| The Bells of Wyche Cloches Sacred Music Press
Handbells (3-5 octaves) - Level 2 SKU: LO.20-1040 For Handbells (3-5 O...(+)
Handbells (3-5 octaves) -
Level 2 SKU:
LO.20-1040 For
Handbells (3-5
Octaves). Composed by
Philip Young. Sacred.
Handbell score. Sacred
Music Press #20/1040.
Published by Sacred Music
Press (LO.20-1040).
UPC:
000308022995. 3-5
octaves. General. Medium.
Jubilant and tuneful,
building into the
cascading glory of
festive bell peals.
Ringers are kept busy
throughout, creating
lovely bell music - free
of gimmicks and special
effects. Here is
idiomatic writing for
handbells which offers a
refreshing departure from
the all-too-common
overuse of clanging
shakes and startling
martellato. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jubilate! Bells Are Ringing Chorale 2 parties 2 parties Pavane Publishing
Arranged by Ellen Foncannon. 2-Part. Pavane Choral. 8 pages. Pavane Publishing #...(+)
Arranged by Ellen
Foncannon. 2-Part. Pavane
Choral. 8 pages. Pavane
Publishing #P1404.
Published by Pavane
Publishing
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ring the Christmas Bells Chorale Jubilate Music
Composed by Joseph M. Martin, words by Tina English. Choral (Sacred); Choral O...(+)
Composed by Joseph M.
Martin,
words by Tina English.
Choral
(Sacred); Choral Octavo;
Worship Resources. Alfred
Sacred: The Music of
Christmas. Christmas;
Sacred;
Winter. Published by
Jubilate
Music Group
$2.15 $2.0425 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jubilant Festival Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Timpani, Triangle
and more. - Grade 2
SKU: CF.YPS108F
Composed by Bill Calhoun.
SWS. Young Performance
Series. Full score. With
Standard notation. 24
pages. Duration 2
minutes, 50 seconds. Carl
Fischer Music #YPS108F.
Published by Carl Fischer
Music (CF.YPS108F).
ISBN 9780825887833.
UPC: 798408087838. 9x12
inches. Jubilant
Festival is a joyous
piece that begins with a
fanfare-like gesture and
then leads to an
uplifting melody in the
woodwinds. This is
followed by excellent
counter-melodies n the
middle voices and
well-scored lyrical
lines. A showcase piece
for the young band that
can be used at contest or
festival performance,
Jubilant Festival will
impress the judges for
sure! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jubilant Celebration MorningStar Music Publishers
Composed by J. Wayne Kerr. Handbell score. Published by MorningStar Music Publis...(+)
Composed by J. Wayne
Kerr. Handbell score.
Published by MorningStar
Music Publishers
(MN.30-811).
$4.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Jubilant Song Voix basse, Piano [Partition] Hal Leonard
Medium Low Voice. By John Leavitt. Vocal Collection. Book only. Size 9x12 inches...(+)
Medium Low Voice. By John
Leavitt. Vocal
Collection. Book only.
Size 9x12 inches. 56
pages. Published by Hal
Leonard Corporation.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fanfare and Jubilation - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137F Composed
by Michael Boo. Sws. Bps.
Full score. 16 pages.
Duration 2:20. Carl
Fischer Music #BPS137F.
Published by Carl Fischer
Music (CF.BPS137F).
ISBN 9781491158494.
UPC: 680160917099. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fanfare and Jubilation - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone, Trumpet 1 and
more. - Grade 1 SKU:
CF.BPS137 Composed by
Michael Boo. Folio. Bps.
Set of Score and Parts.
4+4+2+4+4+2+2+3+2+2+2+4+4
+3+2+2+2+3+1+1+2+1+16
pages. Duration 2:20.
Carl Fischer Music
#BPS137. Published by
Carl Fischer Music
(CF.BPS137). ISBN
9781491158487. UPC:
680160917082. 9 x 12
inches. Fanfare and
Jubilation is a Grade 1
work that is playable by
any beginning band with
any instrumentation due
to extensive doubling.
