Par SEBASTIAN JOHN. Veuillez consulter la section étoffe écouter and apprendre de ce catalogue pour une description complète. / Méthode en anglais / Recueil / Harmonica

Vocal score for Johann Sebastian Bach's The Passion Of Our Lord for SATB soli, SATB chorus, orchestra and organ. This volume contains all vocal parts and a piano accompaniment. / Chant/Vocal/Choeur

Pas moins de 250 ans d'histoire de la musique sont passées en revue dans ce volume, à commencer par le maître compositeur Johann Sebastian Bach et culminant avec Maurice Ravel. Afin d'aider à l'étude de la plus rapide fonctionne le CD fournit des pistes d'accompagnement à un tempo plus lent pour la facilité de pratiquer, ainsi que à la vitesse spécifiée du compositeur pour l'exécution terminée. / Hautbois / 24 pages / niveau : Elémentaire - Moyen / Partition + Cd

Pas moins de 250 ans d'histoire de la musique sont passées en revue dans ce volume, à commencer par le maître compositeur Johann Sebastian Bach et culminant avec Maurice Ravel. Afin d'aider à l'étude de la plus rapide fonctionne le CD fournit des pistes d'accompagnement à un tempo plus lent pour la facilité de pratiquer, ainsi que à la vitesse spécifiée du compositeur pour l'exécution terminée. / Flûte Traversière / 24 pages / niveau : Elémentaire - Moyen / Partition + Cd

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2004-03-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

A Guide to Fingerpicking, Including Folk, Blues, Ragtime and Travis Picking Styles. Par ROTH ARLEN. A master guitarist and pioneer of guitar education, Arlen Roth has been a part of the guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Arlen passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass - Travis picking - harmonyshuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! A master guitarist and pioneer of Guitar education, Arlen Roth has been a part of the Guitar scene for decades, touring and recording with artists such as Simon and Garfunkel, Bob Dylan, John Prine, Ry Cooder, Levon Helm, John Sebastian and countless others. In this new video series, Roth passes along his knowledge of authentic folk and blues fingerpicking styles, providing tips, licks, songs and detailed breakdowns. The accompanying book reinforces your learning experience with transcriptions of key examples from the videos, presented in standard notation and tablature. Topics covered include: basic fingerpicking technique - alternating bass -Travis picking - and ldquo - harmony and rdquo - shuffles - turnarounds - accent strokes - blues, folk, ragtime and rockabilly styles - styles of Merle Travis, Blind Blake, Chet Atkins, Scotty Moore and others. Includes over an hour of video lessons! / Pédagogie / Méthode / Guitare

This songbook contains 101 top hits, arranged for easy Piano. Featuring pieces from many different genres, Really Easy Piano: 101 Top Hits includes songs by Elton John, Snow Patrol, Frank Sinatra, Beyoncé, Abba and many more well-known artists. / Piano

Ce livre contient les classiques de mariage la plus connue et la plus belle. Les grands compositeurs d'époques différentes de style sont présents: de Johann Sebastian Bach à Richard Wagner. Avec majestueuses ainsi que des mélodies joyeusement informel, Classics for Weddings offre ample choix. Sur le CD vous trouverez démo ainsi que play-along versions de tous les morceaux? une aide à la fine pour étudier! Comprend également une partie de piano, qui est également adapté pour orgue (manuels seulement). / Violon Et Piano / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

Ce livre contient les classiques de mariage la plus connue et la plus belle. Les grands compositeurs d'époques différentes de style sont présents: de Johann Sebastian Bach à Richard Wagner. Avec majestueuses ainsi que des mélodies joyeusement informel, Classics for Weddings offre ample choix. Sur le CD vous trouverez démo ainsi que play-along versions de tous les morceaux? une aide à la fine pour étudier! Comprend également une partie de piano, qui est également adapté pour orgue (manuels seulement). / Saxophone Et Piano / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue