A huge collection of over 100 classics by the greatest rock and pop talent in the world, ever! From The Byrds' pioneering folk-rock of Eight Miles High and The Kinks' wry Dedicated Follower Of Fashion through to Radiohead's anthemic Creep and the cheeky Girls And Boys by Blur...just a handful of the memorable and celebrated songs that are featured within. Every song has been arranged for Voice and Guitar, complete with the full lyrics and a comprehensive chord guide. / Paroles Et Accords (Avec Grilles D'Accords)

Fassung Für Gemischten Chor (Satb) und Klavier. Par VASKS PETERIS. Der wirkungsvolle Chorsatz basiert auf Texten der lettischen Nationaldichterin Velta Toma, deren Schaffen durch einen jahrzehntelangen Aufenthalt im kanadischen Exil geprägt ist. Liebessehnsucht, Familienverbundenheit und ein gewisser melancholischer Patriotismus stehen auch bei ihrem lettischen Gebet im Mittelpunkt. Der sinfonische, volle Klang des eingängigen Chorwerks ist auch der Teilung in acht Stimmgruppen geschuldet./ Répertoire / Choeur Mixte SATB et Piano

Cette édition pare-chocs des hymnes rock classique comprend des titres comme ' As de pique ', ' I Got You Babe ', ' nuits en blanc Satine, ' Wuthering Heights ' et beaucoup d'autres. Avec un index complet de l'artiste, chansons classiques d'à travers les décennies dans une variété de styles et de plus de 220 chansons pour obtenir vos dents, c'est un must pour tout aspirant guitariste de rock. / Pop and rock / Recueil / Ligne de Mélodie, Paroles et Accords

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

Never before have so many riffs been assembled in one publication, The Rifftionary is the ultimate reference work for any guitarist. It's packed with guitar trivia and The Rifftionary also features TAB for over 130 of the most famous riffs of all time. It also reveals the original guitarist's set up, together with how to recreate that sound. Also included are technical tips, key lyrics and fascinating facts, including the highest chart placing in the UK and US. From Led Zeppelin to The Who, from Hendrix to Radiohead, The Rifftionary is packed with pure riffing genius. / Niveau : Elémentaire / Tablatures / Piano, Chant et Guitare Tablatures

Une grande collection de 77 classiques du rock, avec des arrangements de ligne mélodie en notation standard pour guitare facile, complet avec les symboles de la corde. Chansons comprennent tous les dès maintenant, Back In The USSR, Every Breath vous prenez, Hey Joe, I Shot The Sheriff et Walk This Way. Comprend les strum et les patrons de choix et guide de doigté. / Chant Et Guitare / 144 pages / Partition

Gesamtausgabe, Bd 9. Par RHEINBERGER JOSEF GABRIEL. Gattungen: Kantaten, Oratorien - Reihen bei Carus: Gesamtausgaben -/ Répertoire / Choeur Mixte

Soloing Strategies to Free the Lead Guitarist. Par SOKOLOW FRED. Every guitarist seeks to create unique, meaningful solos intheir performances that match those of today's most reveredplayers. It doesn't matter whether you play blues, rock,country, bluegrass, swing, folk, or pop music - these soloingstrategies show you exactly how to break out of the scale-jail to unleash your artistic potential and become a versatile leadguitarist! Celebrated author Fred Sokolow uses popular tunesand exercises to teach you how to play solos based on: open-position and movable chord/scale shapes · standard and artist-inspired licks · listening suggestions · and several more approaches. Each concept is demonstrated with solo guitar and full band audio tracks online for download or streaming - just the tools you need to help you break out ofscale-jail and run toward soloing freedom!/ Etude / Guitare

La méthode de Dulcimer Hal Leonard est conçue pour quiconque juste apprendre à jouer le dulcimer (des Appalaches) de montagne, mais il est tout aussi utile pour le joueur intermédiaire. Ce guide complet et facile d'utilisation comprend beaucoup de techniques, de conseils et de s'amuser chansons pour apprendre et jouer. Le CD accompagne contient 54 pistes de chants traditionnels de démonstration et de jouer le long. Complètement ré-édité, cette seconde édition comporte plus de chansons, de nouvelles photos et un CD accompagne avec des enregistrements de démonstration brand new. / Dulcimer