The mood is regal and
optimistic and is
non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldnat be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you donat have
access to Timpani or a
timpanist. Bells cover a
wide rangea|the lower
octave sections should
not be played louder just
because theyare low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
donat get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isnat plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion. Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue. Percussion
accents are to played
with more emphasis than
non-accented notes, but
shouldn't be perceived as
being much louder.
Timpani is only two
pitches and is optional.
The piece will not suffer
at all if you don't have
access to Timpani or a
timpanist. Bells cover a
wide range...the lower
octave sections should
not be played louder just
because they're low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate. Think
of the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don't get carried away
and give them more
emphasis than is
musically desired. At m.
21, be careful that the
bass line isn't plodding
or over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section. There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. Fanfare
and Jubilation is a Grade
1 work that is playable
by any beginning band
with any instrumentation
due to extensive
doubling. The mood is
regal and optimistic and
is non-programmatic,
conveying no picturesque
image or storyline. It is
appropriate for any
occasion.Accents are to
be emphasized more than
non-accented notes, but
are not to be hammered
hard. Stress that
accented notes are to be
played with the same good
tone as the other notes
and that pitches should
not suffer from the
additional emphasis.
Think of the accents as
more of an additional
emphasis from the air
column and not the
tongue.Percussion accents
are to played with more
emphasis than
non-accented notes, but
shouldn’t be
perceived as being much
louder. Timpani is only
two pitches and is
optional. The piece will
not suffer at all if you
don’t have access
to Timpani or a
timpanist. Bells cover a
wide range…the
lower octave sections
should not be played
louder just because
they’re low
pitched, as those notes
will still be
appropriately heard while
supporting the melody. Do
not use brass mallets.
Balter 10 Phenolic
mallets or equivalent
(such as clear Balter
Lexan or white Medium
Hard Poly models) are
most appropriate.Think of
the m. 10 accented
quarter notes tied to the
half notes (and similar
later examples) as being
akin to Horn rips in a
Hollywood movie. They are
to be emphasized slightly
but should not be
blaring. Even though they
are the only things
happening on counts 2 and
3, care must be given
that the young players
don’t get carried
away and give them more
emphasis than is
musically desired.At m.
21, be careful that the
bass line isn’t
plodding or
over-emphasized due to
the accents. Those
players should be aware
of the sudden drop in
volume and lack of
accents at m. 25.
Attention to sudden
dynamic shifts will add
interest to the piece and
present a more musical
performance. Throughout
this entire section, try
to get all winds to
sustain a single breath
through four bars until
the breath marks. If they
are unable to do so,
please explain the
concept of staggered
breathing between members
of their section.There
may be a tendency among
the players to blast out
m. 57 to the end. Notes
should have more power
than the section from mm.
21-56, but are still to
be approached musically.
Explaining such concepts
during their early
musical development will
go far in helping them
develop good traits that
will pay off dividends in
the future. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jubilate Chorale SATB SATB, Piano - Débutant Oxford University Press
SATB choir and piano/organ (SATB) - Very Easy to Easy SKU: OU.9780193372801(+)
SATB choir and
piano/organ (SATB) - Very
Easy to Easy SKU:
OU.9780193372801
Arranged by Alan Bullard.
Sacred choral - mixed
voices. Every Voice
Rejoice. Vocal score. 8
pages. Duration 1.5'.
Oxford University Press
#9780193372801. Published
by Oxford University
Press (OU.9780193372801).
ISBN 9780193372801. 10
x 7 inches. For
SATB and piano or organ
This is a jubilant
arrangement of a
four-part round by W. A.
Mozart, with choral
imitation of pealing
bells complementing the
celebratory text. An
English singing
translation of the Latin
text is provided. $3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Bells Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
Composed by Lloyd Larson. For SAB choir and piano (with optional 2-3 octave hand...(+)
Composed by Lloyd Larson.
For SAB choir and piano
(with optional 2-3 octave
handbells, piano
4-hands). Ready to
Worship Series. Sacred
Anthem, Christmas.
