Big-Note Piano. 16 top hits from 2017 and 2018 are arranged here in simple big-note piano arrangements. Includes: Attention - End Game - Feel It Still - Greatest Love Story - Havana - Issues - Liability - Location - Perfect - Praying - Say Something - There's Nothing Holdin' Me Back - Thunder - Too Good at Goodbyes - What About Us - What Lovers Do. 16 top hits from 2017 and 2018 are arranged here in simple big-note Piano arrangements. Includes: Attention - End Game - Feel It Still - Greatest Love Story - Havana - Issues - Liability - Location - Perfect - Praying - Say Something - There's Nothing Holdin' Me Back - Thunder - Too Good at Goodbyes - What About Us - What Lovers Do. / Pop and rock / Date parution : 2018-05-04/ Recueil / Piano

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Le Peacemakers établit des paroles de paix à partir iconiques, de changer le mondedes personnalités comme Gandhi, Nelson Mandela et Martin Luther King, ainsi que d'autres citations inspirantes de Mère Teresa, Albert Schweitzer, Anne Frank et le Dalaï Lama. Sont également inclus les textes religieux de la Bible, le Coran, saint François d'Assise et de Baha'u'llah, et la poésie de Shelley, Malory, Terry Waite etCarol Barratt. Une ligne du persan Rumi poète mystique résume la philosophie de l'oeuvre: 'Toutes les religions, tous les chants une chanson: La paix soit avec vous'.Pour soprano solo, choeur SATB, choeur SSA option, flûte, guitare (acoustique,contrebasse classique ou fretless), cordes et percussions, saxophone soprano avec option, en laiton, timbales, violon solo et orgue / clavier électronique. Anglais and texte latin, avec la 'paix' dans de nombreuses langues. Des matériaux performants disponibles en location.Enregistré le CD EMI 50999 0 84378 2 2. Durée: 70 'Le Peacemakers établit des paroles de paix à partir iconiques, de changer le mondedes personnalités comme Gandhi, Nelson Mandela et Martin Luther King, ainsi que d'autres citations inspirantes de Mère Teresa, Albert Schweitzer, Anne Frank et le Dalaï Lama. Sont également inclus les textes religieux de la Bible, le Coran, saint François d'Assise et de Baha'u'llah, et la poésie de Shelley, Malory, Terry Waite etCarol Barratt. Une ligne du persan Rumi poète mystique résume la philosophie de l'oeuvre: 'Toutes les religions, tous les chants une chanson: La paix soit avec vous'.Pour soprano solo, choeur SATB, choeur SSA option, flûte, guitare (acoustique,contrebasse classique ou fretless), cordes et percussions, saxophone soprano avec option, en laiton, timbales, violon solo et orgue / clavier électronique. Anglais and texte latin, avec la 'paix' dans de nombreuses langues. Des matériaux performants disponibles en location.Enregistré le CD EMI 50999 0 84378 2 2. Durée: 70 'Le Peacemakers établit des paroles de paix à partir iconiques, de changer le mondedes personnalités comme Gandhi, Nelson Mandela et Martin Luther King, ainsi que d'autres citations inspirantes de Mère Teresa, Albert Schweitzer, Anne Frank et le Dalaï Lama. Sont également inclus les textes religieux de la Bible, le Coran, saint François d'Assise et de Baha'u'llah, et la poésie de Shelley, Malory, Terry Waite etCarol Barratt. Une ligne du persan Rumi poète mystique résume la philosophie de l'oeuvre: 'Toutes les religions, tous les chants une chanson: La paix soit avec vous'.Pour soprano solo, choeur SATB, choeur SSA option, flûte, guitare (acoustique,contrebasse classique ou fretless), cordes et percussions, saxophone soprano avec option, en laiton, timbales, violon solo et orgue / clavier électronique. Anglais and texte latin, avec la 'paix' dans de nombreuses langues. Des matériaux performants disponibles en location.Enregistré le CD EMI 50999 0 84378 2 2. Durée: 70 ' / Choeur Et Piano / 140 pages / Partition Voix Et Piano

