| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Duke Front Five Quatuor de Clarinettes: 4 clarinettes Potenza Music
By James M. David. For Clarinet Quartet. Chamber music, 20th century. Published ...(+)
By James M. David. For
Clarinet Quartet. Chamber
music, 20th century.
Published by Potenza
Music
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chips, and Salsa Too - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Claves, Congas, Dru...(+)
Band Bass Clarinet,
Bassoon, Cabasa, Clarinet
1, Clarinet 2, Claves,
Congas, Drum Set,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Güiro, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2, Percussion
3 and more. - Grade 2
SKU: CF.YPS222
Composed by Ed Kiefer.
Folio. Yps. Set of Score
and Parts.
8+8+2+8+8+4+2+6+4+2+2+4+4
+4+6+6+4+6+1+1+4+4+2+20
pages. Duration 2
minutes, 34 seconds. Carl
Fischer Music #YPS222.
Published by Carl Fischer
Music (CF.YPS222).
ISBN 9781491156629.
UPC: 680160915163. 9 x 12
inches. Written in
an upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix. Latin
rhythms, featured
percussion, and lots of
nice melodies for the
winds makes this a piece
your students and
audiences will love! Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can't dance to it! The
syncopated rhythms are
infectious and you will
be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and don't
cover up the winds.
Remember, it's a dance.
Have fun!
Kiefer.ed@gmail.com
Facebook: The Music of Ed
Kiefer. Written in an
upbeat Latin rhythmic
form, Chips, and Salsa,
Too begins with
percussion under a nice
rhythmic motif in the
winds. A tuneful minor
melody in the clarinets,
well below the break,
continues above this
Latin groove after the
intro. The tubas (and
cross-cued for euphoniums
and bass clarinets) and
flutes have a melody
together beginning in m.
43, and the rest of the
band is gradually layered
in the mix until
everybody is contributing
to the mix.Latin rhythms,
featured percussion, and
lots of nice melodies for
the winds makes this a
piece your students and
audiences will love!Pay
careful attention to the
articulation because
without it you will lose
the rhythmic feel. The
tempo is marked
quarter=152, but you can
play it faster if you
like. Too slow, and you
can’t dance to it!
The syncopated rhythms
are infectious and you
will be surprised at how
quickly your band catches
on. The ranges are
perfect for young players
and there are plenty of
doublings to assist
smaller bands. Use as
many percussionists as
possible, but insist they
groove together and
don’t cover up the
winds. Remember,
it’s a dance. Have
fun!Kiefer.ed@gmail.comFa
cebook: The Music of Ed
Kiefer. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cirque de L’étrange Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2 SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor. Step right
up, ladies and gentleman,
boys and girls, step
right up! See the exotic,
the strange, and the
magical at the Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early English Christmas Orchestre d'harmonie - Débutant Alfred Publishing
Arranged by John O'reilly. Arr. John O'Reilly. For Concert Band. Concert Band. A...(+)
Arranged by John
O'reilly. Arr. John
O'Reilly. For Concert
Band. Concert Band.
Accent on Achievement.
Level: grade 1. Conductor
Score & Parts. Published
by Alfred Publishing.
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I've Got You Under My Skin [Studio Orchestra] Voix et Big Band [Conducteur] Jazz Lines Publications
By Frank Sinatra. Edited by Rob DuBoff and Jeffrey Sultanof. Arranged by Nelson ...(+)
By Frank Sinatra. Edited
by Rob DuBoff and Jeffrey
Sultanof. Arranged by
Nelson Riddle. For
orchestra with vocal
solo. Swing, Jazz. Medium
Difficult. Score only.
Published by Jazz Lines
Publications
$25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 3 C minor op. 78 Barenreiter
3 flute (1 flute-picc), 2 oboes, English horn, 2 clarinets, clarinet-B, 2 bassoo...(+)
3 flute (1 flute-picc), 2
oboes, English horn, 2
clarinets, clarinet-B, 2
bassoons, bassoon-Co, 4
horn, 3 trumpets, 3
trombones, trombone,
percussion, piano (Flutes
(3) (Piccolo flute (1)),
Oboes (2), Cor anglais,
Clarinets (2), Bass
clarinet, Bassoons (2),
Contrabassoon, Horns (4),
Trumpets (3), Trombones
(3), Tuba, Drums, Piano)
SKU: BA.BA07896-65
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Set of wind
parts. Opus 78.
14/12/10/12/12/10/12/11/7
/12/10/4/7/8/8/8/8/8/7
pages. Baerenreiter
Verlag #BA07896_65.
Published by Baerenreiter
Verlag (BA.BA07896-65).
ISBN 9790006563418.
32.5 x 25.5 cm inches.
Key: C minor. In
this work I gave
everything I had to give.
[...] What I did here I
will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$308.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751049
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Organ. Sacred
vocal music, Psalms,
German. Single Part,
Organ. Composed 1900. 4
pages. Duration 14
minutes. Carus Verlag #CV
07.510/49. Published by
Carus Verlag (CA.751049).
ISBN 9790007229696.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751011
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Violin. Sacred
vocal music, Psalms,
German. Single Part,
Violin. Composed 1900. 4
pages. Duration 14
minutes. Carus Verlag #CV
07.510/11. Published by
Carus Verlag (CA.751011).
ISBN 9790007229641.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751015
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Double bass.
Sacred vocal music,
Psalms, German. Single
Part, Double Bass.
Composed 1900. 4 pages.
Duration 14 minutes.
Carus Verlag #CV
07.510/15. Published by
Carus Verlag (CA.751015).
ISBN 9790007229689.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751009
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. 1x 07.510/21
flute 1, 1x 07.510/22
flute 2, 1x 07.510/23
oboe 1, 1x 07.510/24 oboe
2, 1x 07.510/25 clarinet
1, 1x 07.510/26 clarinet
2, 1x 07.510/27 bassoon
1, 1x 07.510/28 bassoon
2, 2x 07.510/31 horns 1
and 2, 2x 07.510/32 Horn
3 and 4, 2x 07.510/33 2
t. Harmony parts. Sacred
vocal music, Psalms,
German. Set of Orchestra
Parts. Composed 1900. 62
pages. Duration 14
minutes. Carus Verlag #CV
07.510/09. Published by
Carus Verlag (CA.751009).
ISBN 9790007229634.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and parts available
separately - see item
CA.751000. $162.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751014
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Violoncello.
Sacred vocal music,
Psalms, German. Single
Part, Cello. Composed
1900. 4 pages. Duration
14 minutes. Carus Verlag
#CV 07.510/14. Published
by Carus Verlag
(CA.751014). ISBN
9790007229672. Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751013
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Viola. Sacred
vocal music, Psalms,
German. Single Part,
Viola. Composed 1900. 4
pages. Duration 14
minutes. Carus Verlag #CV
07.510/13. Published by
Carus Verlag (CA.751013).
ISBN 9790007229665.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751012
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Violin. Sacred
vocal music, Psalms,
German. Single Part,
Violin. Composed 1900. 4
pages. Duration 14
minutes. Carus Verlag #CV
07.510/12. Published by
Carus Verlag (CA.751012).
ISBN 9790007229658.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751019
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. German title:
Der 116. Psalm. Sacred
vocal music, Psalms,
German. Set of Orchestra
Parts. Composed 1900.
Duration 14 minutes.
Carus Verlag #CV
07.510/19. Published by
Carus Verlag (CA.751019).
ISBN 9790007135232.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and parts available
separately - see item
CA.751000. $316.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751005
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Sacred vocal
music, Psalms, German.
Choral Score. Composed
1900. 8 pages. Duration
14 minutes. Carus Verlag
#CV 07.510/05. Published
by Carus Verlag
(CA.751005). ISBN
9790007113407. Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
available separately -
see item CA.751000. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751000
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. This edition:
Paperbound. Sacred vocal
music, psalm, german.
German title: Der 116.
Psalm. Sacred vocal
music, Psalms, German.
Full score. Composed
1900. Duration 14
minutes. Carus Verlag #CV
07.510/00. Published by
Carus Verlag (CA.751000).
ISBN 9790007092221.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. $46.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Psalm 116 Carus Verlag
Orchestra SSA choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trum...(+)
Orchestra SSA choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 4
horns, 2 trumpets, 3
trombones, timpani, harp,
organ, 2 violins, viola,
cello, double bass [piano
for rehearsal only]
SKU: CA.751003
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. This edition:
Paperbound. Sacred vocal
music, Psalms, German.
Vocal score. Composed
1900. Duration 14
minutes. Carus Verlag #CV
07.510/03. Published by
Carus Verlag (CA.751003).
ISBN 9790007016265.
Language:
German. Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
available separately -
see item CA.751000. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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