Cette édition propose Tangos and Milongas le compositeur Jorge Polanuer, l'un des meilleurs musiciens de tango argentin contemporain. Son ensemble, composé de musiciens de la plus haute classe, offre un CD pour le fond nécessaires. Ecoutez l'enregistrement complet d'abord, puis jouer le 'play-along' avec le CD. La musique vous emmènera dans la nuit 'Paris de l'Amérique du Sud', Buenos Aires, à côté des clubs où le tango est vrai à la vie.Titre: Le Mouchoir (Tango), ne me tue pas sinon je vais mourir (Milonga), Mon ami (Tango), sans s'en rendre compte (Tango), deux mots (Waltz), Blanca (Tango), petit coin (Milonga ), rien à perdre (Tango) Reine de la Nuit (Waltz), personne n'a quitté la ville (Tango), les céphalées (Milonga), Milanesita (Milonga pour 2 flûtes).Jorge Polanuer, (né le 29/11/1960), saxophoniste, flûtiste, compositeur, arrangeur et professeurs de musique. Il a obtenu son diplôme en 1983 en tant que professeur de flûte au Conservatoire National de 'Música Carlos Lopez Buchardo' L'institution la plus influente en Argentine. Jorge est un membre du théâtre et le groupe de danse 'Cuatro Vientos' (www.cuatrovientos.com.ar) depuis 1987. Avec ce groupe, il a participé à de nombreuses tournées à Madrid, Lisbonne, Miami, le Mexique, le Venezuela, le Costa Rica, la Bolivie et le Brésil. Il est apparu cinq CD avec des artistes bien connus suivants: Les Luthiers, Andrés Calamaro, Chango Spasiuk et Bob Telson. Jorge Polanuer a également été membre de divers ensembles dans le jazz, le rock, la fusion et la musique classique, comme le 'Los Abuelos de la Nada' et la 'bande de Andrés Calamaro', où il a participé à quatre CDs utilisation. Jorge composé nombreuses musiques de théâtre: * 'Gala', 'joyeux drilles de Shakespeare', 'Shakespiriando', 'Sinvergüenzas' (Pas de honte), 'Cuatro Vientos y el Saxo Mágico' * (Cuatro Vientos et le Magic Sax), 'Alma de Saxofón '* (Soul of the Saxophone),' La Tempestad '* (La Tempête), et' Sudestada '* disponible sur CD. Il est lauréat du' Premio ACE (Asoc. Cronistas del Espectáculo), 2000 '(prix de musique le plus important en Argentine la catégorie 'Meilleur Spectacle Musical'). En 2001, il a reçu le 'Journal de saxophone,' l'invitation à effectuer une roche de master class. / Flûte

Retrouvez 10 de vos morceaux préférés de Latin Jazz spécialement arrangés pour trompette. Inclus un CD avec des enregistrements professionnels des oeuvres. Disponible aussi pour batterie, basse, guitare, saxophone ténor, saxophone alto, trombone et piano. / Trompette

The 100 pieces (including individual sonatina movements) in this anthology provide a valuable resource for pianists and piano teachers as well as piano pedagogy faculty and students. The literature ranges from late elementary to intermediate levels of difficulty. Repertoire was chosen from all style periods and each piece includes suggestions for fingering and pedaling. All selections are in their original form (no arrangements, simplifications, or other adaptations). 172 pages. Comb-bound. / Piano

This book and CD pack contains 12 original pieces by Jorge Polanuer in a number of different styles including rock salsa reggae chorinho chamane funk soul and gospel.All pieces notated for alto sax and tenor sax.

Take centre stage and play along with a live rhythm section featuring Bass, Drums and Piano This collection features 24 great songs, from Jazz and Blues standards through Soul and Gospel favourites and lively Swing and Latin numbers. The authentic CD backing tracks will help you achieve a more professional performance. What's included: Printed music - 24 pieces in melody line arrangements Two audio CDs - Professional 'soundalike' performances of every piece featuring a live band on CD 1, plus backing tracks to play along with on CD 2. / Flûte Traversière

