * Wake Me Up When September Ends * Homecoming (The Death of St. Jimmy, East 12th St., Nobody Likes You, Rock and Roll Girlfriend, We're Coming Home Again) * Whatsername * When It's Time (Bonus Song). / Instrumental Music, Miscellaneous, Scores, Songboo / Tablatures / Guitare et Voix
31.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| American Idiot The
Musical (PVG) (GREEN DAY
/ KITT TOM) Piano, Voix et Guitare [Partition] Alfred Publishing
Par GREEN DAY / KITT TOM. Alfred\'s collectible piano vocal songbook of the crit...(+)
Par GREEN DAY / KITT TOM. Alfred\'s collectible piano vocal songbook of the critically acclaimed Broadway show, featuring four pages of full-color photographs and sheet music for all 22 of the show\'s songs. Titles: American Idiot * Jesus of Suburbia (Jesus of Suburbia, City of the Damned, I Don\'t Care, Dearly Beloved, Tales of Another Broken Home) * Holiday * Boulevard of Broken Dreams * Favorite Son * Are We the Waiting * St. Jimmy * Give Me Novacaine * Last of the American Girls/She\'s a Rebel * Last Night on Earth * Too Much Too Soon * Before the Lobotomy * Extraordinary Girl * Before the Lobotomy (Reprise) * When It\'s Time * Know Your Enemy * 21 Guns * Letterbomb * Wake Me Up When September Ends * Homecoming (The Death of St. Jimmy, East 12th St., Nobody Likes You, Rock and Roll Girlfriend, We\'re Coming Home Again) * Whatsername * When It\'s Time (Bonus Song). / Miscellaneous, Scores, Songbooks / Répertoire / Guitare, Piano et Voix
31.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Lasse Johansson: Early
Jazz For Fingerstyle
Guitar: Guitar:
Instrumental Tutor Guitare notes et tablatures Grossman's Guitar Workshop
The ragtime and early jazz music pioneers during the first decades of the last c...(+)
The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.
22.95 GBP - vendu par Musicroom GB | |
| Brandi Carlile Guitar
Songbook Guitare [Partition] Alfred Publishing
One of the best of the new generation of singer-songwriters, Brandi Carlile play...(+)
One of the best of the new generation of singer-songwriters, Brandi Carlile plays a unique blend of alt-rock and country-folk music. This songbook features all 35 songs from her three studio albums, Brandi Carlile,The Story, and Give Up the Ghost. All songs in this must-have collection are arranged as Brandi recorded them. Titles: Again Today * Before It Breaks * Cannonball * Caroline * Closer to You * Downpour * Dreams * Dying Day * Fall Apart Again * Follow * Gone * Happy * Have You Ever * I Will * If There Was No You * In My Own Eyes * Josephine * Late Morning Lullaby * Looking Out * Losing Heart * My Song * Oh Dear * Pride and Joy * Shadow on the Wall * Sixty Years On * Someday Never Comes * The Story * That Year * Throw It All Away * Touching the Ground * Tragedy * Turpentine * Until I Die * Wasted * What Can I Say. / Miscellaneous, Scores, Songbooks / Recueil / Guitare
29.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Operaria Baritone Baryton [Partition + CD] Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...(+)
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
OperAria offers in every book
- a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century
- reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores
- meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint)
- a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation
The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016.
'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
39.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Solo Songs Vol.3 Scores Novello & Co Ltd.
These four volumes contain all of Purcell's secular solo songs not associated wi...(+)
These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions, the songs appear in their original keys, and are most suitable for high voice. Introduction in English, French, German and Italian. / Scores
29.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Rock Band Camp Vol.3
Today's Hits +
2Cd's Partitions De Groupes [Partition + CD] - Intermédiaire Hal Leonard
Cette nouvelle collection est spécialement dédiée aux groupes de rock débuta...(+)
Cette nouvelle collection est spécialement dédiée aux groupes de rock débutant. Vous retrouverez dans chaque recueil les partitions pour chaque membre du groupe (Guitare 1, Guitare 2, Basse, Batterie, Clavier et Voix), des astuces dédiées à chaque instrument pour la bonne execution des morceaux, ainsi que des versions play-back sur les 2 CDs inclus. Tout cela à un prix mini. Titres : Don't Know Why (Norah Jones) - Give Me One Reason (Tracy Chapman) - My Favorite Mistake (Sheryl Crow) - Rolling In The Deep (Adele) - White horse (Taylor Swift) / Instruments Divers
19.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Antonio Vivaldi: Two
Concerti for Guitar
(Lute) & Orchestra:
Orchestra and Solo Guitare [Partition + Accès audio] Music Minus One
C Major RV425 and D Major RV93-Performed by Christian Reichert guitar Accompa...(+)
C Major RV425 and D Major RV93-Performed by Christian Reichert guitar Accompaniment: Taunus String Orchestra These two concerti are amongst the most requested in the MMO catalogue. Finally available in spectacular digitally recorded sound with master guitarist Christian Reichert delivering an interpretation that will give you much to study and marvel at. Then it's your turn to step in and play with the full orchestra! Includes a slow-tempo version of the accompaniments (in the same key) for practice purposes. This newly engraved authoritative printed music score features the solo guitar part with orchestral reduction presented beneath in reduced-size for ease of learning and study; historical notesand performance suggestions printed on high-quality acid-free ivory paper. Also includes a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes.
