| Winner Scores All for Trombone (Bass Clef with CD) Trombone [Partition + CD] Brass Wind Publications
By Lawrance. For Trombone. Solo Brass. Very easy-easy. Book and CD. Published by...(+)
By Lawrance. For
Trombone. Solo Brass.
Very easy-easy. Book and
CD. Published by Brass
Wind Publications
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Winner Scores All for Trombone (Bass Clef) Trombone Brass Wind Publications
By Lawrance. For Trombone unaccompanied. Solo Brass. Very easy-easy. Collection....(+)
By Lawrance. For Trombone
unaccompanied. Solo
Brass. Very easy-easy.
Collection. Published by
Brass Wind Publications
$10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Please Talk About Me When I'm Gone Trompette, Trombone (duo) [Conducteur et Parties séparées] Walrus Music Publishing
By Tom Kubis. Level: Medium - Difficult. Little big band chart (scored for A, T,...(+)
By Tom Kubis. Level:
Medium - Difficult.
Little big band chart
(scored for A, T, B, 2
Trumpets, 1 Trombone &
Rhythm unless otherwise
indicated). Published by
Walrus Music Publishing.
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Trombone Solos: Student Level, vol. II Trombone [Partition + CD] - Facile Music Minus One
For Trombone. Includes a high-quality printed music score and stereo CD (with ac...(+)
For Trombone. Includes a
high-quality printed
music score and stereo CD
(with accompaniments
only). Published by Music
Minus One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| West Side Story Medley Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Advance Music
2 B-flat Trumpets, Horn in F, Trombone, Tuba SKU: AP.1-ADV20000 For Br...(+)
2 B-flat Trumpets, Horn
in F, Trombone, Tuba
SKU: AP.1-ADV20000
For Brass Quintet.
Composed by Du Bose
Heyward and George
Gershwin. Arranged by
Heinz Czadek. 5 or More;
Brass Ensemble - Quintet;
Solo Small Ensembles.
Advance Music. Form:
Medley. Broadway. Score
and Part(s). Advance
Music #01-ADV20000.
Published by Advance
Music (AP.1-ADV20000).
UPC: 805095200003.
English. The
arrangement was
commissioned and recorded
by Prisma (members of the
Vienna Philharmonic and
Vienna Symphonic
Orchestras).
Titles:
Summertime * It Ain't
Necessarily So * Bess You
Is My Woman * Oh Lawd I'm
on My Way. $32.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bel Canto for Trombone Trombone [Partition + CD] - Intermédiaire De Haske Publications
Trombone BC - intermediate SKU: BT.DHP-1084522-400 For Trombone and Pi...(+)
Trombone BC -
intermediate SKU:
BT.DHP-1084522-400
For Trombone and
Piano. By Bertrand
Moren. Arranged by Robert
van Beringen. Book with
CD. Composed 2008. 68
pages. De Haske
Publications #DHP
1084522-400. Published by
De Haske Publications
(BT.DHP-1084522-400).
ISBN 9789043130219.
9x12 inches.
English-German-French-Dut
ch. This book
contains 20 vocalises
originally intended for
the development and
training of the singing
voice, but which will
also encourage many
aspects of performance
for trombone players,
such as tone quality and
phrasing. These
attractive pieces are not
only useful as studies,
but also work well as
performance pieces -
either with a piano
accompaniment using the
printed score, or playing
along with the CD. On the
CD Ian Bousfield,
principal trombonist of
the Vienna Philharmonic,
plays all the vocalises.
In addition, the CD
contains the piano
accompaniments to play
along with.
Dit
boek bevat twintig
vocalises - die
oorspronkelijk zijn
ontwikkeld voor de
scholing en training van
de zangstem, maar ook
veel aspecten van het
spel van trombonisten
zullen bevorderen, zoals
toonvorming en frasering.
Deze fraaiestukken zijn
nietalleen nuttig als
etudes, maar doen het ook
goed bij optredens - met
pianobegeleiding (die is
meegeleverd) of met de
cd. Naast de
meespeeltracks staan op
de cd ook de complete
vocalises, ingespeeld
door Ian Bousfield,
solotrombonist van het
WienerPhilharmoniker.
Dieses Buch
enthält 20 Vokalisen,
die ursprünglich
für die Entwicklung
und das Training von
Singstimmen gedacht
waren, aber auch viele
Aspekte des
Posaunenspiels, wie z. B.
