Cziffra's transcriptions of -- Brahms: Hungarian Dances Nos. 1-6, 8-10, 12-13, 16-17, 19, 21; Rimsky-Korsakov: Flight of the Bumblebee: J. Strauss: Tritsch-Tratsch Polka; Vecsey: La valse triste; La Fantasie Roumaine (original composition)
'My most important desire and wish was to one day give my experience with the piano over to each pianist, and future young performer. But I have never seen myself as a teacher in the general meaning of the word. Rather I have seen in myself someone who sheds light, one who directs with a small lamp those similar to himself. My intentions may appear presumptuous to some, but it is what I have found my calling to be. ' - Gyorgy Cziffra. / Classique / Partition / Broché /

Seven great hits from the former Shadows guitarist, including Genie With The Light Brown Lamp and Shindig . All tracks are arranged for guitar tablature and standard notation, with two backing tracks to help you learn. One track is a full demo with guitar, the other is a backing track without guitar for you to play along with. Both tracks are without vocals. / Guitare

15 songs from the album, including: All Along the Watchtower - Have You Ever Been (To Electric Ladyland) - Voodoo Child (Slight Return) and more. The Guitar Recorded Versions edition has been newly revised with a 24-page full-color section. Includes tab and standard notation. / Guitare Basse , Conducteur Et Guitare Tablatures

from Mary Poppins Returns. Just like the classic ?Step in Time? 54 years prior, ?Trip a Little Light Fantastic? reigns as the no-holds-barred, large-scale production number from the corresponding movie starring everyone's favorite British nanny. With lamplighters taking the stage in lieu of chimney-sweepers, this song, which takes its name from an old phrase whose meaning is ?to dance nimbly,? is preserved in this rousing arrangement from Mark Brymer that shines bright!

Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn’t only reflect the bravery of the descending miners but also their anxiety their doubt and insecurity. In the solo passage the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn’t without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job but at the endof the dark corridor the miners still see a beam of light as a sign of hope.

for large orchestra divided into three groups. Par CZERNOWIN CHAYA. The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)/ Répertoire / Orchestre

Kaddish (Aramaic: 'holy') is the Jewish mourning prayer recited for the dead. My Kaddisch für David Stahl was conceived to honour the memory of the long-serving chief musical director of the Staatstheater am Gärtnerplatz in Munich and begins with a lyrically flowing lament on the clarinet which towards the end rears up in a despairing wail of grief. The piano and double bass punctuate the arching structure of the melody with an aggressive and urgent three-note phrase which should sound as if 'hammered in steel', symbolising the three syllables 'Da-vid Stahl'. The work culminates with an original Jewish melody for Psalm 119 with the following text: 'Your word is a lamp to my feet, shadows and light reveal the width and depth of the path of my life.' Wilfried Hiller / Clarinette, Contrebasse Et Piano

In Recital With Little Pieces For Little Fingers:-This supplemental book for beginning piano students offers terrific music that has been carefully leveled to ensure success.Titles include: Jesus Loves Me; God Made Me; Peace Like a River; Deep and Wide; Down in My Heart; Give Me Oil in My Lamp; This Little Light of Mine; God Is So Good; and others. The pieces are in Middle C position ?almost? Middle C position and C position. All the pieces have lyrics and darling graphics.

