|
| Seven Gates of Jerusalem
- Symphony No. 7
(PENDERECKI KRZYSZTOF)
5 Solistes [SSATB], Narrateur, 3
Chœurs Mixtes et [Conducteur d'étude / Miniature]
Schott
for 5 soloists (SSATB), speaker, 3 mixed choirs and orchestra. Par PENDERECKI KR...(+)
for 5 soloists (SSATB), speaker, 3 mixed choirs and orchestra. Par PENDERECKI KRZYSZTOF. Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work./ Répertoire / 5 Solistes [SSATB], Narrateur, 3 Chœurs Mixtes et
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| Most Requested Tunes In
The World
Saxophone [Partition] - Intermédiaire
Amsco Wise Publications
Forty-nine of the most popular tunes of all time for both alto and tenor saxopho...(+)
Forty-nine of the most popular tunes of all time for both alto and tenor saxophone. Featuring easy keys and ranges, these arrangements are ideal for beginners up to intermediate standard. Includes Jerusalem , The Power Of Love , Unchained Melody . / Saxophone
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| Lauda Jerusalem
 En Français
Soli/Choeur SATBB Sans Accompagnement [Partition]
Leduc, Alphonse
La partition Lauda Jerusalem de Desmarets/Duron a été composée pour Chant/Voc...(+)
La partition Lauda Jerusalem de Desmarets/Duron a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Soli/Choeur SATBB Sans Accompagnement. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Soli/Choeur SATBB Sans Accompagnement / Partition
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| Piano Playbook Classical
Favourites P/V/G
Piano seul - Avancé
Amsco Wise Publications
Compilations regroupant les plus grands titres d'un genre musical spécialement ...(+)
Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste 'plat' sur le support du piano.Titres : Miserere mei, Deus [Allegri] - Sarabande [Arnold, Malcolm] - Aria from Goldberg Variations [Bach, J.S.] - Badinerie (from Orchestral Suite #2 in B Minor) [Bach, J.S.] - Prelude #11 in F Major (from The Well-Tempered Clavier) [Bach, J.S.] - Solfeggietto in C Minor [Bach, C.P.E.] - Symphony #7 - II. Allegretto [Beethoven] - Two Turtle Doves (from Partridge Pie) [Bennett, R.R.] - Prelude #6 (from Six Preludes) [Berkeley, Lennox] - Prelude from L'Arlésienne [Bizet] - Polovtsian Dances (from Prince Igor) [Borodin] - Wiegenlied (Lullaby) [Brahms] - Violin Concerto #1 - II. Adagio [Bruch] - Piano Concerto #1 - II. Larghetto (Romance) [Chopin] - Prelude in C Minor, Op.28 #20 [Chopin] - Waltz in A-flat Major, Op.69 #1 [Chopin] - Les Baricades Mistérieuses [Couperin] - The Little Shepherd (from Children's Corner) [Debussy] - Sarabande [Einaudi, Ludovico] - Snow Prelude #2 [Einaudi, Ludovico] - Nimrod (Var IX from 'Enigma' Variations) [Elgar] - Homenaje (Le Tombeau de Claude Debussy) [de Falla] - Agnus Dei (from Requiem in D Minor, Op.48) [Fauré] - Sicilienne, Op.78 [Fauré] - The North Pole (from Frozen Planet) [Fenton, George] - Prelude #1 (from Three Preludes For Piano) [Gershwin, George] - Metamorphosis Five [Glass, Philip] - Opening Piece from Glassworks [Glass, Philip] - Piano Concerto, Op.16 - I. Allegro Moderato (opening) [Grieg] - Hornpipe (Alla Danza) (from Water Music) [Handel] - Symphony #94 'The Surprise' - II. Andante [Haydn] - Consolation #5 [Liszt] - Paganini Variations (excerpts) [Lutoslawski, Witold] - Hebrides Overture ('Fingal's Cave') [Mendelssohn] - Overture to The Marriage of Figaro [Mozart] - Piano Concerto #21 in C Major - II. Andante [Mozart] - Promenade (From Pictures At An Exhibition) [Mussorgsky] - Big My Secret (from The Piano) [Nyman, Michael] - Jerusalem [Parry] - Sonata For Flute - 2nd Movement [Poulenc] - Mouvements Perpétuels - #1 [Poulenc] - Nessun Dorma (from Turandot) [Puccini] - Rondeau (from Abdelazer) [Purcell] - Piano Concerto #2 - II. Adagio Sostenuto [Rachmaninoff] - Rhapsody on a Theme of Paganini - Var XI and XVIII [Rachmaninoff] - Vocalise (No.14 from Fourteen Songs, Op.34) [Rachmaninoff] - Pavane (from Mother Goose) [Ravel] - Written On The Sky [Richter, Max] - The Elephant (from The Carnival Of The Animals) [Saint-Saëns] - Sonata in E Major, L.23 K.380 [Scarlatti, Domenico] - Unfinished' Symphony - I. Allegro Moderato [Schubert] - Sicilienne (from Album For The Young) [Schumann] - Prelude, Op.11 #15 [D-flat major] [Scriabin] - Romance in D-flat (No.9 from 10 Pieces for Piano, Op.24) [Sibelius] - The Firebird Suite - Finale [Stravinsky, Igor] - The Lamb [Tavener, John] - 1812 Overture [Tchaikovsky] - Dance of the Sugar Plum Fairy (from The Nutcracker Suite) [Tchaikovsky] - Dies Irae (from Requiem) [Verdi] - Autumn (1st movt) (from The Four Seasons) [Vivaldi] - Ride of the Valkyries [Wagner] - Vltava (The Moldau) (from Má Vlast) [Smetena] / Piano/Vocal/Guitare (PVG)
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| Schweizer: Weil Wir Von
Hilfe Leben - Woll:
Ewigkeit Im Augenblick -
Jericho - Zwischen Babel
Und Jerusalem (SCHWEIZER
ROLF / WOLL ERNA)
Chorale SATB [Partition]
Carus Verlag
Ewigkeit im Augenblick- Zwischen Babel und Jerusalem. Par SCHWEIZER ROLF / WOLL ...(+)
Ewigkeit im Augenblick- Zwischen Babel und Jerusalem. Par SCHWEIZER ROLF / WOLL ERNA. / Répertoire / Choeur Mixte
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| Lift To Experience (TEXAS
JERUSALEM CROSSROADS)
Guitare notes et tablatures [Partition]
I.M.P.
Par TEXAS JERUSALEM CROSSROADS. / Tablatures / Guitare Tablatures
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| Lauda Jerusalem
En Français
Chorale SATB
SATB A Cappella [Partition]
Leduc, Alphonse
La partition Lauda Jerusalem de Vivaldi/Durand a été composée pour Chant/Voca...(+)
La partition Lauda Jerusalem de Vivaldi/Durand a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Soli/Choeur 2 SATB Sans Accompagnement. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Soli/Choeur 2 SATB Sans Accompagnement / Partition
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| The Most Famous Classical
Music For Easier Piano
Piano seul - Facile
Hal Leonard
Lower Intermediate to Intermediate. 103 arrangements of must-know classical stan...(+)
Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano
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| Coelestis Urbs Jerusalem
Clas N034/Orgue
En Français
Divers [Partition]
Leduc, Alphonse
La référence AL27787 de l'éditeur Leduc dont l'auteur célèbre est Titelouze...(+)
La référence AL27787 de l'éditeur Leduc dont l'auteur célèbre est Titelouze/Dupre, qui a pour titre Coelestis Urbs Jerusalem Clas N034/Orgue, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Classique. / Divers / Partition
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| Landscape (MCCABE JOHN)
Piano seul [Partition]
Novello & Co Ltd.
Hills Near Jerusalem. Par MCCABE JOHN. This impressionistic three-minute piece w...(+)
Hills Near Jerusalem. Par MCCABE JOHN. This impressionistic three-minute piece was inspired by a visit to Jerusalem the composer made to research his orchestral work The Chagall Windows. Sustained chords are contrasted with an agile melody in the upper register, which is gradually extended and developed over the course of the piece./ Répertoire / Piano
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| Sepulchral City (JOST
CHRISTIAN)
Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées]
Schott
Music for Clarinet in Bb, Cello and Piano. Par JOST CHRISTIAN. In this trio, as ...(+)
Music for Clarinet in Bb, Cello and Piano. Par JOST CHRISTIAN. In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.'
In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls.
In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale./ Répertoire / Clarinette en Bb, Violoncelle et Piano
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| A Repton Fantasy (PARRY
CHARLES HUBERT)
Cornet et Brass Band [Conducteur] - Facile
Anglo Music
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT...(+)
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT. Sir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs oeuvres soient aujourd’hui très peu jouées ou même oubliées. Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut être confiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). / Niveau : 2 / oeuvre solo et Orchestre / Répertoire / Cornet et Brass Band
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| Korsfarerne (The
Crusaders) op. 50
Chorale, Orchestre [Partition]
Barenreiter
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade co...(+)
Dramatic poem for Soloists, Choir and Orchestra. Par GADE NIELS WILHELM. Gade composed the cantata ?The Crusaders? op. 50 for soloists, choir and orchestra (termed as ?Dramatic Poem? in the original print) in the summer of 1865; it was premiered on 24 April 1866.
Together with the cantatas ?Kalanus? and ?Zion? written later, the work constitutes, in Gade?s understanding, a ?kind of trilogy? which centers on different manifestations of the ?longing for the true light?.
The libretto of ?The Crusaders? by Carl Andersen is based on motives from Torquato Tasso?s ?Jerusalem Delivered? and spreads these over three sections which themselves are subdivided multiple times: I In the Desert ? II Armida - III Towards Jerusalem./ Répertoire / Chant et Orchestre
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| Vespro Della Beata
Vergine
'Marienvesper'
(MONTEVERDI CLAUDIO)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orc...(+)
2 Solo Sopranos, 2 Solo Altos, 3 Solo Tenors, 2 Solo Basses, Mixed Choir and Orchestra. Par MONTEVERDI CLAUDIO. Scholarly-critical Urtext edition orientated towards performance practice. Detailed critical commentary (Eng) in the full score. Movements 10, 13 and 14 are included in their original high clef in the appendix of the full score. These movements are also available with Piano reduction as print-on-demand. Claudio Monteverdi’s “Vespro della Beata Vergine” is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings, it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas, under thedirection of the Monteverdi specialist Hendrik Schulze. The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led, for instance, to a divergent evaluation of the “Lauda Jerusalem” oriented towards performance practice, with numerous additional accidentals and a new interpretation of the melodic variants from the different part books. These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible. Full score & performance material available for sale./ Répertoire / 2 Solo Sopranos/3 Solo Ténors/2 Solo Basses/Orches
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| Wachet Auf, Ruft Uns Die
Stimme (BORNEFELD HELMUT)
Solo S et Orgue [Partition]
Carus Verlag
Choralkantate Ix. Par BORNEFELD HELMUT. Bornefelds Choralkantate verbindet das G...(+)
Choralkantate Ix. Par BORNEFELD HELMUT. Bornefelds Choralkantate verbindet das Gleichnis von den klugen und törichten Jungfrauen mit dem Choral 'Wachet auf, ruft uns die Stimme' und der eschatologischen Sicht des neuen Jerusalem. Die Orgel, die dem Gesangspart ebenbürtig gegenübersteht, hat verschiedene Funktionen: In den rezitativisch freien Teilen bildet sie den klanglichen Untergrund, während sie bei den dramatischen Teilen den gesungenen Text ausmalt. Auch die Einleitung deutet schon deutlich auf das Geschehen im Gleichnis hin: pochende dumpfe Akkorde markieren immer wieder das vergebliche Klopfen der Jungfrauen an den verschlossenen Türen./ Répertoire / Solo S et Orgue
Délais: 2-5 jours - En Stock Fournisseur | | |
| A Repton Fantasy (PARRY
CHARLES HUBERT)
Fanfare [Conducteur et Parties séparées] - Facile
Anglo Music
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT...(+)
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT. Sir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs oeuvres soient aujourd’hui très peu jouées ou même oubliées. Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). / Niveau : 2 / oeuvre solo et Orchestre / Répertoire / Fanfare
Délais: 2-5 jours - En Stock Fournisseur | | |
| Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...(+)
Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
Délais: 2-5 jours - En Stock Fournisseur | | |
| A Repton Fantasy (PARRY
CHARLES HUBERT)
Cornet et Brass Band [Conducteur et Parties séparées] - Facile
Anglo Music
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT...(+)
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT. Sir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs oeuvres soient aujourd’hui très peu jouées ou même oubliées. Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). / Niveau : 2 / oeuvre solo et Orchestre / Répertoire / Cornet et Brass Band
Délais: 2-5 jours - En Stock Fournisseur | | |
| Hirtenlieder (BORNEFELD
HELMUT)
Voix et Orgue [Partition]
Carus Verlag
Texte Nach Rumänischen Volksliedern Ins Deutsche Übertragen Von Béla Bartók....(+)
Texte Nach Rumänischen Volksliedern Ins Deutsche Übertragen Von Béla Bartók. Par BORNEFELD HELMUT. movements: I. Der Stern geht auf, II. An einem Hügel bei Jerusalem, III. Es kommt das Meer, das große Meer, IV. Es erbauen die Griechen ein Kloster, V. Oben an der Bergespitze, VI. Dort oben gegen Morgenland/ Répertoire / Voix et Orgue
Délais: 2-5 jours - En Stock Fournisseur | | |
| The Piano Player Series:
Uplifting Classics
Piano seul [Partition]
Faber Music Limited
Par . The Piano Player: Uplifting Classics presents 20 of the most famous pieces...(+)
Par . The Piano Player: Uplifting Classics presents 20 of the most famous pieces of classical music, ideal to lift the spirits specially arranged for intermediate solo piano. Contents include Can-Can by Offenbach, Jerusalem by Parry and William Tell Overture by Rossini. The striking cover features Edward Bawden?s colour linocut Aesop?s Fables: Peacock and Magpie, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible.