Tonqualität und
Phrasierung fördern.
Die reizvollen Stücke
eignen sich nicht nur zum
�ben, sondern können
auch sehr gut
aufgeführt werden -
mit einem Pianisten, der
aus den Klaviernoten im
Buch spielt oder mit der
beiliegenden CD. Auf der
CD spielt Ian Bousfield,
Soloposaunist der Wiener
Philharmoniker, alle
Vokalisen vor. AuÃ?erdem
enthält die CD alle
Klavierbegleitungen. <
br>Belcanto for
Trombone contient
vingt vocalises
écrites lâ??origine
pour le travail et le
développement de la
voix chantée. Ces
études mélodiques,
qui contribuent
particulièrement au
développement du
phrasé et de la
musicalité, sont
parfaitement adaptées
pour le trombone. Plus
que de simples exercices,
elles constituent
dâ??excellentes
pièces de récital
que lâ??on peut
interpréter soit avec
un pianiste
accompagnateur
(accompagnements de piano
joints au recueil) soit
avec lâ??accompagnement
de piano enregistré
sur le compact disc. Sur
le compact disc inclus,
vous trouverez une
version intégrale de
chaque vocalise, dont
lâ??interprétation a
été confiée Ian
Bousfield,trombone solo
de lâ??Orchestre
Philharmonique de Vienne.
Bel Canto for
Trombone racchiude 20
studi melodici scritti
originariamente per la
voce. Nel CD incluso è
presentata sia la
versione integrale di
tutti i brani che quella
col solo accompagnamento
(play-along). Gli
spartiti del piano sono
inclusi nel libro. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stephansdom for Solo Bass Trombone & Trombone Choir Ensemble de Trombones - Avancé Cherry Classics
Bass trombone solo with 6-part trombone choir - advanced SKU: CY.CC2580 C...(+)
Bass trombone solo with
6-part trombone choir -
advanced SKU:
CY.CC2580 Composed by
Ryan Diefendorfer.
Arranged by Ryan
Diefendorfer.
Contemporary. Score and
parts. Published by
Cherry Classics
(CY.CC2580).
Stephansdom is
a new composition,
descriptive of the iconic
St. Stephan's Cathedral
in central Vienna. Ryan
Diefendorfer wrote this
work for the Indiana
University Trombone
Ensemble for Bass
Trombone solo and
Trombone Choir (6-part)
to be performed by Carl
Lenthe at the 2012
Eastern Music Festival.
Ryan's work was awarded
the winner of the 2012
Eastern Trombone Workshop
National Composition
Competition.
St.
Stephen's Cathedral, also
known as Stephansdom, is
one of Vienna's most
remarkable city icons.
Dating back to 1137,
Stephandsom towers above
the rest of Vienna's
skyline and has been a
constant presence in the
lives of the Viennese for
nearly one thousand
years. Among the
buildings that the
Viennese find closest to
their hearts, Stephansdom
is certainly one of
them
I.
Groundbreaking The
first movement depicts
the troubles that St.
Stephen's Cathedral had
in getting its
groundbreaking as a
church. The opening of
the piece marks the
celebration of the
Viennese when St.
Stephen's was first
constructed in 1137,
during the Romanesque
era. However, the church
faced many
issues—from being
destroyed by the
Babenberg Empire to being
decimated by a
fire—before the
church began its
construction in the
Gothic style in 1307. The
first movement depicts
these struggles before
resolving to an open
chord.
II.
Steffl Steffl, the
nickname for
Stephansdom's soaring
north tower, is one of
the characteristics of
the cathedral that the
Viennese find so
endearing. This movement
is very upbeat and is
meant to portray the
excitement shared by the
Viennese for this
beautiful addition to
Stephansdom, which was
completed in 1433.
Stephansdom's north tower
is the tallest structure
in Vienna, and distinctly
stands out within
Vienna's
skyline.
II
I. 1945 As World War
II was coming to a close
in 1945, Stephansdom's
roof caught fire from a
neighboring building,
destroying large portions
of the church. One climax
occurs at m.30, which
depicts Stephansdom's
great bell, the Pummerin,
crashing down to the
ground. This movement
depicts the chaotic
nature of the raging fire
of
1945.
IV.
