Par HODGES STEVE. Upon completion of an activity, an event, or other meaningful experiences, there is a time for reflection for what has been accomplished and what is to follow. This lyrical piece features a memorable melody that is presented by all sections of the band. These reflective presentations lead into a slightly faster minor section indicating the anticipation of plans for the future. The final presentation of the melody indicates a positive feeling of accomplishment and features a moving countermelody by the woodwinds leading to a quiet, contemplative ending. Check out Journey's End, composed by Steve Hodges. (2:48) / Date parution : 2022-10-12/ Répertoire / Concert Band

Par JOEL BILLY. Ce songbook reprend tous les titres du coffret 4 CDs et DVD paru en 2005. Arrangements pour piano chant et guitare (diagrammes d'accords). / Rép International / Date parution : 2008-09-10/ Recueil / Piano, Chant et Guitare

Eight great pieces by Eric Baumgartner! This collection includes six of Baumgartner's favorite pieces through the years, as well as two brand new solos composed especially for this series. / Piano

Paperback-This setting for SATB and organ uses a familiar Provencal tune. It is sung mostly in unison and in octaves with one stanza richly harmonized. The piece ends with one of Baldwin's characteristically lovely descants.

The Blues has been called The Devil's Music. It can be played in many different ways. Each brings a different dimension to this timeless musical form. In this lesson we travel the roads and byways of the South in search ofvarious approaches to translate this musical form to the strings and frets of your guitar. From Atlanta to the Mississippi Delta from New Orleans to Texas this lesson presents diverse and exciting fingerstyle blues techniquesand styles. We explore the steady alternating bass of Mississippi John Hurt's Ain't Nobody But You Babe to the rough and tumble playing of Son House's Banty Rooster in an Open G tuning. Barbecue Bob's melodicMississippi Heavy Water Blues with it's repeating bass line motif is rearranged to a partial Open G tuning (D G D G B E) and combines the Atlanta blues sound with that from North Carolina. We get a taste of New Orleans and a moresophisticated approach for the playing of the Ray Charles hit Let's Go Get Stoned. We end our journey with Goin' Down Slow. A steady bass played blues in A with melodic lead lines but played in dropped D tuning a technique taughtto me by Mance Lipscomb.

after a poem by Friedrich Schiller. Par SPARKE PHILIP. Ce morceau est basé sur l’un des poèmes les plus connus de la littérature allemande, notamment l’épopée de 1798 de Friedrich Schiller, Das Lied der Glocke ( La Chanson de la cloche ). Le poème établit un parallèle entre la vie humaine et le procédé de mouler une cloche. Il y a trois mouvements : Life Celebration (la célébration de la vie), Sound the Alarm (sonnez l’alarme) et Journey’s End (Fin du trajet). / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Celebrating the 100th Anniversary of Disney. What better way to celebrate the 100th anniversary of Disney than with 100 magical songs in a beautiful, collectible hardcover edition' Beginning with a foreword by composer and Disney legend Alan Menken, and a preface by Walt Disney Records Supervising Producer and Music Historian Randy Thornton, and featuring colorful art throughout, Disney 100 Songs will take you on a century-long musical journey through 60 feature films, theme park attractions, and television shows. Each song is presented with melody, lyrics, and chords so everyone will be able to sing and play these beloved favorites. Songs include: Baby Mine · Be Our Guest · Beauty and the Beast · Bella Notte · Bibbidi-Bobbidi-Boo (The Magic Song) · Breaking Free · Can You Feel the Love Tonight · Chim Chim Cher-ee · Do You Want to Build a Snowman' · For the First Time in Forever · Friend like Me · Hakuna Matata · How Far I'll Go · I've Got No Strings · The Incredits · Into the Unknown · Lava · Let It Go · The Place Where Lost Things Go · Reflection · Remember Me (Ernesto de la Cruz) · Seize the Day · Speechless · A Spoonful of Sugar · Supercalifragilisticexpialidocious · That's How You Know · Under the Sea · We Don't Talk About Bruno · We're All in This Together · Who's Afraid of the Big Bad Wolf' · Wild Uncharted Waters · Winnie the Pooh · You'll Be in My Heart (Pop Version)* · You've Got a Friend in Me · and more!

Journey Through the Classics est une série en quatre volumes pour piano du répertoire destiné à permettre aux étudiants de façon transparente à partir des premiers chefs-d'oeuvre classiques à l'intermédiaire. Les morceaux calibrés sont présentés dans un ordre progressif et disposent d'une variété de favoris classiques essentiels à la fondation éducative tout étudiant piano.Avantages: Pour progressif offre une variété de styles musicaux dans un ordre logique- Comprend un tableau de référence à la période stylistique et éléments énumérés défi pour chaque pièce- idéal répertoire authentique pour les auditions et récitals, et plus encore. Qualité et valeur font de cette série un compagnon idéal pour toute méthode classique! / Piano

Musique A Grande Vitesse (MGV ) translates as 'high speed music' and was commissioned by the Festival de Lille for the inauguration of the TGV North European Paris-Lille line in 1993.The piece runs continuously, but was conceived as an abstract, imaginary journey- or rather five inter-connected journeys, each ending with a slow, mainly stepwise melody which is only heard in its 'genuine' form when the piece reaches its destination.Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic, melodic, harmonic, motivic, textural - constantly change their identity as they pass through different musical 'environments'.The opening bars establish both a recurrent rhythmic principle - 9, 11, or 13-beat rhythmic cycles heard against a regular 8 - and a harmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally, MGV begins in C and ends in E). A later scalic, syncopated figure (again first heard over C, E and A) begins the second section, featuring Brass, in D flat.The topography of MGV should be experienced without reference to planning, description or timetables. The piece's tempo changes and unpredictable slowings down bear no logical relation to the high speed of the Paris-Lille journey, while the temptation to treat MGV as a concerto grosso, with the Michael Nyman band as the ripeno, was resisted: more suitably the band (amplified in live performance) lays down the tracks on which MGV runs. / Orchestre

Journey Through The Classics is a four-volume Piano repertoire series designed to lead students seamlessly from the easiest classics to the intermediate masterworks.The graded pieces are presented in a progressive order and feature a variety of classical favorites essential to any Piano student's educational foundation. The authentic repertoire is ideal for auditions and recitals and each book includes a handy reference chart with the key, composer, stylistic period, and challenge elements listed for each piece. Quality and value make this series a perfect classical companion for any method. / Piano