Par RUTTER JOHN. Composé par John Rutter Interprétation personnelle de Missa brevis texte Très efficace demi-programmme de travail Comprend les adultes et les choeurs d'enfants pour solistes soprano et baryton, choeur d'enfants, choeur d'adultes et orchestre ou ensemble de chambre Le texte est celui d'une norme Missa brevis latine, à laquelle plusieurs pertinentes en anglais des textes poétiques ont été ajoutées. La première et la dernière de ces hymnes sont tirées de l'évêque Thomas Ken matin et le soir réputée pour les savants de Winchester College. Ils donnent toute l'oeuvre du cadre d'une journée complète, du lever au coucher, au sein duquel d'autres textes et les humeurs apparaissent comme des événements en ce jour ou de repères dans une vie. Partitions vocales sont disponibles à la vente ou en location. Matériau instrumental est disponible à la location. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. / Niveau : Facile / Répertoire / Chant

Par FAURE GABRIEL. Cantique de Jean Racine a été écrit en 1865 au cours de la dernière année de Fauré à l'Ecole Niedermeyer, lui remporté le premier prix de composition, et ce travail élégant occupe désormais une place chère dans le répertoire choral pour des occasions sacrées et profanes. Présenté avec une traduction de chanter en anglais, en plus de l'original français, l'édition de John Rutter comprend un accompagnement d'orgue ou de piano, et le travail peut aussi être réalisée avec la transcription pour harpe et cordes (disponible séparément), compatible avec l'instrumentation pour l'OUP édition du Requiem de Fauré dans sa version 1893. Matière orchestrale et vocale complète est disponible à la location / location et à la vente. En outre, un arrangement pour voix supérieures (SSAA) avec accompagnement de clavier original de Fauré est disponible à la vente./ Répertoire / Chant

Within Three-Part Harmony. Par HAAGE JOHANNES. This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements.For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing.VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also:Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them.Introduces a unique harmonic toolbox which can be used at any stage of a musician?s personal artistic development.Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation.Vastly expands the reader?s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion.Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application.Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar.Offers a special section applying the book?s principles to keyboard instruments.Includes access to online audio of select exercises and etudes plus three of the author?s original compositions demonstrating the techniques shown in this 316-page book. / Date parution : 2022-09-20/ Etude / Guitare

Mark Dziuba helps you become a great blues guitarist by expanding your groove palette. You'll learn about shuffle and straight rhythms, the 12/8 feel, triplets, blues forms, the minor blues, and various blues rhythm tricks, including chord fills, using accents and mutes, sliding into chords, and open-string drones. Additionally, Dziuba explores harmonic concepts, like chord extensions and advanced voicings, plus rhythms from music beyond the blues---the Charleston and Latin montuno. The included DVD is hosted by Dziuba and features live demonstrations of the examples in the book. About the Author A performer and teacher for over 30 years, Mark Dziuba directs the Jazz Studies Program at the State University of New York at New Paltz, where he serves as a tenured professor. His workshops on guitar styles and improvisation have been featured at the International Guitar Festival (Bath, England), the National Guitar Workshop (various U.S. and European locations), and the Crown of the Continent Guitar Festival (Montana). He has taught and performed with many legendary guitarists, including John Scofield, John Abercrombie, John Jorgenson, Tal Farlow, Larry Carlton, Trey Anastasio, Julian Lage, and Reeves Gabrels. / Guitare

Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schütz a household name shortly after the 'Kleine geistliche Konzerte' were published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home. Unlike the 1963 edition of the 'Kleine geistliche Konzerte' (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music./ Répertoire / Chant et Basse Continue

'From the Bohemian? Forest, a set of six character pieces for piano duet, was written at the turn of the year 1883-84 at the instigation of Dvorák's publisher Fritz Simrock and appeared in print in the spring of 1884.After the 'Slavonic Dances? and 'Legends?, this was already his third cycle of piano duets to be inspired by much-loved locations.This edition presents the musical text from the 'Complete Edition of the Works of Antonín Dvorák?, Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvorák scholarship.- Popular piano miniatures which can be played individually and are ideal as encore pieces- New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng)- Well-presented division of Primo and Secondo parts printed on facing pagesContents1. In the Spinning-Room (Na prástkách)2. By the Black Lake (U Cerného jezera)3. Walpurgis Night (Noc filipojakubská)4. In Wait (Na cekání)5. Silent Woods (Klid)6. From Troublous Times (Z bourlivých dob) / Piano 4 Mains