Anton Pilgrim Anton
Pilgrim was the last, and
perhaps most beloved,
architect who worked on
St. Stephen's Cathedral
in the Gothic style. One
of his most famous
projects was the St.
Stephen's organ loft,
which is depicted by an
opening organ-like canon.
The final movement to the
piece ends in a
chorale-like fashion,
demonstrating the
Viennese's love for Anton
Pilgrim, as well as
Stephansdom, one of
Vienna's most iconic
sights.
This
work of 12 minutes in
length is appropriate for
advanced performers. $32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cartoon Parade Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Facile De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1185993-070 The Muppet ...(+)
Brass Quintet - early
intermediate SKU:
BT.DHP-1185993-070
The Muppet Show Theme
- I'm Popeye the Sailor
Man - Mickey Mouse
March. Arranged by
Eric J. Hovi. De Haske
Brass Series.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185993-070. Published by
De Haske Publications
(BT.DHP-1185993-070).
ISBN 9789043156578.
International. In
this five-part medley for
brass quintet, we meet
some of the greatest
cartoon characters ever
created: The Muppets,
Popeye and of course
Mickey Mouse. This is a
great arrangement to
feature in your concerts
for kids (and adults!).
In deze medley
voor koperkwintet komen
we een aantal van de
leukste poppen en
stripfiguren tegen die
ooit het wereldpodium
hebben betreden: The
Muppets, Popeye en
natuurlijk Mickey Mouse.
Een weergaloos stuk waar
zowel kinderen als
volwassenen van genieten!
In diesem Medley
für
Blechbläserquintett
treffen wir einige der
großartigsten
Zeichentrickfiguren, die
jemals erfunden wurden:
Die Muppets, Popeye und
natürlich Micky Mouse.
Ein wunderbarer
Konzertbeitrag für
Kinder und Erwachsene!
Dans ce medley
pour quintette de
cuivres, nous rencontrons
quelques-uns des plus
grands personnages
animés jamais
inventés : Les
Muppets, Popeye et bien s
r Mickey Mouse. Les
enfants l'apprécieront
autant que les adultes !
Nel medley
'Cartoon Parade' per
quintetto di ottoni,
incontriamo alcuni dei
più grandi personaggi
dei cartoni animati mai
inventati: i Muppets,
Braccio di ferro e,
naturalmente, Topolino.
Un grande momento per
bambini e adulti nei
vostri concerti! $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I'm Beginning to See the Light Ensemble Jazz [Conducteur et Parties séparées] - Facile Belwin
By Don George, Johnny Hodges, Duke Ellington, and Harry James. Arranged by Paul ...(+)
By Don George, Johnny
Hodges, Duke Ellington,
and Harry James. Arranged
by Paul Baker. Jazz
Ensemble. Jazz Ensemble;
Part(s); Score;
SmartMusic. Young Jazz
Ensemble. Jazz. Grade 2.
98 pages. Published by
Belwin Music
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Can Do All Things Shawnee Press
Choral (orchestration on CD-rom) SKU: HL.35027273 Composed by David Anger...(+)
Choral (orchestration on
CD-rom) SKU:
HL.35027273 Composed
by David Angerman and
Joseph M. Martin. Shawnee
Sacred. General Worship.
CD-ROM, Score and Parts.
Published by Shawnee
Press (HL.35027273).
UPC: 884088497033. 5x5
inches. Words by Joseph
M. Martin; Music by
Joseph M. Martin, David
Angerman. Uses:<
/b> General, youth,
baccalaureate,
ordination
Scri
pture: Philippians
4:13; Matthew
19:26
This is a
confident affirmation of
God's power working in
the life of the believer.
The brief performance
time compounds the
effectiveness of this
dynamic offering and
optional orchestral
accompaniment lifts this
scripture in song to new
musical and theatrical
heights. Score and Parts
for flute 1&2, oboe,
clarinet 1&2, bassoon,
horn 1&2, trumpet 1,
trumpet 2&3, trombone
1&2, bass trombone/tuba,
timpani, perc 1&2, harp,
piano, violin 1, violin
2, viola, cello, double
bass. $60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
$150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I'm Always Chasing Rainbows - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Drum Set...(+)
Band Bass Clarinet,
Bassoon, Bells, Clarinet
1, Clarinet 2, Clarinet
3, Drum Set, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Mallet
Percussion, Oboe,
Piccolo, Timpani,
Trombone 1, Trombone 2,
Trombone 3, Trumpet 1 and
more. - Grade 4 SKU:
CF.SPS53F Composed by
Harry Carroll. Arranged
by Jerry Nowak. SWS.