Par PENARD OLIVIER. Dans les deux poèmes réunit pour ce cycle, Jorge Luis Borges figure deux états tragiquement opposés de la passion amoureuse. A la fois sensuel et contemplatif, 'Ni la intimidad de tu frente...' est un hymne passionné à l'amour non encore totalement éclos. Oscillant entre récitatif et mélopée voluptueuse, la musique nourrit cette montée du désir en soutenant librement la voix. Après un bref interlude, 'Tarde que soccavo nuestro adios...' nous plonge dans un drame où la musique, plus acide, plus vigoureuse, souligne la violence charnelle du texte. Le caractère hispanisant des harmonies se mêle aux figures debussystes, la densité quasi orchestrale du piano conduit le chanteur à exhorter la douleur d'un amour qui n'est déjà plus. 'Olivier Penard a une oreille juste qui comprend, qui entend sans concessions à des modes contemporaines. Il a aussi une vraie culture du chant, de la voix, peut-être pas encore assez de la langue, mais chacun sait que c'est le plus long à acquérir. Son Espagne est comprise, reconnaissable et originale néanmoins. La partie piano, plutôt concertante, est sans timidité aucune, sans retenue - pas encore novatrice mais déjà d'une belle complexité. Les recherches harmoniques sont convaincantes, larges, osées. Ce n'est pas une écriture de papier mais celle de quelqu'un qui a des choses à dire, un feu intérieur et une puissance, une conviction trop rare de nos jours.' Jean-François Ballèvre, pianiste / contemporain / Répertoire / Baryton Solo et Piano

Jorge Cardoso is a recognized performer who has travelled the world over giving hundreds or concerts as a soloist, in duos, and with orchestras. There are innumerable recordings of his performances, and he is a prolific composer whose works have been recorded by other guitarists in more than thirty albums. Cardoso is also a master teacher with followers around the world. This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to the workshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the proper development of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it 'Aguado's machine', Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings of the hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author, backed up by his knowledge as a doctor. As Jorge Cardoso says in the introduction, this course 'can be useful both to beginners and to more advanced players. . . it can be useful to anyone who plays a plucked stringed instrument.' It includes basic demonstrations and explanations about how the hands work from the moment they are placed on the guitar, as well as exercises and concert pieces of the highest level. There is a discussion of strumming technique, of 'toque mixto' and four complete pieces interpreted by the author. The course will also be useful for electric guitarists and others who have focused on the use of the pick and have neglected other essential guitar techniques. UK product number 8353412233. / Guitare Classique / 125 pages / niveau : Multiple Levels / Dvd - Format: 7,5 X 5,25

Media Type : Book/CD Set Level : Intermediate Musical Genre : Latin American Number of pages : 32 Renowned Argentine virtuoso Jorge Morel offers insight in the playing of complex Latin dance rhythms: the milongo, tango, samba, malambo, and choro - plus a salsa tune! In standard notation and tablature.

'These compositions like most of my music are of Latin American roots rhythms and melodies. However the harmonies always have a jazz influence without losing that Latin flavour. Four of the five pieces in this book arededications except Lullaby of Love. I would say I wrote it for myself and it is the only piece recorded by me on my new CD Latin Dialog released by Luthier Music. My hope with this music is to bring moreguitarists closer to the Latin American literature for the guitar that is still much in need of recognition.'- Jorge Morel

A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in thetango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi by Horacio Salgan; Gallo Ciego by Agustin Bardi; El Choclo by Angel Villoldo; and Milonga del Viento and Otro Tango;Buenos Aires by Jorge Morel. Includes access to a companion online audio featuring Mr. Morel's performance of each solo.

Duets for Classical Guitar 1. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr's Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions'from stylistically varied periods and for a range of original instrumentations'are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.

Par GRUNDMAN JORGE. Originally written for flute and piano and commissioned by the 17th Toledo International Music Festival, Warhol in Springtime takes its name from Andy Warhol and is structured as if a painting were composed from the same image in different tonalities. It should last approximately 15 minutes, in reference to Warhol's famous phrase. The dynamics and expression of the work should be matched by both performers, flautist and pianist, as they feel it. It is dedicated to the late Ukrainian composer Nikolai Kapustin. It belongs to the cycle of four sonatas for flute and piano called The Warhol's Four Seasons of New York. / Date parution : 2022-04-26/ Répertoire / Violon et Piano

These two pieces for classic Guitar duo were composed for the Hanser-McClellan Guitar Duo.Two to Tango is a tango rhapsody for two Guitars using mainly tango rhythm combined with that of the milonga anotherArgentinean dance closely related to the tango. The interaction of the two Guitars playing single lines at times and then changing roles between the melody and the rhythm makes it more interesting for bothplayers.Millennium Duet was written as a homage to Chet Atkins. The piece opens with a brief reflection of country and western rhythmic ideas with a melody of a different character. It later moves on to otherpatterns at times combining some Latin American rhythms with a little touch of jazz harmony.This book includes two separate Guitar parts and a combined score written in standard notation only. The companion CD features thepremiere recording of the pieces by the Hanser-McClellan Guitar Duo.