Standards, Motown, Pop, Jazz: 196 Songs für Bass-Instrumente, z.B. Blue Moon, Knock On Wood, Over The Rainbow und Solitude Contenu - (Used To Be A) Cha Cha - 34 Skidoo - Almost Like Being In Love - And It All Goes Round And Round - Another Star - Baby, Come To Me - Bird Of Beauty - Black Nile - Blue Moon - Bud Powell - Butterfly - Caravan - Ceora - Close Your Eyes - Creepin' - Dancing In The Street - Day Dream - Dolphin Dance - Don't Be That Way - Don't Blame Me - Dreamin' - El Gaucho - Emily - Everything I Have Is Yours - For All We Know - Gentle Rain - Get Ready - Grand Central - Heatwave (Love Is Like A Heatwave) - Hold On I'm Comin' - How Sweet It Is (To Be Loved By You) - I Can't Help It - I Fall In Love Too Easily - I Got It Bad And That Ain't Good - I Hear A Rhapsody - I Heard It Through The Grapevine - I'm Gettin' Sentimental Over You - I'm Losing You (I Know) - If You Could See Me Now - In A Mellow Tone - In A Sentimental Mood - Inner Urge - Invitation - Isotope - Jitterbug Waltz - Just Friends - Just Squeeze Me (But Don't Tease Me) - Just You, Just Me - Knock On Wood - Laura - Let's Stay Together - Litha - Lonely Woman - Lullaby In Rhythm (Goodman) - Maiden Voyage - Moon And Sand - Moonglow - Moonlight Serenade - My Girl - Nowhere To Run - On Green Dolphin Street - One Bird, One Stone - One Finger Snap - Ooo Baby Baby - Opus De Funk - Over The Rainbow - Part Time Lover - Prelude To A Kiss - Promise - Punjab - Reach Out, I'll Be There - Respect - Ritual - Ruby - Sail Away - Serenata - Since We Met (Evans) - Smile Please - Solitude - Speak Like A Child - Spring Is Here - Stairway To The Stars - Star Eyes - Stars Fell On Alabama - Stompin' At The Savoy - Street Of Dreams - Sub Aqua - Sugar - Super Blue - Sweet Lorraine - Sweet Love - Taking A Chance On Love - That Girl - That Old Feeling - The Lamp Is Low - The Second Time Around - The Shadow Of Your Smile - The Tracks Of My Tears - This Is New - Too High - Tuzz's Shadow - Warm Valley - What Are You Doing The Rest Of Your Life? - What's Going On - What's Love Got To Do With It - When I Look In Your Eyes - When Lights Are Low - Where Are You - You Are So Beautiful - You Must Believe In Spring - You Stepped Out Of A Dream - You've ChangedStandards, Motown, Pop, Jazz: 196 Songs für Bass-Instrumente, z.B. Blue Moon, Knock On Wood, Over The Rainbow und Solitude

An arrangement of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher andaviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with text by NicholasWright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with adelicate combination of humour and poignancy. This SSA and Piano arrangement of The Lamplighters by Richard Allain.

In classic fiddling style Lamplighter's Reel is a fabulous program piece as well as solid teaching material for a string orchestra. Lloyd's many years as an educator and composer make this a super choice for developing technique and ensemble playing.

La lumière dans l'obscurité nos est un recueil de Chants et de psaumes. Toute la musique est devenue le socle en quelque sorte par la prière et la plupart des morceaux étaient nés dans l'horreur du 11 septembre 2001. Comment on peut répondre à cette terrible violation de tout une détient sacrée ?Il semble pour moi et pour beaucoup de gens que la seule chose qui va changer et sauver notre monde merveilleux est un dialogue de l'amitié et l'amour entre tous les peuples et entre toutes les religions et de prière.La plupart des Chants et des Psaumes sont prières de gratitude et de louange, de repentir et de réconciliation - un creuset d'angoisse et de joie, de l'envie d'être un avec cette lumière vivante qui brille dans nos ténèbres qui nous conduit vers cette source éternelle de l'amour et la paix. / Choeur Mixte, Instruments En Do Et Sib

Par HEINIO MIKKO. Mikko Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, ?Arrival?: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, ?Air or Wind?, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, ?Arrival?, underlines the event, the dramaturgy, whereas that of the second movement, ?Aura?, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, ?Caress? suggests. This product includes the solo part and the piano reduction (B4 sized). The orchestral material is available from the publisher. The orchestration: 3(III picc)3(III ca)3(III=bcl)3(III=cfg)-4331-13-hp-str / Date parution : 2023-01-24/ Répertoire / Violon et Piano