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| Antonín Dvo?ák:
Humoresques: Piano:
Instrumental Album
Piano seul
Barenreiter
During his stay in America (September 1892 April 1895) Dvorák filled his ske...(+)
During his stay in America (September 1892 April 1895) Dvorák filled his sketchbooks with thematic concepts many of which he used soon after in the compositions he created there; others he retained unused. In the summer of 1894 he interrupted his American stay and spent most of the holidays at his favourite retreat in the village of Vysoká u Pr brame. In his moments of rest in his beloved Czech countryside the composer was struck with the idea to create a number of trifles for Piano and for these he used some of the thematic material from his recent two-year stay over the ocean.Thus began the cycle which he only later called?Humoresques? and which was published by Simrock immediately in the autumn of 1894. The seventh Humoresque was soon published in arrangements for all kinds of instruments and became one of his most popular pieces ever. The publication is part of the first Complete Critical Edition of the Works of Anton n Dvorák.
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| Jean Sibelius: Humoresque
IV Op. 89b: Violin:
Instrumental Work
Violon et Piano [Partition] - Intermédiaire/avancé
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Hu...(+)
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.
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| Jean Sibelius: Humoresque
V Op. 89c: Violin:
Instrumental Work
Violon et Piano [Partition] - Avancé
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Hum...(+)
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. The opening bars of the Fifth Humoresque act as a continuation of the minor tonality that dominated the previous two pieces but the music soon reverts into a warmer major mood. Op.89 No.3 is the highlight of this group and one of Sibelius' most immediately compelling creations.
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| Jean Sibelius: Humoresque
VI Op. 89d: Violin:
Instrumental Work
Violon et Piano [Partition] - Avancé
Wilhelm Hansen
The Humoresques which for publication were divided into two groups Opus 87 and...(+)
The Humoresques which for publication were divided into two groups Opus 87 and Opus 89 were all composed during 1917. The astute violinist will find that the seemingly clear-cut contours of Humoresque No.6 a delicately-framed piece are a formidable musical challenge indeed. Violin with piano reduction.
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| Jean Sibelius: Humoresque
IV Op. 89b: Violin: Score
VLN/STR ORCH::Violon/Orchestre De
Cordes [Partition] - Intermédiaire/avancé
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Hum...(+)
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions The Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He uses a considerably smaller Orchestra accompaniment to the Violin in the second group but maintains the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display.Score for String Orchestra and Violin Solo.
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| Humoresque En Sol B Op.
101 #7
 En Français
Piano seul
G. Henle
Single edition out of HN 1044Level of difficulty: medium· The most popular of t...(+)
Single edition out of HN 1044Level of difficulty: medium· The most popular of the 8 humoresques· Only single Urtext Edition· Perfect for teaching· For students and amateurs / Piano
Délais: En Stock |
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| Jean Sibelius:
Humoresques I - II Op.
87: Violin: Miniature
Score
Orchestre, Violon [Partition]
Wilhelm Hansen
This pocket sized book contains Humoresques I - II Op.87 Nos.1/2 the first two ...(+)
This pocket sized book contains Humoresques I - II Op.87 Nos.1/2 the first two of Jean Sibelius' Humoresques for Violin solo and Orchestra. This handy study score can be easily referenced. Duration 3 minutes.
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| Diptyque
Flûte traversière et
Piano
Schott
The Cantilène is based on a melody of the 18th century, probably by Giovanni Ba...(+)
The Cantilène is based on a melody of the 18th century, probably by Giovanni Battista Pergolesi (1710-1736), popular in several countries with different texts: 'Que ne suis-je la fougère', 'Bonne nuit les petits', 'Adieu, pauvre carnaval', 'San Pantzar', 'Wa habibi', among others.The Humoresque is a varied rondo using the characteristic tonalities of the txistu (a basque flute with three holes) : F major, D minor, C major, A minor, B flat major, G minor, Eb major, C minor, Ab major and F minor. / Flûte Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Andrzej Cwojdzinski: Two
Humoresques: Piano:
Instrumental Album
Piano seul
PWM (Polskie Wydawnictwo Muzyczne)
4.50 GBP - vendu par Musicroom GB |
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| Jean Sibelius:
Humoresques III - VI Op.