The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork. / Date parution : 2023-07-31/ Recueil / Piano
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| A Repton Fantasy (PARRY
CHARLES HUBERT)
Orchestre d'harmonie [Conducteur et Parties séparées]
Anglo Music
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT...(+)
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT. Sir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs oeuvres soient aujourd’hui très peu jouées ou même oubliées. Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). / Niveau : Facile à Intermédiaire / oeuvre solo et Orchestre / Répertoire / Concert Band ou Harmonie
Délais: 2-5 jours - En Stock Fournisseur | | |
| Ave Maria And Other
Great Sacred Solos -
Voice
Piano, Voix [Partition] - Intermédiaire
Dover Publications
Description The most important religious songs of the past 250 years appear i...(+)
Description The most important religious songs of the past 250 years appear in this collection, a treasury of sacred songs known and loved by singers and listeners at home, in church, and in concert. This compilation includes settings of Ave Maria, Ave Verum Corpus and Panis Angelicus. Songlist Agnus Dei [Bizet, Georges] And God Shall Wipe Away All Tears (The Light Of The World) [Sullivan, Arthur] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Franck, Cesar] Ave Maria Op.52 No.6 [Schubert, Franz] Ave Verum Corpus [Chausson, Ernest] Ave Verum Corpus K.618 [Mozart, Wolfgang Amadeus] Cantique De Jean Racine [Faure, Gabriel] Contentment [Mozart, Wolfgang Amadeus] En Priere [Faure, Gabriel] Hosanna [Granier, Jules] Jerusalem [Parry, Hubert] Jesu, Joy Of Man's Desiring (Cantata BWV 147) Kol Nidre La Procession [Franck, Cesar] Le Crucifix [Faure, Jean-Baptiste] Le Sommeil De L'enfant Jesus [Busser, Henri] Litany For All Souls' Day [Schubert, Franz] My Heart Ever Faithful [Bach, Johann Sebastian] Nazareth [Gounod, Charles] No Candle Was There And No Fire [Lehman, Liza] Noel [Holmes, Augusta] O Divine Redeemer [Gounod, Charles] O For The Wings Of A Dove [Mendelssohn, Felix] O Holy Night (Cantique de Noel) [Adam, Adolphe] Panis Angelicus [Charpentier, Marc Antoine] Panis Angelicus [Franck, Cesar] Pie Jesu (Requiem) [Faure, Gabriel] Pieta, Signore [Stradella, Alessandro] Preghiera [Rossini, Gioacchino] Ring Out, Wild Bells [Gounod, Charles] Sleeping Christ Child [Wolf, Hugo] Tantum Ergo [Franck, Cesar] Tantum Ergo [Vierne, Louis] The Heavens Declare [Beethoven, Ludwig Van] The Holy City [Adams, Stephen] The Lost Chord [Sullivan, Arthur] The Palms [Faure, Jean-baptiste] The Virgin's Slumber-song [Reger, Max] There Is A Green Hill Far Away [Gounod, Charles] To Thee, My God [Beethoven, Ludwig Van]
Délais: Sur commande | | |
| Judas Maccabaeus (New
Novello Choral Edition)
Chorale SATB
Novello & Co Ltd.