Patriotic. Full score.
With Standard notation.
20 pages. Duration 3
minutes, 26 seconds. Carl
Fischer Music #SPS53F.
Published by Carl Fischer
Music (CF.SPS53F).
ISBN 9780825888557.
UPC: 798408088552. 9x12
inches. The
standard popular song by
Harry Carroll is given a
full-blown pops concert
style treatment by
arranger Jerry Nowak. In
the hands of a master
arranger, this classy
ballad will delight
audiences and give your
musicians the opportunity
to flex their jazz
muscles. This is perfect
for a pops concert or for
community bands. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| God of Grace and God of Glory Chorale SATB SATB, Orgue MorningStar Music Publishers
By Cherwien, David M. For SATB choir and Organ, with opt. Handbells, Brass Quart...(+)
By Cherwien, David M. For
SATB choir and Organ,
with opt. Handbells,
Brass Quartet, and
Congregation . Octavo.
Published by MorningStar
Music Publishers.
$1.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Greater Gifts (Choral Score) Chorale SATB SATB, Orgue - Intermédiaire MorningStar Music Publishers
SATB choir, organ, optional brass quartet - Intermediate SKU: MN.50-5018 ...(+)
SATB choir, organ,
optional brass quartet -
Intermediate SKU:
MN.50-5018 Composed
by Paul M. French.
Catholic Year C
Pentecost; Catholic Year
C Ordinary3; Year C
Pentecost; Year C
Epiphany3. Pentecost,
Church Anniversary, 21st
Century. Instrument
parts. MorningStar Music
Publishers #50-5018.
Published by MorningStar
Music Publishers
(MN.50-5018). UPC:
688670550188. Text: Terry
Kirts. So this is
true: We are one body in
the Lord. The opening
words are proclaimed by
the choir and echoed by
the organ and brass, and
what follows is creative
and musically satisfying,
but never predictable.
The brass is tacet during
a short, introspective
middle section. The
mostly homophonic choral
writing and the judicious
use of brass allow the
text- a unique
interpretation of 1
Corinthians 12- to be
primary.
Instrumen
tal parts packet
includes: Trumpet I and
II in B-flat and C,
Trombone I and II, Horn
in F (sub for Trombone
I), Organ. $2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 100 Years of Broadway (Medley) (Singer's Edition) - SATB
Chorale SATB SATB [Conducteur] - Intermédiaire Hal Leonard
Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and s...(+)
Arranged by Mac Huff.
SATB Score for SATB
chorus. With vocal score,
lyrics and spoken text.
55 pages. Published by
Hal Leonard.
(16)$5.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale SATB SATB [Conducteur] Hal Leonard
Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages...(+)
Arranged by Mac Huff.
(SATB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) - 2 Part Chorale 2 parties [Conducteur] Hal Leonard
Arranged by Mac Huff. (2-part score). Broadway Choral. Size 9x12 inches. 96 page...(+)
Arranged by Mac Huff.
(2-part score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
(1)$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale [Conducteur] Hal Leonard
Arranged by Mac Huff. (SAB score). Broadway Choral. Size 9x12 inches. 96 pages....(+)
Arranged by Mac Huff.
(SAB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| God, Whose Giving Knows No Ending (Choral Score) Chorale SATB - Facile MorningStar Music Publishers
SATB choir and organ, with optional congregation and brass quartet - Early Inter...(+)
SATB choir and organ,
with optional
congregation and brass
quartet - Early
Intermediate SKU:
MN.60-6350 Composed
by David M. Cherwien.
21st Century,
Praise/Thanksgiving,
Stewardship. Choral
score. MorningStar Music
Publishers #60-6350.
Published by MorningStar
Music Publishers
(MN.60-6350). UPC:
688670663505.
English. Unexpected
progressions and various
textures provide
ever-present interest in
this anthem of praise.
The descant allows the
tenors to ascend along
with the sopranos. The
optional brass and
congregation parts give
the work added density
and loftiness.