89: Violin: Study Score
Orchestre, Violon [Partition]
Wilhelm Hansen
This pocket sized book contains Humoresques III - VI Op.89 for Violin solo and O...(+)
This pocket sized book contains Humoresques III - VI Op.89 for Violin solo and Orchestra by Jean Sibelius. This handy study score can be easily referenced.
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| Antonín Dvo?ák:
Humoresques op. 101:
Piano: Instrumental Work
Piano seul
G. Henle
In the summer of 1894 Anton n Dvo ák interrupted his stay in America in order ...(+)
In the summer of 1894 Anton n Dvo ák interrupted his stay in America in order to spend his holidays back in his homeland of Bohemia. During those happy weeks he wrote his eight Humoresques for piano. But this music is not by nomeans as ?Bohemian? as one might suppose. We know that Dvo ák had already sketched some of the material for these pieces in New York and there are also indications that the composer initially considered writing a series ofScottish dances. In other words these are thoroughly international pieces with an inflexion all of their own. And they are of a medium level of difficulty enabling pianists of all ages to discover a lot more than just thefamous catchy tune of no. 7. This Henle Urtext edition is based on the first print which the editors have carefully checked against the autograph.
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| Michael Jacques: Three
Humoresques: Guitar:
Instrumental Work
Ricordi London
9.99 GBP - vendu par Musicroom GB |
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| John Basil Hugh Longmire:
Six Humoresques:: Piano:
Instrumental Work
Piano seul
Bosworth
8.99 GBP - vendu par Musicroom GB |
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| Five Humoresques op. 17:
Piano: Instrumental Album
Piano seul
Simrock
Ernst Von Dohnanyi's Five Humoresques Op.17 for solo Piano.
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| Nikolai Kapustin:
Humoresque op. 75: Piano:
Instrumental Work
Piano seul
Schott
Nikolai Kapustin's Humoresque Op. 75 for Piano. The Hu...(+)
Nikolai Kapustin's Humoresque Op. 75 for Piano. The Humoresque Op. 75 - composed in 1994 - is considered one of the most difficult piecesby Kapustin. Presented in the standard jazz form the variations sound like improvisations influenced by McCoy Tyner's style but are minutely through-composed.
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| Concert Pieces For Cello
And Piano
Violoncelle, Piano [Partition]
Barenreiter
Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collec...(+)
Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collection Editor:Sassmannshaus, Christoph Instrumentation of the work:Violoncello, Piano Product format:Piano reduction, Part(s), Teaching material Includes the following individual parts:Violoncello, Piano Binding:Stapled Pages / Format:32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák?s Humoresque , Mendelssohn Bartholdy?s Song without Words , Fauré?s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition , Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
Délais: Sur commande |
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| Miguel Llobet:
Humoresque: Guitar:
Instrumental Work
 Español
Guitare [Partition]
Unión Musical Ediciones
5.50 GBP - vendu par Musicroom GB |
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| Julius Harrison: March
Humoresque Grade 2:
Piano: Instrumental Work
Piano seul [Partition]
Alfred Lengnick
3.25 GBP - vendu par Musicroom GB |
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| Kontraste
Hautbois, Piano (duo)
Bote and Bock
Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador...(+)
Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.In about three minutes, the small and charming two-part piece Kontraste [Contrasts] for oboe and harp captivates with clarity and limitation to the essentials. The name says it all: A lively humoresque is followed by a rather delicate, even almost melancholy second movement which is headed 'largo e mesto'. The composition was written in 2009/10 as a birthday present for the Swiss oboist - and this work's dedicatee - Heinz Holliger (and his wife, the harpist Ursula Holliger). / Hautbois Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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