Octavo. Lorenz Publishing
Company #10/4694L.
Published by Lorenz
Publishing Company
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| As the bells ring Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
By Bob Chilcott. For SATB choir and piano. Mixed Voices. Christmas, Choral Leafl...(+)
By Bob Chilcott. For SATB
choir and piano. Mixed
Voices. Christmas, Choral
Leaflet. Vocal score. 8
pages. Duration 2'.
Published by Oxford
University Press
$3.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Bells Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Lloyd Larson. For SATB choir, piano accompaniment (with optional 2-3...(+)
Composed by Lloyd Larson.
For SATB choir, piano
accompaniment (with
optional 2-3 octave
handbells, piano
4-hands). Sacred Anthem,
Christmas. Octavo. Lorenz
Publishing Company
#10/4687L. Published by
Lorenz Publishing Company
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jubilant Bells Cloches Lorenz Publishing Company
By Ellen Jane Lorenz; Douglas E Wagner. For handbells (3-5 octaves) / handchimes...(+)
By Ellen Jane Lorenz;
Douglas E Wagner. For
handbells (3-5 octaves) /
handchimes (3-5 octaves).
General, Concert.
Handbell sheet. Published
by Lorenz Publishing
Company.
(20/1410L) Level:
Level 2+.
$5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Handbells For Weddings Percussion [Partition] Lorenz Publishing Company
By Ellen Jane Lorenz. Handbell 3-5. Handbell collection. Published by Lorenz Pub...(+)
By Ellen Jane Lorenz.
Handbell 3-5. Handbell
collection. Published by
Lorenz Publishing
Company.
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Carol of the Bells Ensemble de Flûtes [Conducteur et Parties séparées] Wonderful Winds
Shchedryk . Composed by Mykola Leontovych. Arranged by Mel Orriss. Flute...(+)
Shchedryk .
Composed by Mykola
Leontovych. Arranged by
Mel Orriss. Flutets
series. Score and parts.
Duration 1'10. Published
by Wonderful Winds
(WN.L006).
$19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jubilant Holiday Orchestre d'harmonie [Conducteur] Carl Fischer
A Setting of in Dulci Jubilo. By Sean O'Loughlin. Concert band/stage band. For F...(+)
A Setting of in Dulci
Jubilo. By Sean
O'Loughlin. Concert
band/stage band. For
Flute I, Flute II, Oboe,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet in BB, Bassoon,
Alto Saxophone I, Alto
Saxophone II, Tenor
Saxophone, Baritone
Saxophone, Trumpet I,
Trumpet II, Trumpet III,
Horn I, Horn II, Horn
III, Horn IV, Tenor I,
Tenor II, Tenor III,
Baritone (Treble Clef in
BB), Baritone (Bass
Clef), Tuba, Chimes,
Bells, Marimba, Suspended
Cymbal, Low Tom-Tom, Bell
Tree, Tam-Tam,
Tambourine, Triangle,
Castanet, Shaker, Finger
Cymbals, Chinese Cymbal.
Carl Fischer Performance
Series. Level: Medium
Band. Full Score - Large.
32 pages. Published by
Carl Fischer.
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Italian Folk Festival Orchestre [Conducteur et Parties séparées] - Intermédiaire Belwin
Arranged by Jack Bullock. Orchestra. For full (bells/chimes, timp, snare/bass/su...(+)
Arranged by Jack Bullock.
Orchestra. For full
(bells/chimes, timp,
snare/bass/suscym, pno
(opt), vln3). Full
Orchestra; Part(s);
Score. Belwin
Intermediate Full
Orchestra. Form: Medley.
Folk; Multicultural.
Grade 3. 238 pages.
Published by Belwin
Publishing
(1)$58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Bells of Easter Chorale SATB SATB, Piano Harold Flammer Music
Arranged by Brad Nix. Harold Flammer. Easter. Octavo. 16 pages. Published by H...(+)
Arranged by Brad Nix.