Reproducible part for
optional Congregation
included. Reproducible
instrumental parts
include: Two Trumpets in
Bb or C, Two Trombones,
Horn in F [substitute for
Trombone I]. $2.65 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I'm Getting Sentimental Over You Ensemble Jazz - Intermédiaire Alfred Publishing
Jazz Ensemble - Grade 3 SKU: AP.41130 Composed by George Bassman. Arrange...(+)
Jazz Ensemble - Grade 3
SKU: AP.41130
Composed by George
Bassman. Arranged by
Scott Ragsdale. Jazz
Ensemble; Performance
Music Ensemble; Single
Titles. Jazz Band Series.
Jazz; Standard. Score and
Part(s). 106 pages.
Duration 4:50. Alfred
Music #00-41130.
Published by Alfred Music
(AP.41130). UPC:
038081474373. English.
Ned Washington. A
funky groove alternating
with a swing feel at
around 170 BPM. This is a
clever and effective
treatment of this
familiar melody, with
solos written for
trombone 2 and tenor, and
drums fills with band
hits. Optional vibes.
(4:50). $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963S Composed
by Chen Yi. Full score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963S.
Published by Theodore
Presser Company
(PR.11641963S). UPC:
680160684472. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Marimba, Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tam-tam, Trombone 1 and
more. SKU:
PR.11641963L Composed
by Chen Yi. Large Score.
58 pages. Duration 20
minutes. Theodore Presser
Company #116-41963L.
Published by Theodore
Presser Company
(PR.11641963L). UPC:
680160684489. The
violin concerto is
commissioned by Friends
of Dresden Music
Foundation for American
soloist Mira Wang and the
New York Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted
by Ivan Fischer. Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimes lyrical and
sometimes dramatic. The
major angular thematic
material (a three note
motive) consists of big
leaps in interval (a
perfect fourth downward
and then a minor seventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for the cadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments. The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty. Happy Rain
on a Spring Night by Du
Fu (712-770 in Tang
Dynasty) Happy rain comes
in time, When spring is
in its prime. With night
breeze it will fall, And
quietly moisten all.
Clouds darken wild roads,
Light brightens a little
boat. Saturated at dawn,
With flowers blooming the
town. (English
translation by Chen Yi
from the original poem in
Chinese) The following is
the poem in its original
Chinese form, and the
detailed introduction on
the structural plan of
the violin concerto
Spring in Dresden. It's
like the welcome rain on
a quiet spring night that
nurtures the budding
seeds, our new society is
pushing us forward to the
new future. The music
reflects the scenes and
the expression according
to the meaning of the
poem when it's being
unfolded line by line.
Although the tempo is set
63 quarter notes per
minute throughout (played
vividly, never slow
down), the tension is
being built up from the
quiet background in the
beginning, to the
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures 39-80)
represents the first four
lines of the poem. The
wind instruments response
to the rustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokes produced by
metallic string sound and
high woodwind gestures.
The music in Rehearsal C
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a little light
in the boat is shimmering
on the lake... The
breathy sound and key
slaps on the flutes
create a mysterious
atmosphere, in a dialogue
with other instruments.
The cello glissandi
recite the poem in the
tone of Mandarin, echoed
by the string harmonics.
The music in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led by the
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G, the
location of the Golden
Section, according to the
length of the music
without cadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
which stands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short, yet powerful solo
conclusion with the
lingering echo produced
by the high string
harmonics. On the top,
there is a recall of the
three note motive in the
sound of wonderland,
touched by the motor-on
vibraphone meaningfully.
The music is written for
2 flutes, 2 oboes, 2
clarinets (in Bb), 2
bassoons, 4 French horns
(in F), 2 trumpets (in
Bb), 3 trombones, tuba,
harp, 3 percussion
players (Perc. 1:
xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and strings.
Duration is about 20
minutes. The violin
concerto is commissioned
by Friends of Dresden
Music Foundation for
American soloist Mira
Wang and the New York
Philharmonic and
Staatskapelle Dresden as
an American commemoration
of the reconstruction of
the Dresden Frauenkirche,
60 years after its
destruction in World War
II by American and
British Forces. The world
premiere is given at the
Semperoper in Dresden,
Germany, on October 9, 10
& 11, 2005, conducted by
Ivan Fischer.Full of
excitement and inner
power, the musical image
is vivid, energetic,
sometimeslyrical and
sometimes dramatic. The
major angular thematic
material (a three
notemotive) consists of
big leaps in interval (a
perfect fourth downward
and then a minorseventh
upward, first introduced
by the violin solo in
measures 27-29). Except
for thecadenzas which
stand at the middle
(Rehearsal E, measure
127) and the two ends of
the piece as a frame, the
virtuosic violin solo
line is always
accompanied by the ever
moving and growing
textures in the
background. The rests
between long and short
phrases symbolize the
space in Chinese
paintings. The Beijing
Opera reciting tune, and
the fingerings to produce
sliding tones in the
performance of the
Chinese fiddle erhu are
also borrowed in the
writing and the
performing of the western
instruments.The musical
imagination of the violin
concerto came from an
ancient Chinese poem with
the same title, written
by Du Fu (712-770) in
Tang Dynasty.Happy Rain
on a Spring Nightby Du Fu
(712-770 in Tang
Dynasty)Happy rain comes
in time,When spring is in
its prime.With night
breeze it will fall,And
quietly moisten
all.Clouds darken wild
roads,Light brightens a
little boat.Saturated at
dawn,With flowers
blooming the
town.(English translation
by Chen Yi from the
original poem in
Chinese)The following is
the poem in its original
Chinese form, and the
detailed introduction
onthe structural plan of
the violin concerto
Spring in
Dresden.It’s like
the welcome rain on a
quiet spring night that
nurtures the budding
seeds, our newsociety is
pushing us forward to the
new future. The music
reflects the scenes and
theexpression according
to the meaning of the
poem when it’s
being unfolded line by
line.Although the tempo
is set 63 quarter notes
per minute throughout
(played vividly,
neverslow down), the
tension is being built up
from the quiet background
in the beginning, tothe
sustained climax towards
the end. The musical
image in Rehearsal A and
B (measures39-80)
represents the first four
lines of the poem. The
wind instruments response
to therustling of fast
moving notes on muted
string triplets,
decorated by occasional
strokesproduced by
metallic string sound and
high woodwind gestures.
The music in RehearsalC
and D (measures 81-126)
represents the next two
lines of the poem. It's
so dark, a littlelight in
the boat is shimmering on
the lake... The breathy
sound and key slaps on
theflutes create a
mysterious atmosphere, in
a dialogue with other
instruments. The
celloglissandi recite the
poem in the tone of
Mandarin, echoed by the
string harmonics.
Themusic in Rehearsal F,
G and H (m 129-202) is a
toccata, starting in the
orchestra (led bythe
marimba), which builds up
a big shape, to reach the
climax in m. 157
(Rehearsal G,the location
of the Golden Section,
according to the length
of the music
withoutcadenzas), and
keeps the vivid scene
towards the coda (from
Rehearsal I, m. 203),
whichstands on the
energetic peak until the
clear cutoff on measure
239, followed by the
short,yet powerful solo
conclusion with the
lingering echo produced
by the high
stringharmonics. On the
top, there is a recall of
the three note motive in
the sound ofwonderland,
touched by the motor-on
vibraphone
meaningfully.The music is
written for 2 flutes, 2
oboes, 2 clarinets (in
Bb), 2 bassoons, 4 French
horns (in F), 2 trumpets
(in Bb), 3 trombones,
tuba, harp, 3 percussion
players (Perc.
1:xylophone; Perc. 2:
suspended cymbal,
Japanese high woodblock,
snare drum, bass drum and
vibraphone; Perc. 3:
marimba and tam-tam),
solo violin, and
strings.Duration is about
20 minutes. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I'm Beginning to See the Light Ensemble Jazz - Facile Belwin
Jazz Ensemble - Grade 2 SKU: AP.40348S Composed by Don George, Duke Ellin...(+)
Jazz Ensemble - Grade 2
SKU: AP.40348S
Composed by Don George,
Duke Ellington, Harry
James, and Johnny Hodges.
Arranged by Paul Baker.
Jazz Ensemble;
SmartMusic. Young Jazz
Ensemble. Jazz. Score. 16
pages. Belwin Music
#00-40348S. Published by
Belwin Music (AP.40348S).
UPC: 038081451664.
English. This is a
swinger all the way! The
tempo can be anywhere
between 132--150 BPM and
there is a written-out
trumpet 2 solo. There's
plenty of swingin'
ensemble, a great sax
section soli, plus
optional parts for flute,
clarinet, vibes, horn,
baritone horn, and tuba.
Add in trumpet plungers
and sliding trombones and
it's all great stuff!
This title is available
in MakeMusic Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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