The Maccabaean Revolt in the second century B.C. provided the background to the ...(+)
The Maccabaean Revolt in the second century B.C. provided the background to the story that unfolds in Judas Maccabaeus . It is part of the history of the Ptolemaic and Seleucid Empires. This oratorio follows the story from the death of Alexander the Great in 323 B.C. up until Judas' march on Jerusalem in 164 B.C. With a libretto supplied by Thomas Morell, Handel's great work was first performed at the Theatre Royal, Covent Garden, on April the 1st, 1747, as part of his annual Lenten season of oratorios. By the time of Handel's death in 1759, Judas Maccabaeus had become the composer's second most popular oratorio, having received 33 London performances under the composer's supervision ( Messiah had 36). For SATB soli, SATB chorus and accompaniment. This version edited by Merlin Channon. Includes historical notes. / Chant Et Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| Festival Of Faith (MARTIN
JOSEPH M)
Chorale SATB
Shawnee Press
Par MARTIN JOSEPH M.. Festival of Faith is a celebration of the life and ministr...(+)
Par MARTIN JOSEPH M.. Festival of Faith is a celebration of the life and ministry of Christ. Through hymns, original anthems and scripture readings, we travel with Him down the dusty roads of Galilee and the ancient stone streets of Jerusalem. We climb the windswept hill of Calvary and enter the garden of resurrection. The orchestration creates a soundscape for this dramatic retelling and a full line of companion products are available to support your rehearsals and performance. This significant work is ideal for performances during Eastertide and will have a lasting impact on your community as they remember the life of the Savior. Songs include: Procession of Faith- And Can It Be That I Should Gain- ACall to Faith- Come to the Mountain- Prayer of Restoration- Festival of Palms- In the Breaking of the Bread- Shadow Garden- I Saw the Cross of Jesus- Easter People, Rise- A Call to Alleluia. Score and Parts for Full Orchestra (fl 1-2, ob/enghn, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, perc, kybd) available as a Printed Edition and as a digital download./ Répertoire / SATB
Délais: 2-5 jours - En Stock Fournisseur | | |
| Jerusalem Chant/Piano
Piano, Voix
Novello & Co Ltd.
And Did Those Feet In Ancient Times. Words by William Blake. Arranged by Albert ...(+)
And Did Those Feet In Ancient Times. Words by William Blake. Arranged by Albert Howe for voice and piano or organ. / Chant Et Piano
Délais: En Stock | | |
| A Repton Fantasy (PARRY
CHARLES HUBERT)
Fanfare [Conducteur] - Facile
Anglo Music
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT...(+)
Based on the hymn tune Dear Lord and Father of Mankind. Par PARRY CHARLES HUBERT. SSir Hubert Parry (1848-1918) appartient à cette génération de compositeurs anglais quelque peu oubliés dont font partie Charles Villiers Stanford et Sir Granville Bantock. La notoriété de Sir Edward Elgar a certainement contribué au fait que leurs oeuvres soient aujourd’hui très peu jouées ou même oubliées. Sir Hubert Parry est surtout connu pour ses hymnes tels que Jerusalem et Repton, toutes deux de magnifiques mélodies. Repton est apparu pour la première fois dans l’oratorio Judith de Charles Hubert Parry puis adapté sous forme d’hymne après la mort du compositeur. Philip Sparke en a réalisé un arrangement dans lequel la partie soliste peut êtreconfiée à un trompettiste, un clarinettiste ou un saxophoniste (saxophone alto). / Niveau : 2 / oeuvre solo et Orchestre / Répertoire / Fanfare
Délais: 2-5 jours - En Stock Fournisseur | | |
| Hosanna to the King!
(REINAGLE ALEXANDER)
Piano, Voix [Partition]
Hal Leonard
Par REINAGLE ALEXANDER. Useful for either Palm Sunday or Easter, Alexander Reina...(+)
Par REINAGLE ALEXANDER. Useful for either Palm Sunday or Easter, Alexander Reinagle's familiar melody is clothed with a new lyric from the pen of Chris Anderson. Triumphant throughout, Richard Nichol's arrangement develops a backdrop for Christ's majestic entry into Jerusalem. / Date parution : 2022-05-31/ Répertoire / Chant et Piano
Délais: 2-5 jours - En Stock Fournisseur | |
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