A delightful Christmas cantata for children’s voices (and ensemble/electronic backing tracks) with or without narrator: reggae jazz rock ballad and pop numbers to witty text by Richard and Thomas Allain. Caesar has called a census in the Holy Land. So everyone is crowding back into Bethlehem a town where they read Shalom! Magazine where suddenly there are donkey traffic gridlocks and hotels where you can't get a room for love or shekels. Tom works doing odd jobs at the Fun Big Inn which isn't much fun at all. This busy night he decides to leave the landlord in the lurch and head for the bright lights of Jerusalem. But he doesn't get far running first into reggae singing shepherds and then three groovy wise dudes following a star. Tom can hardly ignore the remarkable things they have to tell him. So what does he do next? What would any of us do? Richard and Thomas Allain retell the story of the Nativity in a new and individual way with immediacy and wit in a string of unforgettable tuneful songs and sharply clever words in an idiom accessible to everyone. Manger Tom can be performed with unison voices someone to narrate highly effective with just Piano or Keyboard accompaniment. But there are parts available too for instruments you might want to add. Included with the score of Manger Tom is a CD which comprises of a full performance of the musical numbers by professional singers and players as well as just the accompaniments for everyone to sing along to if they prefer. Additionally lyric sheets and a script are available as free downloads - visit www.hybridpublications.com to access the bonus material. Lyric sheets enable easy rehearsals and the script allows Manger Tom to be performed as a full nativity play. Review from Andrew Stewart of Classroom Music says: 'Manger Tom manages to squeeze within the space of eight numbers everything from big-band and rock numbers to reggae and in ‘Star of the

This single featured in Disney's High School Musical made Billboard Hot 100 history with the biggest one week jump of all time. A super showcase for all types of ensembles! Arranged by Roger Emerson for 2-Part Choir.

It's the hottest ticket on Broadway and one listen to the fun 60s-style score will tell you why. From the up-tempo opener Welcome to the 60s through the contagious You Can't Stop the Beat Mac Huff takes us on an 18 minute romp through this new Marc Shaiman/Scott Wittman hit. Includes: Welcome to the 60s Good Morning Baltimore Mama I'm a Big Girl Now It Takes Two I Know Where I've Been and You Can't Stop the Beat.

Le livre de mélodie pour le tuteur flûte contient les pièces de piano pour les pièces pour flûte et piano dans le livre de tuteur, ainsi que d'autres mélodies populaires et intéressants dont la gamme mélodique et niveau de difficulté correspondent à ceux couverts par le livre de tuteur. / Flûte Traversière Et Piano Ou 2 Flûtes Traversières

Hot Peppers-Some like it hot and some like it even hotter! This novelty piece blends the spicy sound of Rossini's The Barber of Seville with red-hot lyrics of peppers salsa and heartburn! “My eyes are a flame and I never gettired of the burn! Hot!” Keep antacid near for performances! Available separately: 3-part mixed optional baritone & percussion; 2-part optional percussion; StudioTrax CD. Duration: ca. 2:50.

You'll have a wild ride indeed with this big band style swing number from the blockbuster Christmas film The Polar Express. Sung by the on-board waiters who are serving hot chocolate to the delighted riders this tune ishot hot hot! Duration: ca. 2:00. Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD ePak available digitally (tpt1 tpt2 asx tsx tbn gtr b dm)

/ 2 Instruments A Vent En Sib Ou Eb (Clarinettes, Saxophones, Trompettes, Clairons Et Cors) Et Piano Harmony Et Rhythm Accompagnement Ad Libitum

The #1 hit of 1970 by The Jackson 5 is singable and lots of fun! The group made history with I'll Be There their fourth #1 hit in a row (after 'I Want You Back' 'ABC' and 'The Love You Save') as the first recording act whose first four singles reached No. 1 on the Billboard Hot 100. The soul ballad resulted in another US #1 hit in 1992 with the live version by American R&B singers Mariah Carey and Trey Lorenz. Widely known sung and loved I’ll Be There will be a throwback appreciated by audiences and performers alike!Part of the ‘Pop Choral Series’ the 70s hit is arranged for 2-Part Choir with Piano. Performance Time:Approx. 4:00.

61 Traditional Pieces. Par DYER JONNY (Arr.). Scandinavian Folk Tunes for Accordion is a collection 61 arrangements of traditional tunes from Sweden, Finland and Norway. Scandinavian traditional music specialist accordionist Jonny Dyer provides notes on the history of the music, as well as playing techniques and styles. The volume is accompanied by a CD with a recording of all tunes performed by Jonny Dyer. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Musique traditionnelle / Recueil / Accordéon

Par PESSON GERARD. Le sténopé est l'appareil photographique le plus élémentaire. Une boîte bien fermée, faisant office de camera oscura, un trou d'épingle pour laisser passer la lumière. L'image inversée du réel, du fait de l'absence de focalisation, se déposera sur le papier photosensible, reproduisant ainsi le système même de la vue. La petitesse d'entrée de la lumière permet une profondeur de champ presque infinie. Elle nécessite, ou plutôt autorise, des temps de pose très longs. Non des centièmes de seconde, mais des minutes, des heures, des semaines, voire des années. Ce temps de pose extrême, l'épingle de la lumière, sont une écriture du temps. Ils parlent de l'invention. Ils sont le sujet de cette musique à laquelle je songe depuis presque dix ans - temps minimum si l'on veut encourager les bougés et être bien sûr que les figures se déposeront toutes sur le bitume de judée. Ainsi toute 'impression' pourra muter vers sa complication. Selon la loi optique, dehors devient dedans, mais à l'envers. La musique glisse vers une sérénade accélérée, indéfiniment reprise, secouée par un traitement 'brutaliste', lancée à marches forcées à travers le panorama, révélée enfin sur des nudités de cantilène qui dessinent le point de fuite de ce galop. La lenteur de la 'chercherie', comme dit Philippe Beck, fait que le chercheur est lui-même cherché. Il devient à son tour photosensible et se voit contraint, sans orgueil, mais non sans présomption, de s'appliquer le principe connu: Chevauchée bien ordonnée commence par soi-même. / contemporain / Répertoire / Quatuor à Cordes

With strong lyrics and a great hook this song shot to the top of the charts in 1973 (Dobie Gray). Today's audience will find themselves still humming along ...give me the beat boys and free my soul... Available for SATB SAB 2-Part and ShowTrax CD. Performance Time: Approx. 2:35.