Nombreux débutant et les joueurs intermédiaires inférieurs sont intimidés ou mettre des oeuvres par certains des grands compositeurs, craignant que les pièces sont tout simplement trop difficiles d'essayer. À la rescousse vient la je peut jouer que ! série et cette fabuleuse édition fournit l'occasion de jouer ces pièces majestueuses et merveilleuses. Ce livre contient un grand choix soixante-neuf populaire pièces classiques de compositeurs haut du monde dans les arrangements piano de facile-à-play, complets avec les symboles de la corde. Il présente des oeuvres de Beethoven, Dvorak, Mozart, Haydn et Brahms et est plus adapté pour les pianistes de norme de grade 1-3. Allez, surprenez-vous, vous pouvez jouer que ! / Piano / 160 pages / Partition

Study Score. Par DVORAK ANTONIN. Dvorák n'avait que vingt ans quand il écrivit son Quatuor à cordes n o 1 en la majeur, op. 2 (1862). Le travail est considéré comme le deuxième compositeur travail le plus important, après le Quintette à cordes en la mineur op. 1. Dvorák ne sont pas retournés au travail sur op. 2 jusqu'à 1887, quand il a été la révision de ses premières oeuvres. Il a supprimé les sections de ce quatuor substantielle n'épargnant que le Scherzo, les autres mouvements, où tous coupés par près d'un tiers. Le travail a finalement été créée par des musiciens d'orchestre du Théâtre national, mais une édition imprimée n'a pas été publié avant le milieu du 20e siècle. Cette nouvelle édition Bärenreiter présente le texte musical principal de l'édition complète de 1989, qui donne à l'oeuvre dans sa forme définitive, après la révision de Dvorák. L'édition est basée sur le manuscrit autographe et sur les pièces manuscrites. - Avec la nouvelle préface (Cz / Eng / Ger), qui sont basées sur les recherches les plus récentes/ Répertoire / 3 Violons, Alto et Violoncelle

Selected and graded especially for use by singing teachers, students and amateur performers by Shirley Leah. Includes works by Armstrong-Gibbs, Arne, Dvorak, le Flemming, Handel, Lully, Rosa, Rosseter, Schubert, Anon. A fantastic selection of some of the most celebrated classic songs for Voice with Piano accompaniment. / Voix Et Piano

This work brings me as much pleasure as if I were writinga major symphony... This washow Dvorak communicated to his publisher Simrock the joy he felt while workingonopus 75a (Miniatures for Two Violins and Viola), and he immediately set aboutreworkingit for violin and piano, giving it a new title, Romantic Pieces. The four shortmovementsfully evoke the atmosphere of home music-making for which it was written. TheCzechedition goes by the title Drobnosti (Miniatures) and is accompanied by a shortGavotte,dated 1890 and also written in a simpler style for three violins. This title ispart of the firstComplete Critical Edition of Works by Antonin Dvorak.

Easy-to-intermediate arrangements designed to bring out the best qualities of the flute. The side range of compositions inlcude works by Beethoven, Brahms, Dvorak and Schubert, as well as folk songs, dances, jigs and reels from all over the world. Arranged for flute and piano. Includes score and part. / Flûte Traversière

Vl I. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violoncelle et Orchestre

Performer: Agnes Baltsa, Antonia Fahberg, Audience Applause, Barbara Hendricks, Berliner Philharmoniker, et al. Orchestra: Berliner Philharmoniker, Orchestre Philharmonique de Berlin Conductor: Alfred Hertz, Arthur Nikisch, Bruno Walter, Carlo Maria Giulini, Claudio Abbado, et al. Compositeur: Alban Berg, Anton Bruckner, Anton Webern, Antonin Dvorak, Antonio Vivaldi, et al. CD (16 septembre 2013) Nombre de disques: 50 Format : Coffret, CD Label: Deutsche Grammophon

The Legendary Series: Clarinet is a beautifully presented, limited edition book containing 100 great pieces, specially arranged for Clarinet. Expertly bringing together Clarinet music ranging from Mozart and Berlioz through the 1940s big bands to Klezmer, traditional jazz and popular music, The Legendary Series: Clarinet is a lavish and permanent addition to the bookshelf of any clarinet lover. Alongside the luxuriously presented repertoire is a selection of illustrations and commentaries on the lives of many celebrated clarinettists and composers. It should be noted that the chord symbols above the stave are written for an accompanying concert pitch instrument, i.e. Piano or Guitar. This is to allow the accompanist to read from the same score as the soloist. / Clarinette

Terry Kenny’s Wind Ensemble series provides highly flexible, four-part arrangements of well-known classics. Parts are offered for flute, oboe, clarinet, alto and tenor saxophone and bassoon. A score is provided and all the parts can be downloaded free of charge from the publisher’s website. Kenny takes care in his arrangements that all four parts are interesting to the player and caters for students of varying technical ability. There are two volumes: Volume one includes Mozart’s “Eine Kleine Nachtmusik”, two Hungarian Dances by Brahms and the Prelude from “L’Arlésienne” by Bizet. Volume two includes Mozart’s “Musical Joke” (the movement known to many as the theme to the “Horse of the Year Show”!), “Champagne Polka” by Strauss and three Slavonic Dances by Dvorak. These simple packages provide excellent value and are especially suitable for the UK GCSE Music practical exams./ Recueil / Ensemble Flexible d'Instruments à Vent

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon I