Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Italian Concerto, French Overture, Four Duets, Goldberg Variations qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1129. / Piano / Chanson En Séparée

Vier Duette, Goldberg-Variationen. Par BACH JOHANN SEBASTIAN. Outre la grande cantate pour l’élection du conseil municipal de Mühlhausen (dite Ratswahl-kantate) et l’Offrande musicale, la collection Clavier-Übung fait partie des rares oeuvres de Bach éditées de son vivant. Cette collection est constituée de quatre parties dont la première comprenant les six partitas parut en 1731 tandis que les parties II à IV parurent respectivement en 1735, 1739 et 1741/42. Les oeuvres réunies dans le présent volume sont issues de ces der-nières. Le concerto italien et l’Ouverture dans le style français constituent la deuxième partie et pro-posent une sorte d’imitation au clavier de la musique orchestrale française et italienne de l’époque. Les Quatre duosfigurent dans la partie III de la Clavier-Übung aux côtés d’importantes oeuvres pour orgue, mais leur écriture à deux voix convient parfaitement au pia-no ou au clavecin. Enfin, les Variations Goldberg constituaient la quatrième partie de la Cla-vier-Übung au moment de leur publication. Selon Forkel, premier biographe de Bach, un comte de Keyserlingk avait commandé à Bach de la musique dont son claveciniste Johann Gottlieb Goldberg devait pouvoir lui jouer des morceaux «doux et de caractère plutôt gai» pendant ses nuits d’insomnie. Commande dont ont résulté des chefs-d’oeuvre de premier plan. / Partition reliée / Répertoire / Piano

Ce volume rassemble quatre des plus importants chefs-d'oeuvre les clavier de Johann Sebastian Bach-les 'Variations Goldberg', Fantaisie Chromatique et Fugue, Fantasia Contrappuntistica, et le Concerto pour piano et orchestre en ré mineur, dans les arrangements du pianiste célèbre et compositeur Ferruccio Busoni pour son 1919 Breitkopf and Härtel édition.Les dispositifs additionnels incluent le système original de Busoni de notation du clavier, démontré vis-à-vis de la Fantaisie chromatique. Un compositeur important dans son propre droit, Busoni se classe parmi les pianistes les plus célèbres de l'histoire.Son édition en 25 volumes controversée de transcriptions de la musique pour clavier de Bach comprend discussions side-by-side de la musique de Bach avec des arrangements de Busoni et son élève, Egon Petri. Adapté pour les ressources modernes du piano à queue, les transcriptions comprennent doublements abondance de voix pour les plages du clavier qui n'existaient pas sur le clavier de Bach, en plus de ré-analyse des conformations de la musique elle-même supérieures et inférieures.Ce volume marque une importante collection de raretés qui méritent une plus grande attention parmi les interprètes et les auditeurs. Dover originale. / Piano

Description J.S. Bach: Goldberg Variations BWV988 (Dover) Both Arias and all 30 Variations are set here for Piano and this affordable edition of a widely performed and appreciated work is essential for all serious pianists and music lovers.

Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Goldberg Variations, BWV 988 is based on Bischoff's analysis of the first edition, a copy of the 'Aria' contained in the Clavierbüchlein of Anna Magdalena Bach, and several manuscripts from the Royal Library in Berlin. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference. / Piano

Bach: Goldberg-Variationen BWV 988 Arrangement for string trio by Annette Bartholdy Colorful, and Faithful to the Original Bach?s famous ?Goldberg Variations? are chiefly elaborated in three parts. This observation sparked Annette Bartholdy on to transfer the work to the classical chamber scoring. The new ?Goldberg Trio? thus now offers an inspiring work for all string players who would like to master this epoch-making work. The string trio version is so close to the wonderful source that no less a luminary than Bernard Haitink enthusiastically proclaimed: ?It?s completely true to the original, whilst using the colours of the three instruments which the keyboard cannot give.?

[Italienisches Konzert BWV 971, Französische Ouverture BWV 831, Vier Duette BWV 802-805, Goldberg-Variationen BWV 988] / Classique / Editeur : Ernst-Günter Heinemann / Doigtés : Hans- / Partition / Broché / Edition Urtext

32 Masterworks For Solo Guitar. Aria - Goldberg variations BWV988 Toccata in D Minor Una limosna por el amor de Dios Casta Diva from Norma Fantasia no. 7 Land of Hope and Glory Salut d'Amour Wedding March Dedicatoria Alla Hornpipe Aria from Rinaldo Ombra mai fu I Vow to Thee My Country Alman Adagio from Oboe Concerto Abide with Me Ave verum corpus Duet Sull'aria… Che soave zeffiretto Fantasia no. 10 Amazing Grace Un bel di vedremo Rhapsody on a Theme of Paganini Vocalise Canarios Serenade - Swan Song no. 4 Of Foreign Lands and People The Liberty Bell March Capricho Arabe Pavana Dance of the Little Swans Dance of the Reed Pipes Hearts and Flowers/ Recueil / Guitare

[Goldberg-Variationen BWV 988 (Aria mit verschiedenen Veränderungen für Cembalo mit 2 Manualen)] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

Bach 'Variations Goldberg' sont restés un défi pour chaque joueur de clavecin et pianiste à nos jours. Un problème particulier avec des performances sur un piano moderne est que Bach écrivit cette oeuvre pour un clavecin à deux claviers. Le doigté de Ragna Schirmer offre les solutions les plus commodes pour les nombreux passages de mains nécessaires sur le piano. Elle a également pris la gravure de la copie originale de 1741 comme un guide important pour diviser les pièces entre les mains. - Urtext effectuer édition savante critique sur la base du 'New Bach Edition' - Avec doigté pour la performance sur les pianos modernes ainsi que d'un commentaire concernant le doigté - Division des pièces entre les mains à base de copie originale de Bach Ragna Schirmer a déjà fourni doigté pour l'édition Bärenreiter de Bach 'Six Partitas: première partie de la Clavier Übung' (BA 5247). / Piano

Gesamtausgabe, Bd 48. Par BACH JOHANN SEBASTIAN / MOZART WOLFGANG AMADEUS. Pianists and lovers of piano music will be pleased with volume 48, which contains Rheinberger’s arrangement for two pianos [WoO 3] of Bach’s Goldberg Variations BWV 988. Through the doubling of voices, the contrapuntal thickening of the thematic material and by distributing the writing of the original over two pianos, Rheinberger has arranged the cycle of variations into a work in the style of the 19th century. In addition to this monolithic work of piano artistry, two arrangements of sets of variations by W. A. Mozart [K. 500 and 613] are included in this volume. They show how carefully and creatively Rheinberger treated the original compositions when making his arrangements./ Répertoire / Ensemble Instrumental

Par BACH JOHANN SEBASTIAN. Six 'English Suites', six 'French Suites', six 'Partitas', 'Goldberg Variations', 15 'Two-Part Inventions' and more. Bach-Gesellschaft edition./ Répertoire / Clavier ou Orgue Electronique

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

2 Flutes et Guitare. Par NICOLAS BERNADETTE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Variation Goldberg #18 (2 flûtes et guitare) de Nicolas Bernadette qui a été composé pour Flûte Traversière / Niveau : Fin de 1er Cycle / Répertoire / 2 Flûtes Traversières et Guitare