auf Texte aus der Bibel. Par HAKIM NAJI. Die Taube (The Dove) was commissioned by ”Kirchenmusik bei St. Anna Augsburg” to celebrate the 450th anniversary of the 'Augsburger Religionsfrieden' (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : ”And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. ” Luk. 1/79 : ”To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. ” Joh.14/27 : ”Peace I leave with you, my peace I give unto you. ” '...to guide our feet into the way of peace.' (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, 'Let God´s melody resound in you.' The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, 'I am with you always, even to the end of the age.' (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace./ Répertoire / Ténor et Quatuor à Cordes

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.

Une compilation de 100 classiques du Rock par les plus grands noms: AC/DC, Dire Straits, Metallica, Oasis, The Rolling Stones et plein d'autres encore!' Partitions pour chant, guitare (diagrammes d'accords) avec les paroles complètes et la ligne mélodique du chant. / Variétés / Partition /

Une édition pare-chocs de 150 grands succès, arrangements de haut de gamme ' busker '. Comprend ' A Whiter Shade Of Pale ', ' The Lady In Red ', ' Hey Jude' et ' Qui va être le jour '. Spirale Bound / Divers / Partition

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich.Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words 'I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?. / Clavier / Voix

Vingt-deux grands succès des années 70 dans la mélodie simple ligne arrangements pour tous les claviers électroniques. Idéal pour les débutants, chaque chanson a symboles de corde, paroles, enregistrement suggérée, rythme et tempo. Les diagrammes de clavier facile à suivre sont regroupés au début de chaque chanson et afficher tous les voicings gauche corde utilisés. Inclut vous êtes donc Vain, Rêveur et Baker Street. / Chant Et Guitare / 48 pages / Partition