Livre de poche qui regroupe les partitions de plus de 90 chansons du célèbre groupe de Hard Rock, AC/DC. Vous y retrouverez les paroles complètes, les symboles et grilles d'accords. / Chant Et Guitare / Partition

Par PEREZ-RAMIREZ MARCO-ANTONIO. Shouting Silences n'est pas née d'une image mentale qui lui aurait préexisté. Elle a été construite au présent, sans anticipation, dans la pratique quotidienne de mon écriture musicale. Cette manière d'aborder la création me permet d'écrire une musique de l'Instant, de l'Instinct et surtout, sans forme pré-établie. La forme n'a plus d'importance pour moi, elle existe, mais est issue simplement du rapport des masses en présences, de la diversité des dynamiques et de la profondeur d'articulation. C'est ainsi une musique sans cesse en mouvement, dans le passage et le déséquilibre permanent, où les voix se rompent et glissent les unes sur les autres. L'Elan vital y est le moteur de chaque instant. Le passage c'est à la fois le relais et la transformation. C'est ce qui m'intéresse principalement dans le fonctionnement de notre cerveau. Comment la pensée, la vision, l'audition deviennent parole... Comment l'expérience des différents arts, de la littérature ou de la philosophie passent dans ma musique... Il n'y a pas de stabilité, mais un déséquilibre constant, le passage incessant de quelque chose à quelque chose d'autre - rien ne s'arrête jamais, tout se transforme en permanence au moment de l'écriture. Ainsi la création, la découverte, sont présentes à chaque instant de l'écriture, à chaque mesure. 'J'apprends, je découvre ce que je cherche en peignant. Ainsi j'ai rencontré souvent ce que je n'attendais pas. Connaître à l'avance ce que l'on cherche c'est déjà l'avoir trouvé',Pierre Soulages. Shouting silences est une ligne rompue, violente, répétée avec insistance, de là jaillissent tensions et énergies. Cette tension tente d'être maximale à chaque instant, mais ce climax se déplace, se dérobe sans cesse. Cette pièce est aussi un réseau complexe de connexions, d'une précision chirurgicale, comme dans notre cerveau, mais que j'espère toujours sensuel et porteur de sens, jamais gratuit. Shouting silences est dédiée, à ma famille et à mes amis proches. Marco-Antonio Pérez-Ramirez / contemporain / Répertoire / Violoncelle et Ensemble

Singspiel zu Passion und Ostern. Par GOHL ULRICH. Singspiel Zu Passion Und Ostern / Opéra-opérette / Répertoire / Choeur d'Enfants, Solistes, Récitant et Instrument

Singspiel zu Passion und Ostern. Par GOHL ULRICH. Singspiel Zu Passion Und Ostern / Opéra-opérette / Répertoire / Choeur d'Enfants, Solistes, Récitant et Instrument

50 indémodables du rock international d'hier et d'aujourd'hui en transcription guitare solfège et tablature facile avec les diagrammes d'accords et les paroles complètes. Titres : All Along The Watchtower - All The Small Things - Basket Case - Beat It - Boom Boom - Born To Be Wild (from EASY RIDER) - Breaking The Law - Brown Eyed Girl - Californication - Cocaine - Come As You Are - Communication Breakdown - Creep - Day Tripper - Detroit Rock City - Dirty Deeds Done Dirt Cheap - Everybody Hurts - Hallelujah (featured in the DreamWorks Motion Picture SHREK) - Here Without You - Hey Joe - Hide Away - The House Of The Rising Sun - (I Can't Get No) Satisfaction - I Wanna Be Sedated - Iron Man - Island In The Sun - Jailbreak - Knockin' On Heaven's Door - Mr. Jones - My Hero - No Rain - Oh, Pretty Woman (featured in the Motion Picture PRETTY WOMAN) - Otherside - Peter Gunn (Theme Song from the Television Series) - Plush - Pride And Joy - Runnin' Down A Dream - Santeria - Seven Nation Army - Should I Stay Or Should I Go - Simple Man - Smells Like Teen Spirit - Smoke On The Water - Sunshine Of Your Love - Ticket To Ride (featured in the Motion Picture HELP!) - Tube Snake Boogie - Walk Don't Run - When I Come Around - Wild Thing (featured in the Motion Picture MAJOR LEAGUE) - You Really Got Me / Guitare