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Songs and Singing Games from Guatemala and Nicaragua. Par . ¡Canta Conmigo! is a practical guide for music educators looking to teach music from Central America. Suitable for use in families, schools, or community centers, this resource contains a playful collection of 90 songs, singing games, chants, and games author Rachel Gibson learned from teachers, children, and families while living in several communities in both countries. While the majority of the songs are in Spanish, the book also includes a few in a Mayan language, Kaqchikel. A comprehensive companion website offers field video, audio recordings, and select song histories to help readers witness the music in authentic contexts. Ethnographic descriptions of locations where songs were learned and personal biographies written by the singers in Kaqchikel or Spanish and translated to English allow the reader to develop a connection to the land and the musicians. Culturally responsive and sustaining teaching pedagogies are discussed alongside strategies to responsibly include the music into school curriculums. A brief history of Central America and an overview of music genres in the region are included to frame this song collection within historic, cultural, and musical contexts. ¡Ven a cantar y jugar! Come sing and play! / Date parution : 2022-01-14/ Recueil / Chant

Songs and Singing Games from Guatemala and Nicaragua. Par . ¡Canta Conmigo! is a practical guide for music educators looking to teach music from Central America. Suitable for use in families, schools, or community centers, this resource contains a playful collection of 90 songs, singing games, chants, and games author Rachel Gibson learned from teachers, children, and families while living in several communities in both countries. While the majority of the songs are in Spanish, the book also includes a few in a Mayan language, Kaqchikel. A comprehensive companion website offers field video, audio recordings, and select song histories to help readers witness the music in authentic contexts. Ethnographic descriptions of locations where songs were learned and personal biographies written by the singers in Kaqchikel or Spanish and translated to English allow the reader to develop a connection to the land and the musicians. Culturally responsive and sustaining teaching pedagogies are discussed alongside strategies to responsibly include the music into school curriculums. A brief history of Central America and an overview of music genres in the region are included to frame this song collection within historic, cultural, and musical contexts. ¡Ven a cantar y jugar! Come sing and play! / Date parution : 2022-01-14/ Recueil / Chant

Par GONZALEZ RAYMOND. This collection presents 22 lyrical American tunes including traditional 19th century songs, melodies from the WWII era, and modern-day pieces by William Bay, president of Mel Bay Publications.Whether it's a Civil War ballad or a jazz inspired tone poem, Raymond Gonzalez has a gift for creating unique settings that occasionally blend harmonics with normally fretted notes and open strings. The end result is a flowing melody/chord/bass arrangement that is challenging but accessible to the intermediate guitarist.All of the notation and tab settings in this book appear in standard or dropped-D tuning and are suitable for both steel and nylon-string guitar performance. To keep page clutter to a minimum, the reader is referred to the tablature for string, fret, and harmonic locations. Includes access to online audio of every tune recorded by the author. / Date parution : 2022-07-20/ Recueil / Guitare

Classic Choral Works. Par HAENDEL GEORG FRIEDRICH. pour SATB solistes, SATB choeur et orchestre Une édition vraiment polyvalent et convivial - une approche pratique pour les artistes, informé par le plus haut standard de la bourse. La partition vocale présente avec une grande clarté de la version standard que nous connaissons et aimons tous, avec une nouvelle réduction pour piano pratique. L'annexe contient des mouvements alternatifs de Haendel et de transpositions. La partition complète comprend tous les mouvements alternatifs et des transpositions dans leur ordre correct et tout le matériel est indiqué clairement et recoupés avec la partition vocale. Partitions vocales et le matériel d'orchestre sont également disponibles à la location. / Niveau : Avancé / Répertoire / Chant