Harold
Flammer. Easter. Octavo.
16
pages. Published by
Harold
Flammer Music
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Sleigh Ride for Three! - Three Pieces by Leroy Anderson for Organ Orgue Jubilate Music Group
Organ SKU: JU.JMG1358 Arranged by Robert Gower. Extended Works. Score. Ju...(+)
Organ SKU:
JU.JMG1358 Arranged
by Robert Gower. Extended
Works. Score. Jubilate
Music Group #JMG1358.
Published by Jubilate
Music Group (JU.JMG1358).
Saddle up your
one-horse open sleigh for
a Leroy Anderson organ
joy ride! In this mini
collection, accomplished
arranger Robert Gower has
put his masterful touch
on three Anderson gems:
Song of the Bells, A
Trumpeter’s
Lullaby, and Sleigh Ride.
The result is an addition
to your concert
repertoire that will
thrill player and
listeners alike, while
celebrating the genius of
one of America’s
most beloved
composers. $12.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Meditation and Jubilation - Facile Hope Publishing Company
Handbells 2 octave handbell choir - Level 2 SKU: HP.1183 Composed by Will...(+)
Handbells 2 octave
handbell choir - Level 2
SKU: HP.1183
Composed by William
Melton. Original,
Education, General
Worship, Sacred. Handbell
score. 4 pages. Hope
Publishing Company #1183.
Published by Hope
Publishing Company
(HP.1183). UPC:
763628111830. Origi
nal composition The
melodic line of
Meditation contrasts
beautifully with the
cheerful sounds of
perpetual-motion-like
Jubilation. For two
octaves of bells you get
more than a bushel of
sounds. $5.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Repertoire by Rote Piano seul Alfred Publishing
(Seven Piano Pieces to Be Taught Without Traditional Notation). Composed by D...(+)
(Seven Piano Pieces to Be
Taught Without
Traditional
Notation). Composed by
Dennis Alexander and Amy
Greer. For Piano. Book;
Piano Collection; Piano
Supplemental. Early
Elementary. 32 pages.
Published by Alfred Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Saxophone Alto Alfred Publishing
By Robert W. Smith. For E-Flat Alto Saxophone. Band Supplement. Book. 24 pages. ...(+)
By Robert W. Smith. For
E-Flat Alto Saxophone.
Band Supplement. Book. 24
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond The Breaking Tides [CD] - Intermédiaire C.L. Barnhouse
| | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Clarinette Alfred Publishing
By Robert W. Smith. For B-Flat Bass Clarinet. Band Supplement. Book. 20 pages. P...(+)
By Robert W. Smith. For
B-Flat Bass Clarinet.
Band Supplement. Book. 20
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Trombone [Partition] Alfred Publishing
By Robert W. Smith. For Trombone. Band Supplement. Book. 24 pages. Published by ...(+)
By Robert W. Smith. For
Trombone. Band
Supplement. Book. 24
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Clarinette Alfred Publishing
By Robert W. Smith. For 2nd B-Flat Clarinet. Band Supplement. Book. 20 pages. Pu...(+)
By Robert W. Smith. For
2nd B-Flat Clarinet. Band
Supplement. Book. 20
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Alfred Publishing
By Robert W. Smith. For Baritone B.C. Band Supplement. Book. 20 pages. Published...(+)
By Robert W. Smith. For
Baritone B.C. Band
Supplement. Book. 20
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Trompette Alfred Publishing
By Robert W. Smith. For 2nd B-Flat Trumpet. Band Supplement. Book. 20 pages. Pub...(+)
By Robert W. Smith. For
2nd B-Flat Trumpet. Band
Supplement. Book. 20
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Belwin Young Band, Book One (featuring the works of Robert W. Smith) Saxophone Tenor Alfred Publishing
By Robert W. Smith. For B-Flat Tenor Saxophone. Band Supplement. Book. 20 pages....(+)
By Robert W. Smith. For
B-Flat Tenor Saxophone.
Band Supplement. Book. 20
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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