19.99 GBP - vendu par Musicroom GB Délais: En Stock | |
| Robert Russell Bennett:
Autobiography Part 1:
Concert Band: Score Orchestre d'harmonie [Partition] Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...(+)
Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part One:I. 1894: Cherry StreetII. 1899: South OmahaIII. 1900: Corn Cows and MusicThe three of my seven ages inPart One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New York for no more reason than that it was New York and hada street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning while we put on our shoes. Later when we get to Paris
12.99 GBP - vendu par Musicroom GB | |
| R. R. Bennett:
Autobiography For Pt2 Sc
Band: Concert Band: Score Orchestre d'harmonie [Partition] Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...(+)
Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part Two:IV. 1916: Mo. to N.Y.V. 1919: The Merrill MiracleVI. 1926: A Parisian in ParisVII. 1935: What Was theQuestion?The three of my seven ages in Part One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New Yorkfor no more reason than that it was New York and had a street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning
7.50 GBP - vendu par Musicroom GB | |
| Bonis Mel - Oeuvres Pour
Piano Vol.1 - Femmes De
Legende Furore
Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour pia...(+)
Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.
20.10 EUR - vendu par Woodbrass Délais: Sur commande | |
| Gian Carlo Menotti: Amahl
and the Night Visitors:
Opera: Score Opéra - Intermédiaire/avancé Schirmer
Opera Full Score-The first opera written for television 'Amahl and the Night Vi...(+)
Opera Full Score-The first opera written for television 'Amahl and the Night Visitors' has become the most frequently performed opera of all time with over five hundred performances annually across the world. Menotti's take on theChristmas story focuses on Amahl a young handicapped boy and his mother who are visited by three Kings -- Balthazar Melchior and Kaspar -- who are on their way to find Jesus. The Kings stay the night during which Amahl'smother tries to steal some of the Kings' gold and is caught in the act. Melchior suggests that she keep the gold because the child they are visiting will rule his kingdom with love not riches. Amahl's mother gives back the gold wishing she had something to give of her own. Amahl offers his crutch as a gift and suddenly is able to walk. He decides to follow the Kings so that he himself may give his crutch to the Christ child.The work is ideal foran amateur performance (for example a secondary school or a local dramatic society) since all the action takes place in one act and one place and the work calls for limited adaptable musical forces. It also gives each principala chance to shine either in a solo or an ensemble.This is the Schirmer hardback edition of the full score.
69.99 GBP - vendu par Musicroom GB | |
| Thomas Simaku: a2 (b):
Violin & Cello: Score :: [Partition] University Of York Music Press
For Violin and Cello.Published 2008.Dedicated to Peter Sheppard Skaerved and Nei...(+)
For Violin and Cello.Published 2008.Dedicated to Peter Sheppard Skaerved and Neil Heyde.'This music was composed during my DAAD residency in Berlin in October ? November 2007. If I were to describe itin one sentence I would say that it is based on the idea of 'two things seen/heard as one'.'a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be playedby two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!)for a piece of chamber music consisting of no more than two players. Not surprisingly this never happens in this work; in fact the opposite is true: regardless of how it appears on paper (i.e. on one or two staves) the musicfor each instrument is constantly based on two layers.'This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However this was by no means the only thought that'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer StraÃ?e and the cobbled two-stone line tracing the wall across where it once stood ? a clear reminderof what not so long ago there were two different worlds in one city ? provoked a strikingly dramatic effect. Border death-strip killing and escape to freedom had a particularly evocative resonance especially of the time when Ilived for three years in a remote town in Southern Albania right at the border with Greece. There there was a nameless road whose destination the authorities did not want you to know but the locals called it the'death-road'.'In no way programmatic in this context the extra-musical dimension of the principal idea is very much part of the piece. Here the musical and extra-musical interpretations cannot easily be separated for they
13.00 GBP - vendu par Musicroom GB | |
| Cheryl Frances-Hoad: The
Forgiveness Machine:
Piano Trio: Score and
Parts Piano Trio: piano, violon, violoncelle Cadenza Music
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The ...(+)
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad
13.99 GBP - vendu par Musicroom GB | |
| Operaria Baritone Baryton [Partition + CD] Breitkopf & Härtel
Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types....(+)
Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals.
OperAria offers in every book
- a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century
- reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores
- meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint)
- a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation
The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016.
'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
39.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Just Standards Real Book
(C edition) Instruments en Do / C [Partition] Alfred Publishing
The Just Standards Real Book contains 250 classic songs, from show tunes to jazz...(+)
The Just Standards Real Book contains 250 classic songs, from show tunes to jazz standards, that are the core required repertoire for musicians all over the world. Production teams in both the U.S. and the U.K. took great care to ensure the accuracy and usability of each arrangement and original composer sources were consulted to ensure that the arrangements remained true to the composers' intentions. Plus, useful and important chord substitutions are indicated for each arrangement, allowing the user to pick from the original chords or the more popular jazz versions. Each book in the series is extensively cross-referenced with a complete composer index, discography of suggested recorded versions for each song, a section on how to play from a fakebook, chord theory reference pages, and a section on how to create interesting chord substitutions. Comb bound, approx. 400 pages. / Instrumental Music, Miscellaneous, Scores, Songboo / Recueil / Instruments en Do / C
58.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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